
A cartoon parody of Disney’s 1937 Snow White and the Seven Dwarfs that replaces the fairy‑tale cast with an all‑Black ensemble, employing exaggerated visual gags typical of its era. The short became infamous as one of United Artists’ “Censored 11,” removed from television syndication in 1968 because of overt racist stereotypes.
Does Coal Black and de Sebben Dwarfs have end credit scenes?
No!
Coal Black and de Sebben Dwarfs does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Coal Black and de Sebben Dwarfs, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Danny Webb
Queen (voice) (uncredited)

Mel Blanc
Dwarves / Worm in Apple / Honey Chile (voice)

Lillian Randolph
Mammy (voice) (uncredited)

Robert Clampett

Ruby Dandridge
Queen's Sweet Voice / Queen's Laugh (voice) (uncredited)

Vivian Dandridge
So White (voice) (uncredited)

Ivie Anderson
Narrator (voice) (uncredited)

Zoot Watson
Prince Chawmin' (voice) (uncredited)
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Challenge your knowledge of Coal Black and de Sebben Dwarfs with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the main heroine that tells the story at the beginning of the cartoon?
So White
Mam Mam
Princess Lily
Daisy
Show hint
Read the complete plot summary of Coal Black and de Sebben Dwarfs, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Coal Black opens with a quiet, intimate scene in front of a flickering fireplace. A red-tinted silhouette of a large woman cradling a young child fills the frame as the child asks her “mammy” to tell the story of So White an’ de Sebben Dwarfs. Mammy [Lillian Randolph] begins the tale, and the narrative quickly pivots to the character at the center of the Queen’s schemes.
The rich, Wicked Queen [Danny Webb] sits atop her throne of abundance, a theatrical caricature of a wartime ration hoarder. Her den is stocked with the kinds of items that were scarce during World War II—rubber, sugar, gin, and more—piled high as symbols of power. The Queen stuffs candy into her mouth from a box labeled Chattanooga Chew-Chews and then orders her magic mirror to conjure up a prince, specifically “a prince ’bout six feet tall.” When Prince Chawmin’ [Zoot Watson] arrives in a flashy car, he swats away the Queen’s fear with bravado, declaring that though she may be frightful, her gal So White [Vivian Dandridge] is dyn-a-mite. He escorts So White away from her laundry duty, and they whirl into a rousing jitterbug that catches the Queen’s eye and sparks her jealousy into action.
In a frantic bid to erase So White, the Queen hires “Murder, Incorporated” to rub out the girl. The plan unleashes a cascade of chaos: a panel truck proclaims, “We rub out anybody for $1.00; Midgets: 1/2-price; Japs: free,” and the hired killers close in. After a series of unseen favors that seem to delight the would-be assassins, So White is spirited away, only to be found later in the woods unharmed. The would‑be assassins, their faces smeared with So White’s lipstick in a cheeky visual gag, drive off in a flurry of action.
Lost in the woods, So White encounters an owl-hooting dwarf. Fear sparks a quick flare of light when she lights a lighter, revealing a single rifle-wielding dwarf. He calls out, “Who goes there, Friend or Foe?” That moment ushers in the Sebben Dwarfs, seven diminutive, uniformed soldiers who march and sing “We’re in the Army Now,” punctuated by a pair of dwarfs singing a sly line about catching “cats” and “rats.” So White, now full of energy, is taken in as their squad cook, frying eggs and pork chops for the hungry troops, their makeshift stove bearing the sign “Keep ’em frying” as a cheeky nod to wartime slogans.
Meanwhile, the Queen learns that So White still lives and schemes anew. She poisons an apple, filling it with a venomous intent that even transforms the fruit into a green apple. Four worms escape the apple as the Queen, disguised as an old peddler, arrives at the Sebben Dwarfs’ camp and delivers a poisoned bite disguised as a gift. So White bites down and collapses, while one of the seven dwarfs spots her lifeless form and warns the others that the Queen has done the deed. In response, the dwarfs leap into action, loading a cannon with a war shell that carries a comical STL of Dopey. The shell fires, the female crone is knocked out by the toy-like mallet wielded by Dopey, a moment of triumph that’s equal parts farce and fantasy.
Yet So White remains unresponsive. The dwarfs’ chant underscores the moment as the Prince reappears, stepping into a spotlight with a promise to give her a kiss that will awaken her, declaring he’ll use his “special ‘Rosebud’” to bring her back to life—an affectionate wink to Citizen Kane. The Prince leans in with a kiss, but it proves insufficient, leaving him exhausted and turning pale in the process. Dopey then strides forward, and with a kiss that’s as dramatic as the prior attempt, gives So White a burst of life. Her eyes widen, her pigtails shoot skyward, and the red ribbons transform into twin American flags amid notes of Columbia, the Gem of the Ocean. Suddenly, So White’s revival shines with a victorious gleam, and the entire scene erupts into a jubilant finish.
The Prince, worn and defeated, asks Dopey what gives So White such irresistible charm, to which Dopey cryptically replies, “dat is a military secret,” before delivering one more kiss that triggers their eyes to glow with a renewed, almost patriotic, spark. The final moment sees So White awakening with a bright, opened-eyed grin and a triumphant, comic energy as the scene fades into the familiar Merrie Melodies ending: a playful “That’s all, Folks!” over the image of the little girl and her Mammy.
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