
Based on the real 26 April 1974 raid, former debutante turned IRA operative Rose Dugdale and three comrades stormed Russborough House in Wicklow, stealing nineteen priceless paintings to fund the Irish Republican Army’s armed campaign. The story then unfolds over the ensuing days as Dugdale lies low in a remote cottage, awaiting the fallout.
Does Baltimore have end credit scenes?
No!
Baltimore does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Baltimore, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Imogen Poots
Rose Dugdale

Carrie Crowley
Rose's Mother

Dermot Crowley
Donal

Alan Howley
News Reporter

John Kavanagh
Sir Alfred Beit

Ella Cannon
Comrade

Simon Kunz
BBC News Reader

Fionnuala Murphy
Shopkeeper

Andrea Irvine
Lady Beit

Vanessa Ifediora
Alice

Conor Lambert
Fisherman

Lewis Brophy
Martin

Jack Meade
Eddie Gallagher

Patrick Martins
Walter

Flynn Gray
Patrick

Martha Breen
Sophie

Simon Coury
Rose's Father

Paul Ward
Butler

James Edlin
Boy's Father

Jude McClean
Child Rose

Bernadette Carty
Anne

Derek Carroll
Garda / Special Branch

Molly Rose Lawlor
Lizzie

Tom Vaughan-Lawlor
Dominic

Michael-David McKernan
Micheál

Ciaran McMahon
Policeman

Ciaran McKenna
Albert Price

Damien Donnelly
Garda Special Branch (Black Trench Coat)

Kilmurry Jennifer
Oxford Student

James Sadat
Oxford Union Member
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What is the name of the English heiress who becomes an IRA activist?
Read the complete plot summary of Baltimore, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Rose Dugdale, Imogen Poots, is introduced as an English heiress who finds her university years opening a door to Irish republicanism, challenging the life of privilege she was raised in. She forms a student club to spark radical reforms in British society and to question how Ireland is treated by her country. A pivotal moment comes when she witnesses news footage of British soldiers assaulting an unarmed civil rights protest, and she bluntly tells her classmates that only “action” will bring about lasting change.
only “action” will bring about lasting change
As graduation approaches, Dugdale rejects a planned government career, sells her expensive home, donates every penny to the poor, and renounces her family name. She moves to Northern Ireland and becomes a committed pro-Irish activist, a shift that tests loyalties and deepens her resolve. Her mother, Carrie Crowley, looms as a reminder of the life she leaves behind, adding emotional weight to her bold new path.
Through her steadfast activism, Dugdale is drawn into the orbit of the Provisional Irish Republican Army (IRA). She is invited to join their ranks and undergoes extensive training in weapons, explosives, and spycraft. Her determination pays off when she takes part in the bombing of a police station, quickly earning a leadership role within the organization.
In April 1974, a dramatic plan unfolds: Dugdale aims a raid on Russborough House, the home of Sir Alfred Beit, John Kavanagh portraying the Beit patriarch. Disguised with a blond wig and a French accent, she and her team break into the estate, restraining Sir Alfred Beit, and his wife, Lady Beit Andrea Irvine, subjecting them to harsh verbal and physical abuse. The sequence is tense and meticulously staged, highlighting Dugdale’s evolving strategic mind and willingness to take big risks.
Yet the raid reveals Dugdale’s deeper fixation on the Beit art collection, not Beit himself. The team targets a priceless Vermeer—one of only two copies remaining in the world—carefully extracting the paintings and moving them to a rural property Dugdale rents under an alias. From there, she contacts the authorities in a bold gambit: demand the release of IRA prisoners and issue a ransom, threatening to destroy the paintings if her terms aren’t met.
The search for the missing artworks triggers a wide-reaching manhunt. Police close in as investigators trace the lease back to Dugdale, forcing a raid on the rural property before the team can complete their plan. Dugdale is arrested and convicted of both the art theft and her prior involvement in the station bombing. The film ends with a defiant moment as she raises a fist to the court while being led away to serve her sentence.

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