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Leon Schlesinger Productions
Read the complete plot summary and ending explained for Coal Black and de Sebben Dwarfs (1943). From turning points to emotional moments, uncover what really happened and why it matters.
Coal Black opens with a quiet, intimate scene in front of a flickering fireplace. A red-tinted silhouette of a large woman cradling a young child fills the frame as the child asks her “mammy” to tell the story of So White an’ de Sebben Dwarfs. Mammy [Lillian Randolph] begins the tale, and the narrative quickly pivots to the character at the center of the Queen’s schemes.
The rich, Wicked Queen [Danny Webb] sits atop her throne of abundance, a theatrical caricature of a wartime ration hoarder. Her den is stocked with the kinds of items that were scarce during World War II—rubber, sugar, gin, and more—piled high as symbols of power. The Queen stuffs candy into her mouth from a box labeled Chattanooga Chew-Chews and then orders her magic mirror to conjure up a prince, specifically “a prince ’bout six feet tall.” When Prince Chawmin’ [Zoot Watson] arrives in a flashy car, he swats away the Queen’s fear with bravado, declaring that though she may be frightful, her gal So White [Vivian Dandridge] is dyn-a-mite. He escorts So White away from her laundry duty, and they whirl into a rousing jitterbug that catches the Queen’s eye and sparks her jealousy into action.
In a frantic bid to erase So White, the Queen hires “Murder, Incorporated” to rub out the girl. The plan unleashes a cascade of chaos: a panel truck proclaims, “We rub out anybody for $1.00; Midgets: 1/2-price; Japs: free,” and the hired killers close in. After a series of unseen favors that seem to delight the would-be assassins, So White is spirited away, only to be found later in the woods unharmed. The would‑be assassins, their faces smeared with So White’s lipstick in a cheeky visual gag, drive off in a flurry of action.
Lost in the woods, So White encounters an owl-hooting dwarf. Fear sparks a quick flare of light when she lights a lighter, revealing a single rifle-wielding dwarf. He calls out, “Who goes there, Friend or Foe?” That moment ushers in the Sebben Dwarfs, seven diminutive, uniformed soldiers who march and sing “We’re in the Army Now,” punctuated by a pair of dwarfs singing a sly line about catching “cats” and “rats.” So White, now full of energy, is taken in as their squad cook, frying eggs and pork chops for the hungry troops, their makeshift stove bearing the sign “Keep ’em frying” as a cheeky nod to wartime slogans.
Meanwhile, the Queen learns that So White still lives and schemes anew. She poisons an apple, filling it with a venomous intent that even transforms the fruit into a green apple. Four worms escape the apple as the Queen, disguised as an old peddler, arrives at the Sebben Dwarfs’ camp and delivers a poisoned bite disguised as a gift. So White bites down and collapses, while one of the seven dwarfs spots her lifeless form and warns the others that the Queen has done the deed. In response, the dwarfs leap into action, loading a cannon with a war shell that carries a comical STL of Dopey. The shell fires, the female crone is knocked out by the toy-like mallet wielded by Dopey, a moment of triumph that’s equal parts farce and fantasy.
Yet So White remains unresponsive. The dwarfs’ chant underscores the moment as the Prince reappears, stepping into a spotlight with a promise to give her a kiss that will awaken her, declaring he’ll use his “special ‘Rosebud’” to bring her back to life—an affectionate wink to Citizen Kane. The Prince leans in with a kiss, but it proves insufficient, leaving him exhausted and turning pale in the process. Dopey then strides forward, and with a kiss that’s as dramatic as the prior attempt, gives So White a burst of life. Her eyes widen, her pigtails shoot skyward, and the red ribbons transform into twin American flags amid notes of Columbia, the Gem of the Ocean. Suddenly, So White’s revival shines with a victorious gleam, and the entire scene erupts into a jubilant finish.
The Prince, worn and defeated, asks Dopey what gives So White such irresistible charm, to which Dopey cryptically replies, “dat is a military secret,” before delivering one more kiss that triggers their eyes to glow with a renewed, almost patriotic, spark. The final moment sees So White awakening with a bright, opened-eyed grin and a triumphant, comic energy as the scene fades into the familiar Merrie Melodies ending: a playful “That’s all, Folks!” over the image of the little girl and her Mammy.
Follow the complete movie timeline of Coal Black and de Sebben Dwarfs (1943) with every major event in chronological order. Great for understanding complex plots and story progression.
Mammy opens the tale by the fireplace
Scene opens with a red tinted silhouette of a large woman and a small child by a fireplace as Mammy invites So White to hear the story of So White and the Sebben Dwarfs. She begins recounting the fairy tale and sets a playful, musical tone for the tale. This frame guides the audience into a motherly storytelling moment.
Wicked Queen introduced as a gluttonous hoarder
The Wicked Queen is shown as a food hoarder with a cache of wartime ration items. She stuffs her face with candies and consults a magic mirror to summon a prince. She immediately starts plotting against So White to maintain her control.
Prince Chawmin' arrives and courts So White
Prince Chawmin' arrives in a flashy car and proclaims So White is dyn-a-mite while mocking the queen. He sweeps So White into a lively jitterbug, drawing the queen's ire. The scene marks the start of the queen's vendetta against So White.
Queen hires assassins to 'black-out' So White
The queen, furious at the pair, hires an assassination crew to remove So White. The panel truck and its cheeky slogan introduce the mercenary threat. So White becomes the target of the queen's scheme.
So White is kidnapped and released in the woods
The assassins kidnap So White, but after several favors that please them, they release her unharmed into the woods. She wanders the forest, unaware of the deeper danger behind the queen’s plot. The episode marks a turning point that leads her toward the Sebben Dwarfs.
So White joins the Sebben Dwarfs as their cook
In the woods, So White meets a dwarf who hoots like an owl and is drawn to the Sebben Dwarfs. They recruit her as their squad cook, and she spends her days frying eggs for the soldiers. A stove sign proclaims Keep Em Frying as a playful wartime joke.
Queen poisons an apple and disguises as a peddler
Learning that So White is alive, the queen poisons an apple by transforming a red fruit into green and releasing four worms as comic menace. She disguises herself as an old peddler and delivers the poisoned fruit to the Sebben Dwarfs' camp. The trap is set to eliminate So White.
So White eats the poisoned apple; the alarm sounds
So White accepts the apple and collapses, seemingly dead. One dwarf witnesses the moment and calls the others to action, triggering a rapid response with the dwarfs leaping into vehicles to confront the danger. The queen makes her escape as the dwarfs rush to defend So White.
The queen is confronted: Dopey defeats her
The dwarfs load a cannon with a war shell and Dopey appears to deliver the final blow. The shell carries Dopey toward the queen, who is knocked out with a mallet, ending the queen's threat for now. So White remains unconscious for the moment.
Prince Chawmin' tries to kiss So White to revive her, dies
A spotlight returns with Prince Chawmin' attempting a passionate kiss to revive So White. His effort is comic but fatal, as he turns blue and dies in front of the startled dwarfs. The revival scene now seems unlikely without intervention.
Dopey revives So White with a kiss
Dopey steps in and gives So White a powerful kiss that jolts her awake. Her eyes bulge with awakening, her pigtails shoot upward, and the dwarfs cheer as she returns to life. The moment reasserts the battle between good and evil with a magical spark.
Final fade-out and That’s All Folks
The tale closes with So White alive and the story returning to its framing shot. The screen fades to the standard Merrie Melodies ending, overlaying on the opening scene of the girl and Mammy. The film ends with a quiet callback to its storyteller frame.
Explore all characters from Coal Black and de Sebben Dwarfs (1943). Get detailed profiles with their roles, arcs, and key relationships explained.
Queen (voice) — Danny Webb
A vain, ruthless monarch who hoards wartime ration goods and schemes to 'black out' So White. Her magic mirror and ruthless schemes mark her as the story's primary antagonist.
Queen's Sweet Voice / Queen's Laugh
The queen’s melodic voice and laugh punctuate her manipulative presence, adding a layer of charm that belies her cruelty. This vocal persona amplifies the queen’s deceptive allure.
Mammy
The storyteller in the opening scene, offering a warm, maternal voice that frames the tale and grounds the fantasy in a family setting before the fairy-tale world expands.
So White
A hard-working girl who does laundry and becomes the Sebben Dwarfs' cook. She is resourceful and resilient, the central protagonist who endures danger and inspires hope.
Dwarves
Seven diminutive soldiers in uniform who form the dwarfs' army camp. They recruit So White, provide comic action, and sing about their army life, anchoring the story's humor and energy.
Narrator
The guiding voice that frames the story, narrating events and guiding the audience through the fairy-tale wartime spoof.
Prince Chawmin'
The flashy prince who arrives in a modern car and initially engages in a flurry of kisses that fail to revive So White, providing a satirical take on romantic clichés before the final revival.
Learn where and when Coal Black and de Sebben Dwarfs (1943) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
World War II era (early 1940s)
The narrative blends 1940s wartime culture with a fairy-tale plot, featuring rationed goods, swing-era music, and a military mood. The queen's regime and the dwarfs' camp mirror contemporary wartime attitudes while remaining firmly within a comic, magical framework. Overall, the setting evokes a 1940s American wartime atmosphere.
Location
Sebben Dwarfs' camp, the woods, storytelling fireplace room
The story unfolds in a fantasy world with a wartime parody vibe. So White serves as a cook for the Sebben Dwarfs in a wooded camp, while the Wicked Queen operates from a lavish lair stocked with wartime ration goods. The framing scene returns to a cozy fireplace where a mammy-like storyteller begins the tale, anchoring the fairy-tale world in a domestic setting before the war parody expands.
Discover the main themes in Coal Black and de Sebben Dwarfs (1943). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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War satire
The film uses a fairy-tale premise to lampoon wartime culture and rationing, mixing magical characters with military tropes to parody propaganda.
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Power & Vanity
The Wicked Queen wields beauty and privilege as weapons, attempting to eliminate So White and hoard resources, a satire on vanity and control.
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Resilience
So White evolves from a laundry worker to an active ally for the dwarfs, and the resilience shown in the face of danger—poison, pursuit, and revival—drives the story's comedic heroism.

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In a brightly colored world that riffs on the classic fairy‑tale, the short reimagines the familiar story through a lively, all‑Black lens. The animation bursts with exaggerated visual gags and wartime references, turning the once‑serene forest into a bustling backdrop of ration boxes, jitterbug rhythms, and tongue‑in‑cheek patriotism. The tone swings between snappy musical numbers and slapstick comedy, inviting the audience into a cartoon universe where every frame crackles with the era’s energetic satire.
At the heart of the tale is So White, a spirited young woman whose optimism and quick wit light up the screen. She shares a cozy, story‑telling moment with her warm guardian Mammy, whose comforting voice frames the narrative like a bedtime legend. Their relationship sets a gentle, familial tone that contrasts delightfully with the larger, more flamboyant world swirling around them.
Overshadowing the cozy scene is the imposing presence of the Wicked Queen, a larger‑than‑life figure who embodies both regal authority and the exaggerated bravado of wartime hoarding. She is complemented by Prince Chawmin’, a dashing suitor whose swagger and flashy style promise adventure and a dash of romance. Their interactions with So White hint at a playful rivalry that fuels much of the cartoon’s comedic tension without revealing any specific schemes.
Rounding out the ensemble are the Sebben Dwarfs, a charismatic troupe of diminutive soldiers who march, sing, and perform with a jaunty military flair. Their camaraderie and catchy refrain add a rhythmic heartbeat to the story, inviting So White into a world of collective mischief and musical hijinks. Together, these characters create a vibrant tableau where parody, music, and visual comedy intertwine, promising a whimsical ride that nods to classic fairy‑tale motifs while marching to its own spirited beat.
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