#1 of 5 1996 · Thriller, Mystery
$17.1M worldwide · 40% of the chart's total
Diabolique (1996) is the highest-grossing movie released in week 12 of 1996 (Mar 17–23), with $17.1M worldwide, ahead of Flirting with Disaster (1996) at $14.7M and Girl 6 (1996) at $4.9M. 5 films released that week report a worldwide gross, $43.3M in all, 100% of it from the US & Canada. That is down 66% on Week 11, 1996, whose releases took $127.3M. By genre, Comedy leads with $26.2M across 4 releases.
#1 of 5 1996 · Thriller, Mystery
$17.1M worldwide · 40% of the chart's total
Diabolique (1996) leads with $17.1M, 40% of the total. The top 5 together took $43.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 1996 (Mar 17–23).
Mar 22, 1996 US and Canada: $17.1M Rest of the world: Worldwide: $17.1M
Mar 22, 1996 US and Canada: $14.7M Rest of the world: Worldwide: $14.7M
Mar 22, 1996 US and Canada: $4.9M Rest of the world: Worldwide: $4.9M
Mar 22, 1996 US and Canada: $4.6M Rest of the world: $863 Worldwide: $4.6M
Mar 22, 1996 US and Canada: $1.9M Rest of the world: Worldwide: $1.9M Of the top 5, Diabolique (1996) earned the biggest share at home (100% in the US & Canada), while Welcome to the Dollhouse (1996) made <1% of its gross abroad. Across all 5 films, $43.3M (100%) came from the US & Canada.
Week 12 releases took $43.3M. The biggest of these 9 weeks is week 10 (Mar 3–9) with $291.5M, led by The Birdcage (1996).
Of these 10 years, Week 12, 1990 earned the most: $470.3M from 4 films, led by Pretty Woman (1990). Week 12, 1996 took $43.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1987 Mar 15–21 4 films | 4 | $23.5M | – | Burglar (1987) $16.3M |
| Week 12, 1988 Mar 13–19 6 films · +119% | 6 | $51.4M | +119% | Police Academy 5: Assignment: Miami Beach (1988) $19.5M |
| Week 12, 1989 Mar 19–25 2 films · −68% | 2 | $16.6M | −68% | Troop Beverly Hills (1989) $8.5M |
| Week 12, 1990 Mar 18–24 4 films · +2728% | 4 | $470.3M | +2728% | Pretty Woman (1990) $463.4M |
| Week 12, 1991 Mar 17–23 5 films · −83% | 5 | $81.6M | −83% | Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) $78.7M |
| Week 12, 1992 Mar 15–21 3 films · +336% | 3 | $356M | +336% | Basic Instinct (1992) $352.9M |
| Week 12, 1993 Mar 14–20 4 films · −80% | 4 | $72.8M | −80% | Teenage Mutant Ninja Turtles III (1993) $42.3M |
| Week 12, 1994 Mar 13–19 4 films · +59% | 4 | $116M | +59% | Naked Gun 33 1/3: The Final Insult (1994) $51.1M |
| Week 12, 1995 Mar 19–25 4 films · −49% | 4 | $58.7M | −49% | Major Payne (1995) $30.1M |
| Week 12, 1996 Mar 17–23 5 films · −26% | 5 | $43.3M | −26% | Diabolique (1996) $17.1M |
52 weeks of 1996 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $969.4M, led by Independence Day (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Diabolique (1996) leads with $17.1M worldwide, $17.1M of it in the US & Canada. Next come Flirting with Disaster (1996) at $14.7M and Girl 6 (1996) at $4.9M.
5 films released in week 12 of 1996 (Mar 17–23) report a worldwide gross, $43.3M in all, or $8.7M per film on average. Week 11, 1996 releases took $127.3M.
None. The biggest, Diabolique (1996), earned $17.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 1996 (Mar 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.