I’ll Cry Tomorrow 1955

Lillian Roth Susan Hayward grows up under the stern eye of her stage mother, Katie Roth Jo Van Fleet, who relentlessly pushes her toward auditions and performances. From a tender age, the two form a dynamic where ambition and control intertwine, shaping Lillian’s talent as much as her sense of self. Even as years pass and Lillian becomes a young performer, Katie remains at the helm, steering choices and opportunities to fit a high‑profile showbiz path.

As a breakthrough opportunity comes to light, Katie still manages Lillian’s life and career with a practiced hand, keeping a tight grip on every decision that could influence Lillian’s ascent. The relationship is portrayed with a careful balance of devotion and pressure, where professional ascent is inseparable from the mother’s own aspirations and fear of losing influence over her daughter’s future.

Lillian’s world expands when she reconnects with her childhood friend David Tredman [Ray Danton], an entertainment company lawyer who helps secure notable shows at major venues, including the Palace Theatre. David’s involvement signals a shift from private stage rooms to grand public stages, and his professional support brings a sense of possibility to Lillian’s ambitions. Yet this new chapter creates tension with Katie, who suspects that a new man in Lillian’s life could derail the carefully choreographed path she has laid out, arguing that personal relationships might distract from the star’s rising profile.

When Lillian tells her mother that she intends to marry David, Katie’s disappointment echoes a fear of replaying her own life’s sacrifices. The sense of foreboding deepens when David suddenly falls ill and dies on the opening night of a key performance, leaving Lillian devastated and emotionally adrift. The blow shakes her sense of purpose and triggers a downward spiral that propels her toward alcohol as a coping mechanism.

In a rebellious turn, Lillian enters into a loveless marriage with Wallie, an aviator, a union born of intoxication rather than affection. The relationship quickly deteriorates into mutual excess, and the career strain intensifies as alcohol use takes its toll. The marriage ends when Wallie declares he is “sick of being Mr. Lillian Roth,” signaling a hard break from the life she had known and a turn toward independence, even as drinking continues to color her days.

Two years later, Lillian falls for another alcoholic, Tony Bardeman [Richard Conte], and the cycle of dependence deepens. She attempts to withdraw from drinking to please her mother, only to become a secret drinker who hides her struggle while grappling with withdrawal, longing for a healthier partnership. The couple marries, but old patterns return as Tony begins to drink and becomes controlling, leading to abuse in a painful arc that pushes Lillian to seek safety and distance.

Her search for relief takes her to New York, where she lives with her mother again and faces the darkest moments of despair, including thoughts of suicide after a fierce confrontation. She seeks refuge in an Alcoholics Anonymous shelter, enduring delirium tremens as the body and mind wrestle with withdrawal. Through the pain, a new possibility emerges as she encounters Burt McGuire [Eddie Albert], her sponsor, whose own life and crippling effects of childhood polio make him wary of a relationship even as he offers steady support.

As Lillian continues her recovery, she finds a path toward stability and renewal, supported by the AA community and the gradual rebuilding of trust in herself. Her journey culminates in a public acknowledgment of her struggles and recovery when she is invited to share her story on the This Is Your Life program, offering a testament to resilience and the possibilities of redemption. The film traces the fullness of Lillian’s life—its triumphs, its losses, and the enduring power of determination to reclaim a voice after years of constraint.