
What happens to women without men? An inmate is persuaded to take part in a breakout by cellmates anxious to cash in on loot they believe she has hidden.
Does Girls in Prison have end credit scenes?
No!
Girls in Prison does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Girls in Prison (1956) via JustWatch.
Explore the complete cast of Girls in Prison, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jane Darwell
Matron Jamieson

Mae Marsh
'Grandma' Edwards

Diana Darrin
Meg (short redhead)

Richard Denning
Rev. Fulton

Raymond Hatton
Pop Carson

Joan Taylor
Anne Carson

Phyllis Coates
Dorothy

Laurie Mitchell
Phyllis (tall blonde)

Adele Jergens
Jenny

Lance Fuller
Paul Anderson

Luana Walters
Cellblock guard

Riza Royce
Party chaperone guard

Helen Gilbert
Melanee
Discover where to watch Girls in Prison online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Challenge your knowledge of Girls in Prison with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the main female protagonist sentenced to prison for an alleged bank robbery?
Read the complete plot summary of Girls in Prison, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Anne Carson is sent to a women’s prison for allegedly participating in a bank robbery with two others, one, Paul Anderson who is still at large. The money was never recovered, and all eyes are on Anne, who denies knowing about the money.
On arrival, Anne meets the outwardly tough Matron Jamieson and the prison chaplain, Rev. Fulton, who feels Anne may have had a mistrial and does not belong in prison. The sense of tension inside the cell block grows as the staff keep a close watch on the new prisoner.
Anne’s cellmates are Jenny, who seems to run the inmates, Melanee who makes a play for Anne, and Dorothy, a woman who has murdered her own husband and child when he ran away with another woman who is still alive. The unhinged Dorothy believes her child is still alive and every new girl in prison is her husband’s lover, Lois. Jenny and Melanee team up in a “good cop/bad cop” routine to press Anne for the location of the money, with Melanee telling Dorothy that Anne is really Lois.
On the outside, Paul is using blackmail and threats on Anne’s ex-criminal father Pop Carson to locate the money, offering to split it with him 50/50.
Anne faces danger from Dorothy’s murderous history, threats on her life from two other inmates seeking the money, and a confrontation with Melanee in a catfight. When a large earthquake hits the area and demolishes the installation, Jenny (who has acquired a pistol from her outside contacts and the outwardly harmless trustee Grandma Edwards) and Melanee use the opportunity to escape with Anne to take her home to locate the money.
The downed telephone and power lines give the three girls time to slip away, but Melanee is killed when Jenny and Anne steal a vehicle and leave her behind. When they arrive at Anne’s home, Pop is still held at gunpoint by Paul. Anne admits that she hid the money and hands it over. When the Reverend arrives, Jenny is killed by Paul, but the Reverend manages to wrestle and subdue Paul before the police arrive. Anne accepts returning to prison.
Since the film’s release in 1956, the theatrical movie poster, featuring a catfight between Melanee and Anne Carson, has become a collector’s item. The poster shows the blonde-haired Gilbert strangling the dark-haired Taylor although that exact scene did not occur in the movie.

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