
A 19‑year‑old discovers she is pregnant and, fearing motherhood, considers an abortion without telling her boyfriend. Her father, a 62‑year‑old retired judge opposed to abortion, learns of it. His 38‑year‑old second wife then reveals she is also pregnant, despite their earlier pact for no more children. The judge must reevaluate his beliefs while the women confront their choices, leading all three to make hard decisions.
Does Choices have end credit scenes?
No!
Choices does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Choices, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

George C. Scott
Evan Granger

Jacqueline Bisset
Marisa Granger

Howard Ryshpan
Paul

Vlasta Vrana
Minister

Melissa Gilbert
Terry Granger

Richard Dumont
Caterer

Rob Roy
Picketer

Terrence Labrosse
Dr. Williams

Lorena Gale
Clinic Staffer

Kirsten Bishop
Dana

Steven Flynn
Scott

Michael Sinelnikoff
Jonathan

Daliah Novak
Janet

Len Watt
Businessman

Barbara Jones
Receptionist

Mitch Martin
Young Woman

Laurie Kennedy
Ellen

Nancy Allison
Norma

Nicholas A. Bourdon
Aaron

Catherine Colney
Clinic Woman

Merwan Mehta
Joshua

Joanna Nayes
Counselor

Tiiv Kohl Paquette
Billy
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Read the complete plot summary of Choices, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Evan Granger is a respected Manhattan judge nearing retirement, and his life is framed by a deep sense of duty and traditional values. His wife, Marisa Granger, a 38-year-old concert pianist, moves with grace through the couple’s home while carrying her own quiet hopes for the future. Their world is rattled when Terry Granger, their college-aged daughter, returns home on a school break and drops a life-changing revelation: she is pregnant. The news sets off a cascade of emotions as Marisa urges Terry to talk to her father, and the family dynamic shifts under the shadow of an unborn child.
Terry’s disclosure lands with a harsh social reality: she might consider an abortion, and she wants to make that choice without involving her ex-boyfriend, Scott, who dumped her and now stands firmly on an anti-abortion position, equating ending a pregnancy with murder. The drama quickly escalates as Scott becomes a catalyst for heated confrontations about autonomy, responsibility, and the right to choose one’s path. The tension is not just about a single decision but about who gets to define the terms of the young woman’s life and future.
Amid this upheaval, a second shock arrives: Marisa discovers she is pregnant as well. This revelation—or perhaps the hidden truth she has carried in her own heart—puts emotional pressure on the marriage and the family’s shared plans. Where Evan Granger once believed their life would be simple and predictable, he now confronts a future that could demand a different kind of sacrifice. His stance crystalizes as he voices a moral opposition to abortion and wrestles with what it means to protect his daughter’s choices while also considering the life that might be formed within his own wife.
The core conflict widens into a broader meditation on parenthood, ambition, and the limits of control. Terry’s decision about whether to bring a child into the world intersects with her plans for law school and independence, while Marisa’s unexpected pregnancy challenges the idea of a quiet, risk-free later life. The narrative follows how each character negotiates fear, love, and obligation as they face deeply personal questions: How much should parents influence their children’s bodies and futures? When do convictions about right and wrong become obstacles to compassion? And how does a family reconcile competing desires for happiness with the unpredictable realities of life?
Throughout the story, the household becomes a microcosm of larger debates, with the stakes continually shifting as new information emerges and relationships are tested. Supporting figures, including a medical professional and other community members, appear in scenes that illuminate the characters’ concerns and bring additional perspectives to the dilemma. The setting—a tense, intimate drama in a city famed for its law, culture, and public moral discourse—adds layers to the characters’ inner conflicts and the consequences of the choices they must make.
As the narrative unfolds, it avoids easy answers and refuses to reduce the characters to mere symbols of a stance. Instead, it presents a thoughtful, intimate portrait of a family trying to navigate love, responsibility, and personal autonomy under pressure. The tension is sustained not just by the potential outcomes, but by the ethical nuances and emotional weigh-in on every decision. In the end, each character is forced to confront what they are willing to sacrifice for the sake of the life they choose to pursue, and the film leaves audiences with a sober reflection on how the paths we choose shape the people we become.
The story listens closely to the voices of its protagonists, balancing their vulnerabilities with the stubborn commitments they hold. It treats the topic with gravity and nuance, inviting viewers to linger on how a single moment can redefine a family’s future. As the pounds of doubt and desire press in from every side, the characters grow through dialogue, quiet courage, and the simple, often painful act of deciding what comes next—together, or apart. The journey is as much about self-definition as it is about the unborn life at the center of the storm, and it asks us to consider how love, when tested by circumstance, can still chart a hopeful course forward.

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