Fiddler on the Roof 1971

The story unfolds around Tevye, a Jewish milkman living in the quaint village of Anatevka during the oppressive reign of Tsarist Russia. Throughout the film, Tevye engages in heartfelt conversations with the audience and the heavens, sharing his thoughts and struggles. Despite his relentless labor, Tevye remains impoverished, much like the rest of the Jewish community in Anatevka, and he grapples with the daunting task of providing dowries for his five daughters.

Life in Anatevka is marked by adversity, and Tevye articulates not only the stark realities of poverty but also the pervasive dread the Jewish population experiences under the watchful eye of their non-Jewish neighbors. He eloquently conveys that Jewish existence in Russia is as fragile as a fiddler on a roof, striving to maintain a sweet melody while delicately balancing the threat of disaster. The fiddler serves as a poignant symbol throughout the film, epitomizing the constant fears and dangers facing the Jewish community.

During a visit to town, Tevye encounters Perchik, a progressive student filled with modern ideas. Tevye invites him to stay with his family in exchange for tutoring his daughters. Through Yente, the matchmaker, Tevye attempts to arrange a marriage between his eldest daughter, Tzeitel, and the wealthy butcher Lazar Wolf. However, Tzeitel’s heart belongs to Motel, the tailor, leading her to plead with Tevye to reconsider. In a sympathetic turn, Tevye swallows his pride and allows Tzeitel and Motel to wed, especially after spinning a fantastical tale about a prophetic dream warning against the marriage to Lazar.

At the wedding, spirited debates erupt among the guests regarding a woman’s right to choose her partner. In a bold move, Perchik captivates the crowd by asserting that marriage should be a choice left to the couple. His actions, including inviting Tevye’s daughter Hodel to dance, challenge societal norms, and the festivities continue with bliss until a violent mob arrives, launching a brutal pogrom against the Jewish residents.

As circumstances evolve, Perchik prepares to depart Anatevka in pursuit of revolutionary opportunities, confessing his love for Hodel and proposing marriage. Initially enraged by their decision to wed without his consent, Tevye ultimately gives in, recognizing their love. Tragically, Perchik’s fate is sealed when he is arrested in Kiev and sent to Siberia, prompting Hodel to follow him.

Meanwhile, tension rises as Tevye’s third daughter, Chava, falls for Fyedka, a young Russian. Summoning her courage, she approaches Tevye to request permission to marry him. Yet, Tevye’s adherence to tradition leads him to reject Chava’s choice, believing she would renounce her faith in marrying outside their community. Heartbroken, Chava and Fyedka elope, tying the knot in a Russian Orthodox Church, which results in Tevye disowning her when she seeks forgiveness.

In a harrowing culmination, the Jewish community is informed that the government has decreed their expulsion from Anatevka, offering only three days to vacate. Tevye, alongside his family and friends, gathers their belongings, setting sights on unfamiliar destinations like New York, Chicago, and Jerusalem. As the film draws to a close, Tevye catches sight of the fiddler once more and gestures for him to join, symbolically inviting the lingering traditions to accompany them on their uncertain journey ahead.