#1 of 7 2014 · Action, Adventure
$117.8M worldwide · 68% of the chart's total
Pompeii (2014) is the highest-grossing English-language movie released in week 8 of 2014 (Feb 16–22), with $117.8M worldwide, ahead of 3 Days to Kill (2014) at $53.3M and Highway (2014) at $858.8K. 7 English-language films released that week report a worldwide gross, $173M in all, 32% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 44% on Week 7, 2014, whose releases took $309.8M. By genre, Drama leads with $172.6M across 4 English releases.
#1 of 7 2014 · Action, Adventure
$117.8M worldwide · 68% of the chart's total
Pompeii (2014) leads with $117.8M, 68% of the total. The top 5 together took $172.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2014 (Feb 16–22).
Feb 21, 2014 US and Canada: $23.2M Rest of the world: $94.6M Worldwide: $117.8M
Feb 21, 2014 US and Canada: $30.7M Rest of the world: $22.6M Worldwide: $53.3M
Feb 21, 2014 US and Canada: $529.1K Rest of the world: $329.6K Worldwide: $858.8K
Feb 21, 2014 US and Canada: $444.2K Rest of the world: $208K Worldwide: $652.2K
Feb 21, 2014 US and Canada: $327.5K Rest of the world: Worldwide: $327.5K
Feb 17, 2014 US and Canada: – Rest of the world: – Worldwide: $40.9K
Feb 21, 2014 US and Canada: $8.4K Rest of the world: $161 Worldwide: $8.6K Of the top 7, Elaine Stritch: Shoot Me (2014) earned the biggest share at home (100% in the US & Canada), while Pompeii (2014) made 80% of its gross abroad. Across all 7 films, $55.2M (32%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 8 releases took $173M. The biggest of these 9 weeks is week 10 (Mar 2–8) with $793.4M, led by 300: Rise of an Empire (2014).
Of these 10 years, Week 8, 2011 earned the most: $372.5M from 14 films, led by I Am Number Four (2011). Week 8, 2014 took $173M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2005 Feb 13–19 9 films | 9 | $326M | – | Constantine (2005) $230.9M |
| Week 8, 2006 Feb 19–25 12 films · −68% | 12 | $103.9M | −68% | Madea’s Family Reunion (2006) $63.4M |
| Week 8, 2007 Feb 18–24 10 films · +47% | 10 | $153.3M | +47% | The Number 23 (2007) $77.7M |
| Week 8, 2008 Feb 17–23 9 films · +27% | 9 | $194.4M | +27% | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 6 films · −43% | 6 | $110.2M | −43% | Madea Goes to Jail (2009) $90.5M |
| Week 8, 2010 Feb 14–20 9 films · +223% | 9 | $355.9M | +223% | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 14 films · +5% | 14 | $372.5M | +5% | I Am Number Four (2011) $149.9M |
| Week 8, 2012 Feb 19–25 7 films · −63% | 7 | $138.2M | −63% | Act of Valor (2012) $82.5M |
| Week 8, 2013 Feb 17–23 11 films · −34% | 11 | $90.8M | −34% | Snitch (2013) $57.8M |
| Week 8, 2014 Feb 16–22 7 films · +90% | 7 | $173M | +90% | Pompeii (2014) $117.8M |
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.5B, led by The Hobbit: The Battle of the Five Armies (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Pompeii (2014) leads with $117.8M worldwide, $23.2M of it in the US & Canada. Next come 3 Days to Kill (2014) at $53.3M and Highway (2014) at $858.8K.
7 English-language films released in week 8 of 2014 (Feb 16–22) report a worldwide gross, $173M in all, or $24.7M per film on average. Week 7, 2014 releases took $309.8M.
None. 1 film crossed $100 million, led by Pompeii (2014) with $117.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2014 (Feb 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.