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A House Is Not a Home 1964

Runtime

98 mins

Language

English

English

Chronicles the rise of Polly Adler, the savvy entrepreneur who built one of New York’s most renowned bordellos in the roaring 1920s. The film follows her from modest beginnings to a position of influence, showcasing her business acumen, high‑profile clientele, and the glamorous yet perilous world she commanded.

Chronicles the rise of Polly Adler, the savvy entrepreneur who built one of New York’s most renowned bordellos in the roaring 1920s. The film follows her from modest beginnings to a position of influence, showcasing her business acumen, high‑profile clientele, and the glamorous yet perilous world she commanded.

Does A House Is Not a Home have end credit scenes?

No!

A House Is Not a Home does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate A House Is Not a Home Movie Quiz

Challenge your knowledge of A House Is Not a Home with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


A House Is Not a Home (1964) Quiz: Test your knowledge of the 1964 drama "A House Is Not a Home", focusing on its characters, plot points, and behind‑the‑scenes details.

Which actress portrays the leading madam Polly Adler?

Full Plot Summary and Ending Explained for A House Is Not a Home

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Read the complete plot summary of A House Is Not a Home, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Polly Adler is a high-class madam. Shelley Winters looks back on her life, beginning as a poor and naïve young Polish immigrant who works in a sweatshop. After she is sexually assaulted by her boss, for which her housemates blame her, she is forced to move out. Having lost her job and lodgings, a friend brings her to a restaurant where she is introduced to Frank Costigan, Robert Taylor, a bootlegger who lets her live in a plush apartment he uses for his affair with a married woman. When this relationship fails, Polly fixes him up with an attractive girlfriend, whom he takes to the apartment that night. After Polly returns, the woman splits the money Frank has given her with Polly.

Frank approves of Polly’s attractive girlfriends and starts paying her to have the ladies meet socially with his friends. Soon Polly is the madam of a high-class brothel, paying off police while hosting meetings and brokering cash transactions between political figures and gangsters. At a club, she sees singer and trumpeter Casey Booth, Ralph Taeger, who earlier in the story had protected her against the man who raped her. She recommends Casey to a producer of musicals, and after he gets a job on a new musical, he contacts her and asks him to dinner. She has genuine feelings for Casey, but at first does not reveal her true occupation to him. Eventually Casey proposes marriage, so Polly finally confesses what she does for a living. He is horrified. Later, he turns up at her house drunk and loud, and is ejected by Costigan’s men.

Costigan becomes the top enforcer for mob boss Cesar Romero as Lucky Luciano and backs Polly’s business, which ends up on Park Avenue offering high-class call girls. When the district attorney begins to move in on Luciano accusing him of involvement with brothels, it transpires the brother of one of the key members of the organisation is shaking down the sex trade. The two brothers fight, and both are shot dead. Her friend phones Polly and asks her to Vito’s for a special party. This is a ruse: Casey meets her again and asks for forgiveness. When she tells him Casey has asked her to marry him, Costigan tells her she can’t marry and that this will destroy Casey. Polly protests but Costigan has changed her mind. On the phone, she tearfully tells Casey it is for the best if they part. She hangs up and returns to the party.

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A House Is Not a Home Themes and Keywords

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