#1 of 6 1999 · Action, Adventure
$11.8M worldwide · 57% of the chart's total
Chill Factor (1999) is the highest-grossing movie released in week 36 of 1999 (Aug 29–Sep 4), with $11.8M worldwide, ahead of Outside Providence (1999) at $7.3M and The Girl Next Door (1999) at $771.8K. 6 films released that week report a worldwide gross, $20.6M in all, 97% of it from the US & Canada. That is down 83% on Week 35, 1999, whose releases took $120.8M. By genre, Comedy leads with $19.1M across 2 releases.
#1 of 6 1999 · Action, Adventure
$11.8M worldwide · 57% of the chart's total
Chill Factor (1999) leads with $11.8M, 57% of the total. The top 5 together took $20.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 1999 (Aug 29–Sep 4).
Sep 1, 1999 US and Canada: $11.3M Rest of the world: $524.7K Worldwide: $11.8M
Sep 1, 1999 US and Canada: $7.3M Rest of the world: Worldwide: $7.3M
Sep 2, 1999 US and Canada: $771.8K Rest of the world: Worldwide: $771.8K
Sep 4, 1999 US and Canada: $635.4K Rest of the world: Worldwide: $635.4K
Sep 1, 1999 US and Canada: $117.5K Rest of the world: Worldwide: $117.5K
Sep 3, 1999 US and Canada: $26.6K Rest of the world: Worldwide: $26.6K Of the top 6, Outside Providence (1999) earned the biggest share at home (100% in the US & Canada), while Chill Factor (1999) made 4% of its gross abroad. Across all 6 films, $20.1M (97%) came from the US & Canada.
Week 36 releases took $20.6M. The biggest of these 9 weeks is week 32 (Aug 1–7) with $872.3M, led by The Sixth Sense (1999).
Of these 10 years, Week 36, 1995 earned the most: $76.4M from 15 films, led by To Wong Foo Thanks for Everything, Julie Newmar (1995). Week 36, 1999 took $20.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 1990 Sep 2–8 3 films | 3 | $3.8M | – | Mister Johnson (1990) $1.5M |
| Week 36, 1991 Sep 1–7 7 films · +198% | 7 | $11.4M | +198% | Black Robe (1991) $8.2M |
| Week 36, 1992 Aug 30–Sep 5 4 films · −13% | 4 | $9.9M | −13% | Bob Roberts (1992) $4.5M |
| Week 36, 1993 Aug 29–Sep 4 9 films · +177% | 9 | $27.4M | +177% | Iron Monkey (1993) $14.7M |
| Week 36, 1994 Aug 28–Sep 3 7 films · +117% | 7 | $59.6M | +117% | The Shawshank Redemption (1994) $29.3M |
| Week 36, 1995 Sep 3–9 15 films · +28% | 15 | $76.4M | +28% | To Wong Foo Thanks for Everything, Julie Newmar (1995) $47.8M |
| Week 36, 1996 Sep 1–7 11 films · −62% | 11 | $28.7M | −62% | Bulletproof (1996) $22.6M |
| Week 36, 1997 Aug 31–Sep 6 9 films · −77% | 9 | $6.6M | −77% | Mrs. Dalloway (1997) $3.3M |
| Week 36, 1998 Aug 30–Sep 5 8 films · +102% | 8 | $13.3M | +102% | Knock Off (1998) $10.3M |
| Week 36, 1999 Aug 29–Sep 4 6 films · +55% | 6 | $20.6M | +55% | Chill Factor (1999) $11.8M |
53 weeks of 1999 with reported grosses; the biggest is week 21 (May 16–22) with $1B, led by Star Wars: Episode I - The Phantom Menace (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Chill Factor (1999) leads with $11.8M worldwide, $11.3M of it in the US & Canada. Next come Outside Providence (1999) at $7.3M and The Girl Next Door (1999) at $771.8K.
6 films released in week 36 of 1999 (Aug 29–Sep 4) report a worldwide gross, $20.6M in all, or $3.4M per film on average. Week 35, 1999 releases took $120.8M.
None. The biggest, Chill Factor (1999), earned $11.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 1999 (Aug 29–Sep 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.