#1 of 8 2020 · Horror
$1.3M worldwide · 79% of the chart's total
Behind You (2020) is the highest-grossing English-language movie released in week 16 of 2020 (Apr 12–18), with $1.3M worldwide, ahead of Endings, Beginnings (2020) at $239.2K and Asteroid Hunters (2020) at $57.3K. 8 English-language films released that week report a worldwide gross, $1.7M in all. That is down 97% on Week 15, 2020, whose releases took $51.6M. By genre, Horror leads with $1.3M across 1 English release.
#1 of 8 2020 · Horror
$1.3M worldwide · 79% of the chart's total
Behind You (2020) leads with $1.3M, 79% of the total. The top 5 together took $1.7M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2020 (Apr 12–18).
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $1.3M
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $239.2K
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $57.3K
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $28.7K
Apr 14, 2020 US and Canada: – Rest of the world: – Worldwide: $21.3K
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $10.9K
Apr 17, 2020 US and Canada: – Rest of the world: – Worldwide: $3.7K
Apr 15, 2020 US and Canada: – Rest of the world: – Worldwide: $368 Week 16 releases took $1.7M. The biggest of these 9 weeks is week 10 (Mar 1–7) with $175.8M, led by Onward (2020).
Of these 10 years, Week 16, 2016 earned the most: $1.1B from 16 films, led by The Jungle Book (2016). Week 16, 2020 took $1.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2011 Apr 10–16 8 films | 8 | $602.8M | – | Rio (2011) $483.9M |
| Week 16, 2012 Apr 15–21 11 films · −57% | 11 | $259.5M | −57% | The Lucky One (2012) $99.4M |
| Week 16, 2013 Apr 14–20 10 films · −96% | 10 | $11.1M | −96% | Unmade in China (2013) $3.4M |
| Week 16, 2014 Apr 13–19 12 films · +2409% | 12 | $277.4M | +2409% | Transcendence (2014) $103M |
| Week 16, 2015 Apr 12–18 17 films · −25% | 17 | $208M | −25% | Paul Blart: Mall Cop 2 (2015) $107.6M |
| Week 16, 2016 Apr 10–16 16 films · +426% | 16 | $1.1B | +426% | The Jungle Book (2016) $967.7M |
| Week 16, 2017 Apr 16–22 13 films · −94% | 13 | $61.3M | −94% | Born in China (2017) $25.1M |
| Week 16, 2018 Apr 15–21 25 films · +140% | 25 | $147.1M | +140% | I Feel Pretty (2018) $94.5M |
| Week 16, 2019 Apr 14–20 20 films · +44% | 20 | $212M | +44% | The Curse of La Llorona (2019) $123.2M |
| Week 16, 2020 Apr 12–18 8 films · −99% | 8 | $1.7M | −99% | Behind You (2020) $1.3M |
Horror took $1.3M across 1 film, 79% of the total, ahead of Drama ($267.9K) and Documentary ($68.6K). A film counts once for each of its genres.
53 weeks of 2020 with reported grosses; the biggest is week 3 (Jan 12–18) with $683.4M, led by Bad Boys for Life (2020).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Behind You (2020) leads with $1.3M worldwide. Next come Endings, Beginnings (2020) at $239.2K and Asteroid Hunters (2020) at $57.3K.
8 English-language films released in week 16 of 2020 (Apr 12–18) report a worldwide gross, $1.7M in all, or $212K per film on average. Week 15, 2020 releases took $51.6M.
None. The biggest, Behind You (2020), earned $1.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2020 (Apr 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.