#1 of 6 Police Academy 5: Assignment: Miami Beach (1988)
1988 · Comedy, Crime
$19.5M worldwide · 38% of the chart's total
Police Academy 5: Assignment: Miami Beach (1988) is the highest-grossing movie released in week 12 of 1988 (Mar 13–19), with $19.5M worldwide, ahead of The Milagro Beanfield War (1988) at $13.8M and D.O.A. (1988) at $12.7M. 6 films released that week report a worldwide gross, $51.4M in all, 100% of it from the US & Canada. That is up 1% on Week 11, 1988, whose releases took $50.9M. By genre, Comedy leads with $33.3M across 2 releases.
#1 of 6 Police Academy 5: Assignment: Miami Beach (1988)
1988 · Comedy, Crime
$19.5M worldwide · 38% of the chart's total
Police Academy 5: Assignment: Miami Beach (1988) leads with $19.5M, 38% of the total. The top 5 together took $50.9M, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 1988 (Mar 13–19).
Mar 18, 1988 US and Canada: $13.8M Rest of the world: Worldwide: $13.8M
Mar 18, 1988 US and Canada: $12.7M Rest of the world: Worldwide: $12.7M
Mar 18, 1988 US and Canada: $3.1M Rest of the world: Worldwide: $3.1M
Mar 18, 1988 US and Canada: $1.7M Rest of the world: Worldwide: $1.7M
Of the top 6, Police Academy 5: Assignment: Miami Beach (1988) earned the biggest share at home (100% in the US & Canada), while Pound Puppies and the Legend of Big Paw (1988) made 0% of its gross abroad. Across all 6 films, $51.4M (100%) came from the US & Canada.
Week 12 releases took $51.4M. The biggest of these 9 weeks is week 14 (Mar 27–Apr 2) with $109.9M, led by Beetlejuice (1988).
Of these 10 years, Week 12, 1982 earned the most: $158.8M from 4 films, led by Porky's (1982). Week 12, 1988 took $51.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1979 Mar 18–24 No films | 0 | – | – | – |
| Week 12, 1980 Mar 16–22 5 films | 5 | $45.7M | – | Little Darlings (1980) $34.3M |
| Week 12, 1981 Mar 15–21 4 films · −23% | 4 | $35.1M | −23% | The Final Conflict (1981) $20.5M |
| Week 12, 1982 Mar 14–20 4 films · +353% | 4 | $158.8M | +353% | Porky's (1982) $111.3M |
| Week 12, 1983 Mar 13–19 2 films · −82% | 2 | $28.5M | −82% | High Road to China (1983) $28.4M |
| Week 12, 1984 Mar 18–24 2 films · +207% | 2 | $87.2M | +207% | Police Academy (1984) $81.2M |
| Week 12, 1985 Mar 17–23 5 films · +5% | 5 | $91.6M | +5% | The Last Dragon (1985) $25.8M |
| Week 12, 1986 Mar 16–22 5 films · −35% | 5 | $59.9M | −35% | Police Academy 3: Back in Training (1986) $43.6M |
| Week 12, 1987 Mar 15–21 4 films · −61% | 4 | $23.5M | −61% | Burglar (1987) $16.3M |
| Week 12, 1988 Mar 13–19 6 films · +119% | 6 | $51.4M | +119% | Police Academy 5: Assignment: Miami Beach (1988) $19.5M |
51 weeks of 1988 with reported grosses; the biggest is week 51 (Dec 11–17) with $456.1M, led by Rain Man (1988).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Police Academy 5: Assignment: Miami Beach (1988) leads with $19.5M worldwide, $19.5M of it in the US & Canada. Next come The Milagro Beanfield War (1988) at $13.8M and D.O.A. (1988) at $12.7M.
6 films released in week 12 of 1988 (Mar 13–19) report a worldwide gross, $51.4M in all, or $8.6M per film on average. Week 11, 1988 releases took $50.9M.
None. The biggest, Police Academy 5: Assignment: Miami Beach (1988), earned $19.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 1988 (Mar 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.