
A cynical man who argues that love is driven more by biology and chemistry than by spirit makes a wager, as part of his social experiment, by manipulating situations he can engineer any man and woman to fall for each other and become engaged within a month.
Does Lovin’ the Ladies have end credit scenes?
No!
Lovin’ the Ladies does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Lovin’ the Ladies, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Richard Dix
Peter

Selmer Jackson
George Van Horne

Henry Armetta
Signore Sagatelli

Virginia Sale
Marie - Joan's Maid

Rita La Roy
Louise Endicott

Ernest Hilliard
Davison - Tailor Shop Owner

Anthony Bushell
Brooks - the Butler

Lois Wilson
Joan Bently

Renée Macready
Betty Duncan

Allen Kearns
Jimmy Farnsworth
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What is Peter Darby's profession at the beginning of the film?
Read the complete plot summary of Lovin’ the Ladies, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Peter Darby, an electrician, is sent to the grand house of the wealthy Jimmy Farnsworth. In the drawing room, Farnsworth shares a provocative belief with his friend George Van Horne: under the right circumstances, any two people can fall in love. When George voices doubt, Jimmy makes a bold bet—five thousand dollars—that he can prove the claim. George agrees to the wager on one condition: he will choose the two people involved, and Jimmy agrees to play along.
George settles on a target for the woman: Betty Duncan, a bored socialite who seems more inclined to solitary pursuits than romance. With the man to be picked still unsettled in his mind, he fixes his gaze on the electrician, and thus Peter becomes the chosen partner. Jimmy, eager to win the bet and test his theory, convinces Peter to woo Betty, posing as a member of the upper class in exchange for $2,500 and Jimmy’s backing.
When Jimmy takes Peter to be fitted with clothes suitable for his high society circle, Peter meets Joan Bently, a woman Jimmy has repeatedly asked to marry him. He mistakes her for the target, but Jimmy corrects him. In the spirit of friendship, Peter embarks on his mission to charm Betty, aided by Jimmy’s well-timed mood enhancers: fresh flowers, a violinist, perfume scented in the parlor, and even a hand-picked collection of Shelley’s poems left within reach of conversation.
Yet Betty proves elusive, more drawn to Brooks, Jimmy’s discreet butler, than to the man swooping in as her romantic spectacle. As the evenings unfold, Peter discovers a real spark with Joan. At first, she sees him as another idle rich man, but she warms to his zest for life and his candid, energetic approach. Persuaded by his honesty, she agrees to leave with him the next morning, turning the plan away from a mere social experiment toward genuine connection.
The arrangement starts to unravel when Jimmy blurts to Joan that Peter has been romancing Betty. Joan’s trust wavers, and she suspects manipulation rather than romance. Peter refuses to let the deception stand and confronts Jimmy, demanding that the truth be acknowledged in front of everyone. The moment culminates in Jimmy’s public admission, not to win a bet but to expose the truth for what it is. After the confrontation, Peter exits, hopeful and relieved, only to find Joan waiting for him in a taxi, signaling a new life built on sincerity rather than schemes.

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