
A dancer pursuing a career in New York City faces a career-threatening injury and finds temporary shelter with a wealthy couple in their luxurious apartment. As she adjusts to her new surroundings, strange encounters with a secretive Broadway producer hint at a dark secret hidden within this seemingly perfect life.
Does Apartment 7A have end credit scenes?
Yes!
Apartment 7A does have end credit scenes. Stay until the very end!
Explore the complete cast of Apartment 7A, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Rosy McEwen
Vera Clarke

Nikkita Chadha
Donna

Dianne Wiest
Minnie Castevet

Julia Garner
Terry Gionoffrio

Julia Westcott-Hutton

Mellanie Hubert

Andrew Buchan
Leo Watts

Kobna Holdbrook-Smith

Marli Siu
Annie Leung

Jim Sturgess
Alan Marchand

Kevin McNally
Roman Castevet

James Swanton

Patrick Lyster
Dr. Sapirstein

Ana Campbell

Anton Blake Horowitz
Casting Director

Amy Leeson

Brooke Walter

Anil Desai

Scott Hume

Thomas Harper-Jones
Discover where to watch Apartment 7A online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Apartment 7A is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Apartment 7A stands among top-rated movies in its genre.
Apartment 7A registers as a mixed entry with notable strengths in its visual craft and performances but significant weaknesses in originality and engagement. Viewers highlight the well-executed dance sequence and strong acting from Julia Garner and Dianne Wiest, yet many criticize its reliance on familiar imagery and a predictable plot that fails to deepen the prequel’s connection to its predecessor. Sensory atmosphere offers mild chills but does little to elevate the narrative. Ultimately, the film’s moderate technical merits are offset by a lack of lasting appeal.
The Movie Echo Score Breakdown for Apartment 7A
Art & Craft
In terms of art and craft, the film delivers a generally concise visual style with a polished final sequence but suffers occasional clumsy references to its source material. Direction and editing manage coherent framing, and the dance sequence impresses with precise choreography and lighting. However, some transitional moments feel underdeveloped and rely too heavily on homage. The net effect is a competent visual presentation that intermittently lags in originality.
Character & Emotion
When it comes to character and emotion, performances by Julia Garner and Dianne Wiest stand out for their nuanced portrayals and strong screen presence. Acting quality remains a high point, bringing energy to otherwise familiar archetypes. However, the film struggles to fully articulate deeper emotional arcs or resolve thematic musings, leaving interactions feeling somewhat superficial. Overall, the character work is solid but not consistently resonant.
Story & Flow
In terms of story and flow, Apartment 7A often defaults to predictable beats and familiar horror tropes, resulting in a narrative that feels like a retread rather than an illuminating prequel. Pacing is measured but uneven, with several concepts introduced without adequate resolution. Originality is limited by frequent callbacks that fail to expand on the predecessor’s mythology. Consequently, the plot engages sporadically but lacks sustained momentum or freshness.
Sensory Experience
When it comes to sensory experience, the film creates a muted atmosphere with occasional moments of genuine tension, particularly in the dance sequence and select set pieces. Sound design and score provide mild chills, while visual style incorporates an understated color palette that suits the eerie tone. Yet the overall texture feels diluted on a larger scale, and familiar imagery diminishes its impact. The sensory elements are competent but rarely immersive.
Rewatch Factor
In terms of rewatch factor, the film offers limited replay value beyond its key performances and isolated set pieces. Julia Garner’s presence and the climactic dance sequence provide some incentive for subsequent viewings, but the largely predictable narrative and lack of thematic depth reduce lasting appeal. The modest atmosphere and familiar structure fail to sustain interest over multiple viewings. Overall, the film’s replay potential remains low.
49
Metascore
5.1
User Score
45%
TOMATOMETER
65%
User Score
/10
IMDb Rating
61
%
User Score
2.7
From 32 fan ratings
4.00/5
From 1 fan rating
Challenge your knowledge of Apartment 7A with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What serious injury does Terry sustain during a performance?
Wrist injury
Knee injury
Ankle injury
Back injury
Show hint
Read the complete plot summary of Apartment 7A, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Terry Gionoffrio, a young dancer from Nebraska now working in New York City, sustains a serious ankle injury mid-performance in a Broadway production of Kiss Me, Kate, causing the show to be stopped. She becomes known as “the girl who fell” and although unable to perform as she previously did, continues to unsuccessfully audition for dancing parts. After auditioning for Broadway producer Alan Marchand, she follows him home to the Bramford apartment building and becomes sick. She is befriended by Minnie and Roman Castevet, an elderly couple who live in the Bramford’s apartments and who offer her an apartment down the hall rent-free, which they explain as something they have done before to help someone who needs it. Unpacking, she comes across a ballet slipper labeled Joan Cebulski.
The Castevets invite her for cocktails at Alan’s apartment, but when she shows up, she discovers the Castevets have cried off and she is the only guest. After a drink, she becomes disoriented. After a frightening dream, she wakes in bed in Marchand’s apartment. He implies they had sex and tells her she made the chorus for his show.
Terry meets more of the neighbors, who take an interest. One woman, Lily Gardenia, gives her a salve for her ankle, and she has another frightening dream, but in the morning her ankle is markedly better. Another, Dr. Sapirstein, an obstetrician, gives her his card. The Castevets give her a talisman necklace for Christmas.
After experiencing morning sickness, she visits Dr. Sapirstein and discovers she is pregnant, and the news is soon known to Alan and the Castevets.
Terry discovers a secret passageway into Lily’s apartment and finds a note and a grimoire. She steals the grimoire and finds a drawing of her talisman in it along with a photo of a chained woman giving birth to a demon.
Terry experiences pain and calls Dr. Sapirstein, telling him she thinks there’s something wrong with her or the baby. He tells her to pack a bag and come in, and when she asks why she would need a bag, he tells her she may be experiencing perinatal hysteria and need to be admitted for her own protection and that of the baby.
Terry flees, leaving the talisman behind. She finds Joan Cebulski’s name in an old Playbill and visits the theater; the manager tells her Joan left six months earlier, promising to be back for her belongings the next day. In Joan’s suitcase, Terry finds a rosary and a bible with Revelation 12:9 underlined.
Terry goes to a back-alley abortionist, accompanied by Annie; Terry involuntarily kicks the abortionist as she starts the process, and the woman has a seizure. Terry tells Annie she has to deal with the pregnancy “on her own”.
Back at the Bramford, she finds a temple with murals and tools of religious ritual in a sub-basement. Alan appears and tells her this is where she was impregnated. Alan taunts her, and she stabs him with an engraved athame. A horned figure appears, and she flees. Finding Minne and Roman in her apartment, she tries to stab herself in the stomach but falls to the floor, writhing in pain. Roman tells Terry her son will be satan’s heir and change the world. He and Minnie take her to the rest of the group, who welcome her. Minnie replaces the talisman around Terry’s neck and Roman declares God dead and 1965 the year one. He raises a toast, “Hail, Satan”, which Terry joins in on. She begins to dance artistically to Be My Baby, and reaching the window, throws herself out to her death. As Minnie and Roman approach the scene, they see Rosemary and Guy Woodhouse being interviewed by police.
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