
A mother's fierce determination is pushed to its limits when her teenage son is abducted. She must persuade her wealthy grandfather to meet the kidnappers' demands and secure his release. Navigating a dangerous situation and facing ruthless adversaries, Gail confronts the complexities of family, loyalty, and the true value of love in the face of unimaginable pressure.
Does All the Money in the World have end credit scenes?
No!
All the Money in the World does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of All the Money in the World, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Mark Wahlberg
Fletcher Chace

Teresa Mahoney

Michelle Williams
Gail Harris

Charlie Shotwell
John Paul Getty III (Age 7)

Marco Leonardi
Mammoliti

Christopher Plummer
J. Paul Getty

Charlie Plummer
John Paul Getty III

Timothy Hutton
Oswald Hinge

Stacy Martin
Nancy Getty's Secretary

Romain Duris
Cinquanta

Adam Astill

Andrew Buchan
John Paul Getty II

Charlotte Beckett

Francesca Inaudi
Prostitute #2

Giuseppe Bonifati
Giovanni Iacovoni

Ilir Jacellari

Olivia Grant
Discover where to watch All the Money in the World online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how All the Money in the World is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where All the Money in the World stands among top-rated movies in its genre.
All the Money in the World presents a largely competent historical thriller marked by disciplined direction and strong lead performances, albeit occasionally hampered by uneven pacing and underdeveloped supporting roles. Summaries of critical perspectives note brisk authority and meticulous period detail, while others highlight a listless first hour and intermittently muted tension. The film’s narrative engagement fluctuates between gripping sequences and slower stretches. On balance, the movie offers a moderately engaging experience grounded by directorial skill and compelling central portrayals.
The Movie Echo Score Breakdown for All the Money in the World
Art & Craft
In terms of art and craft, the film demonstrates Ridley Scott’s assured direction and detailed production design. Critics highlight brisk authority in steering the narrative and evocative use of period locations. The film’s editing maintains overall coherence, though some note a listless initial hour. Production values consistently reflect a polished aesthetic. Overall, the film’s visual and technical execution underscores its position as a skillfully crafted thriller.
Character & Emotion
When it comes to character and emotion, performances by Christopher Plummer and Michelle Williams receive consistent acclaim for depth and precision. Their portrayals anchor the drama with nuanced intensity, though Mark Wahlberg’s turn attracts occasional criticism for underwhelming presence. Supporting Italian cast members contribute authentic texture, yet some viewers felt peripheral figures lacked sufficient development. In sum, the leads deliver compelling emotional focus amidst varied ensemble dynamics.
Story & Flow
Regarding story and flow, the central plot offers moments of genuine suspense and thematic exploration of greed and betrayal. Observers commend pulse-pounding sequences and complex crime unfolding, but pacing unevenness and under-plotted stretches detract from sustained engagement. The screenplay balances psychological drama and factual reconstruction yet sometimes feels prolonged in its exposition. Overall, the narrative maintains intermittent momentum but does not consistently captivate.
Sensory Experience
When assessing sensory experience, the film benefits from an evocative soundtrack and period-appropriate sound design that underscore tense sequences. Visual style features an understated color palette and authentic location shoots in Rome and London, enhancing immersion. Some viewers praise the cohesive audio-visual interplay, while others find the film’s atmosphere restrained relative to its thriller ambitions. On the whole, the sensory elements support a credible period mood, albeit without overwhelming intensity.
Rewatch Factor
In terms of rewatch factor, the film’s strong central performances and historical context offer moderate replay appeal. Some appreciate re-examining the meticulously rendered kidnapping investigation, yet others find the uneven pacing and slower periods diminish subsequent enjoyment. The movie’s thematic exploration of familial betrayal retains interest, but the lack of dynamic suspense limits enduring habitability. Overall, the film presents a serviceable experience on repeat viewings, with strengths but constrained appeal.
72
Metascore
6.4
User Score
79%
TOMATOMETER
66%
User Score
6.8 /10
IMDb Rating
65
%
User Score
3.2
From 22 fan ratings
3.00/5
From 2 fan ratings
Challenge your knowledge of All the Money in the World with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the main protagonist kidnapped in the film?
J. P. Getty III
John Getty Jr
Gail Harris
Cinquanta
Show hint
Discover all the awards and nominations received by All the Money in the World, from Oscars to film festival honors. Learn how All the Money in the World and its cast and crew have been recognized by critics and the industry alike.
90th Academy Awards 2018
71st British Academy Film Awards 2018
75th Golden Globe Awards 2018
Read the complete plot summary of All the Money in the World, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1973, 16-year-old J. P. “Paul” Getty III (Charlie Plummer), the grandson of oil magnate J. Paul Getty (Christopher Plummer), finds himself in a dire situation when he is kidnapped in Rome by a ruthless organized crime group. At the time, Getty was the wealthiest private citizen globally, having made his fortune in Saudi Arabia by negotiating oil rights and constructing a supertanker to transport it, amassing over $1 billion by 1965.
Through a series of flashbacks, we discover that Paul’s parents, Gail Harris (Michelle Williams) and John Getty Jr. (Andrew Buchan), once led a happy life in the U.S. However, when John loses his job, Gail encourages him to reach out to Getty for help. This correspondence results in Getty offering John a position at Getty Oil and revealing a keen interest in grooming Paul to be just as ruthless as himself. His first gift to Paul, an Egyptian Minotaur sculpture worth $1.2 million, showcases his extravagant nature, as Paul naively mistakes it for a toy and is astonished to learn its true value.
As time passes, John’s personal struggles, including a painful descent into drug addiction and infidelity, strain their marriage, culminating in Gail filing for divorce in 1971. Having declined alimony in favor of sole custody of her children, Gail finds herself in a position where she cannot afford the $17 million ransom demanded by Paul’s kidnappers.
The kidnapping ordeal intensifies on July 10th, 1973, when Getty is informed by his secretary Nancy (Stacy Martin), who tries to get him to listen to Gail’s pleas for help, but Getty coldly dismisses her request. He publicly declares that paying ransoms would only encourage more kidnappings, despite having 14 grandsons himself. This lack of empathy feeds public suspicion and media scrutiny, with many believing Gail is wealthy and thus criticizing her for refusing to pay.
In step Fletcher Chase (Mark Wahlberg), a negotiator for Getty Oil and former CIA operative, who is assigned to investigate the abduction and secure the boy’s release. Getty instructs Chase to shield Gail from the grim realities of the situation. Frustrated but determined, Chase attempts to reassure Gail that acting impulsively may endanger Paul further.
Meanwhile, Paul endures a harrowing captivity in a hideout in Calabria, Southern Italy. His captors, especially Cinquanta (Romain Duris), initially tolerate him due to his calm demeanor. However, as weeks drag on without ransom payment, the tension escalates. In a tragic turn, one kidnapper is killed after exposing his identity to Paul, and despite attempts to locate him, a mistaken identification of a deceased body nearly ignites hope before Gail identifies it as not being her son.
Chase’s investigative skills eventually lead to the location of Paul’s captors, but a raid reveals that he has since been sold to another crime organization who demand even higher ransom payments. The situation becomes dire when one of Paul’s ears is mutilated and sent to a newspaper with threats of further harm unless payment is made.
Despite her struggle, Gail manages to gather the ransom required, and with Chase’s assistance, lays out a plan to retrieve her son. Ultimately, after much negotiation and facing heartbreak, Getty agrees to pay only $1 million, leaving the weight of the remaining ransom on Gail’s shoulders. In a desperate bid, she signs over parental rights, knowing she provides custody to Getty’s son.
The climax of this emotional saga occurs when the ransom exchange takes an unexpected turn. As Paul tries to escape his captors during the tense negotiations, he crosses paths with both Chase and Gail. They manage to slip him out of danger, ultimately bringing him back to safety. Tragically, J. Paul Getty passes away in 1976, and Gail takes on the responsibility of managing her children’s inherited wealth, which she starts converting into a charitable trust aimed at preserving the family’s legacy. Most of the substantial artifacts and artworks that Getty had acquired over the years are eventually organized for sale, many of which now embody the vast collection at the Getty Museum in Los Angeles.
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