
In 19th century Vienna, Anna Holtz, a talented and devoted music student, becomes involved with the renowned composer Ludwig van Beethoven. As their lives intersect, Beethoven's difficult personality begins to mellow, and an unexpected friendship develops between them. However, their connection faces challenges when Anna's engagement to another man looms, creating a complex emotional situation for all involved.
Does Copying Beethoven have end credit scenes?
No!
Copying Beethoven does not have end credit scenes. You can leave when the credits roll.
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59
Metascore
7.2
User Score
28%
TOMATOMETER
56%
User Score
6.7 /10
IMDb Rating
64
%
User Score
Challenge your knowledge of Copying Beethoven with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who plays the role of Ludwig van Beethoven in the film?
Ed Harris
Matthew Goode
Ralph Riach
Joe Anderson
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Read the complete plot summary of Copying Beethoven, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Copying Beethoven is a compelling period drama that delves into the final year of Ludwig van Beethoven, portrayed by Ed Harris. The film opens with a poignant scene featuring a frail Beethoven, while Anna Holz, played by Diane Kruger, witnesses this profound moment, establishing an emotional connection between them right from the start.
The narrative transports us back to the time when Wenzel Schlemmer, Beethoven’s publisher, desperately searches for a talented copyist to assist in completing the score for his Ninth Symphony ahead of its much-anticipated debut. Anna Holz, a fictional character likely inspired by a close friend of Beethoven named Karl Holz, steps forward as the best available copyist. Initially taken aback by the prospect of working with a woman, Beethoven soon finds that their collaboration flourishes, leading to Anna aiding in the magnificent premiere of his final symphony.
As the story unfolds, we also meet Martin Bauer, portrayed by Matthew Goode, who is Anna’s love interest and engrossed in designing a novel bridge. While Martin engages his intellect for his engineering projects, Beethoven is deeply connected to the emotional and spiritual aspects of life. Caught in a difficult position, Anna feels the weight of choosing between the two men.
The tension escalates when Beethoven, exhibiting his unfiltered temperament, shatters Martin’s bridge model and makes harsh remarks about one of Anna’s compositions, prompting her to leave him. When Martin realizes his mistake, he pleads for forgiveness, and Anna ultimately yields, understanding that both art and love transcend mere logic.
The duo continues to collaborate on Beethoven’s works, as well as Anna’s own compositions, until the maestro’s passing. Interwoven within this narrative is a subplot that reveals Beethoven’s tumultuous relationship with his nephew, Karl van Beethoven. The young man, portrayed by Joe Anderson, struggles with his uncle’s expectations and feels inadequate as he battles his gambling debts while avoiding Beethoven’s hopeful aspirations for a worthy successor.
This intricate tapestry of relationships underscores the struggles of artistry, emotion, and familial obligation, making Copying Beethoven a heartfelt examination of the human experience against the backdrop of genius.
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