#1 of 4 #1 horror movie of Week 18, 2022
2022 · Fantasy, Horror
$1.2M worldwide · 60% of the chart's total
No US & Canada figure reported
Horror box office · Week 18 · Apr 24–30, 2022
Horror Box Office, Week 18 of 2022: Horror Releases of Apr 24–30
Urban Myths (2022) is the highest-grossing horror movie released in week 18 of 2022 (Apr 24–30), with $1.2M worldwide, ahead of Hatching (2022) at $508.2K and Kuntilanak 3 (2022) at $255.4K. 4 horror films released that week report a worldwide gross, $2.1M in all, 9% of it from the US & Canada.
- week 18 releases with a gross
- 4
- combined worldwide
- $2.1M
- Urban Myths (2022), the #1
- $1.2M
- earned in the US & Canada
- 9%
#1 of 4 Top 4
What Were the Biggest Horror Hits of Week 18 of 2022?
Urban Myths (2022) leads with $1.2M, 60% of the total. The top 4 together took $2.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 18 of 2022, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2022 (Apr 24–30).
- 1 Apr 27, 2022 US and Canada: – Rest of the world: – Worldwide: $1.2M
- 2 Apr 29, 2022 US and Canada: $182.9K Rest of the world: $325.3K Worldwide: $508.2K
- 3 Apr 30, 2022 US and Canada: – Rest of the world: – Worldwide: $255.4K
- 4 Apr 29, 2022 US and Canada: – Rest of the world: – Worldwide: $65.8K
Weeks around it
How Does Week 18 Compare With the Weeks Around It?
Week 18 releases took $2.1M. The biggest of these 9 weeks is week 19 (May 1–7) with $957.8M, led by Doctor Strange in the Multiverse of Madness (2022).
- Week 12 Wk 12 Mar 13–19 X (2022) $17M X (2022)
- Week 13 Wk 13 Mar 20–26 Haunted Universities 2nd Semester (2022) $351.7K Haunted Universities 2nd Semester (2022)
- Week 14 Wk 14 Mar 27–Apr 2 Morbius (2022) $169.5M Morbius (2022)
- Week 15 Wk 15 Apr 3–9 Surrogate (2022) $23.7K Surrogate (2022)
- Week 16 Wk 16 Apr 10–16 The Cellar (2022) $2.4M The Cellar (2022)
- Week 17 Wk 17 Apr 17–23 Virus: 32 (2022) $280.6K Virus: 32 (2022)
- Week 18 Wk 18 Apr 24–30 Urban Myths (2022) $2.1M Urban Myths (2022)
- Week 19 Wk 19 May 1–7 Doctor Strange in the Multiverse of Madness (2022) $957.8M Doctor Strange in the Multiverse of Madness (2022)
- Week 20 Wk 20 May 8–14 Firestarter (2022) $16.3M Firestarter (2022)
Earlier years
How Does Week 18 of 2022 Compare With Earlier Years?
Of these 10 years, Week 18, 2019 earned the most: $37.6M from 5 films, led by The Intruder (2019). Week 18, 2022 took $2.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 2013 Apr 28–May 4 3 films | 3 | $2.6M | – | Baby Blues (2013) $2.6M |
| Week 18, 2014 Apr 27–May 3 2 films · −92% | 2 | $218.5K | −92% | Blood Glacier (2014) $128.1K |
| Week 18, 2015 Apr 26–May 2 2 films · −37% | 2 | $138.3K | −37% | Ezan (2015) $133.8K |
| Week 18, 2016 Apr 24–30 2 films · +4497% | 2 | $6.4M | +4497% | Terra Formars (2016) $5.5M |
| Week 18, 2017 Apr 30–May 6 2 films · −98% | 2 | $129.7K | −98% | Couples Night (2017) $106.9K |
| Week 18, 2018 Apr 29–May 5 3 films · +3545% | 3 | $4.7M | +3545% | Bad Samaritan (2018) $4.6M |
| Week 18, 2019 Apr 28–May 4 5 films · +694% | 5 | $37.6M | +694% | The Intruder (2019) $36.6M |
| Week 18, 2020 Apr 26–May 2 4 films · −83% | 4 | $6.4M | −83% | The Wretched (2020) $4.4M |
| Week 18, 2021 Apr 25–May 1 3 films · −25% | 3 | $4.8M | −25% | Separation (2021) $4.5M |
| Week 18, 2022 Apr 24–30 4 films · −57% | 4 | $2.1M | −57% | Urban Myths (2022) $1.2M |
Archive
Horror Box Office in 2022, Week by Week
48 weeks of 2022 with reported grosses; the biggest is week 19 (May 1–7) with $957.8M, led by Doctor Strange in the Multiverse of Madness (2022).
- Week 1 No grosses
- Week 2 $1.5M
- Week 3 $166.7M
- Week 4 $116.5K
- Week 5 No grosses
- Week 6 $177.8K
- Week 7 $3.4M
- Week 8 $8.2M
- Week 9 $4M
- Week 10 $207.5K
- Week 11 $6.4M
- Week 12 $17M
- Week 13 $351.7K
- Week 14 $169.5M
- Week 15 $23.7K
- Week 16 $2.4M
- Week 17 $280.6K
- Week 18 $2.1M
- Week 19 $957.8M
- Week 20 $16.3M
- Week 21 $29.5M
- Week 22 No grosses
- Week 23 $4.9M
- Week 24 $352.8K
- Week 25 $421.8K
- Week 26 $162.1M
- Week 27 $1.9M
- Week 28 $153.6K
- Week 29 $173.3K
- Week 30 $171.8M
- Week 31 $9.4M
- Week 32 $58.8M
- Week 33 No grosses
- Week 34 $37.4M
- Week 35 $38.5M
- Week 36 $535.2K
- Week 37 $46.6M
- Week 38 $11.9M
- Week 39 $94.3M
- Week 40 $223.7M
- Week 41 $22.4M
- Week 42 $110.6M
- Week 43 $362.5K
- Week 44 $1.6M
- Week 45 $4.4M
- Week 46 $94.7K
- Week 47 $95.2M
- Week 48 $734.6K
- Week 49 $76.8M
- Week 50 $3.3M
- Week 51 No grosses
- Week 52 $512.7K
- Week 53 $12.4K
FAQ
Horror Box Office Week 18 of 2022: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing horror movie in week 18 of 2022 (Apr 24–30)?
Urban Myths (2022) leads with $1.2M worldwide. Next come Hatching (2022) at $508.2K and Kuntilanak 3 (2022) at $255.4K.
How much did horror movies released in week 18 of 2022 (Apr 24–30) earn?
4 horror films released in week 18 of 2022 (Apr 24–30) report a worldwide gross, $2.1M in all, or $512.7K per film on average.
How many horror movies released in week 18 of 2022 (Apr 24–30) made $1 billion?
None. The biggest, Urban Myths (2022), earned $1.2M.
How is the week 18, 2022 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2022 (Apr 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 18, 2022 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.