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Horror box office · Week 13 · Mar 20–26, 2022

Horror Box Office, Week 13 of 2022: Horror Releases of Mar 20–26

Haunted Universities 2nd Semester (2022) is the highest-grossing horror movie released in week 13 of 2022 (Mar 20–26), with $248.7K worldwide, ahead of You Are Not My Mother (2022) at $98.3K and The Rideshare Killer (2022) at $4.7K. 3 horror films released that week report a worldwide gross, $351.7K in all, 13% of it from the US & Canada.

week 13 releases with a gross
3
combined worldwide
$351.7K
Haunted Universities 2nd Semester (2022), the #1
$248.7K
earned in the US & Canada
13%
Top 3

What Were the Biggest Horror Hits of Week 13 of 2022?

Haunted Universities 2nd Semester (2022) leads with $248.7K, 71% of the total. The top 3 together took $351.7K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Haunted Universities 2nd Semester (2022) movie poster Number 1
    $248.7K Haunted Universities 2nd Semester (2022)
    No US & Canada figure reported
  2. You Are Not My Mother (2022) movie poster Number 2
    $98.3K You Are Not My Mother (2022)
    $45K US & Canada · 46% $53.2K elsewhere · 54%
  3. The Rideshare Killer (2022) movie poster Number 3
    $4.7K The Rideshare Killer (2022)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Horror Release of Week 13 of 2022, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2022 (Mar 20–26).

  1. 1 Haunted Universities 2nd Semester (2022) movie poster
    Haunted Universities 2nd Semester (2022) Mar 22, 2022 · Thai · Comedy, Thriller, Horror $248.7K worldwide
    Mar 22, 2022 US and Canada: – Rest of the world: – Worldwide: $248.7K
  2. 2 You Are Not My Mother (2022) movie poster
    You Are Not My Mother (2022) Mar 25, 2022 · English · Drama, Horror $98.3K worldwide
    Mar 25, 2022 US and Canada: $45K Rest of the world: $53.2K Worldwide: $98.3K
  3. 3 The Rideshare Killer (2022) movie poster
    The Rideshare Killer (2022) Mar 22, 2022 · English · Horror, Thriller $4.7K worldwide
    Mar 22, 2022 US and Canada: – Rest of the world: – Worldwide: $4.7K
Weeks around it

How Does Week 13 Compare With the Weeks Around It?

Week 13 releases took $351.7K. The biggest of these 9 weeks is week 14 (Mar 27–Apr 2) with $169.5M, led by Morbius (2022).

  1. Week 7 Wk 7 Feb 6–12 Vietnamese Horror Story (2022) $3.4M Vietnamese Horror Story (2022)
  2. Week 8 Wk 8 Feb 13–19 The Cursed (2022) $8.2M The Cursed (2022)
  3. Week 9 Wk 9 Feb 20–26 Studio 666 (2022) $4M Studio 666 (2022)
  4. Week 10 Wk 10 Feb 27–Mar 5 The Darker the Lake (2022) $207.5K The Darker the Lake (2022)
  5. Week 11 Wk 11 Mar 6–12 The Exorcism of God (2022) $6.4M The Exorcism of God (2022)
  6. Week 12 Wk 12 Mar 13–19 X (2022) $17M X (2022)
  7. Week 13 Wk 13 Mar 20–26 Haunted Universities 2nd Semester (2022) $351.7K Haunted Universities 2nd Semester (2022)
  8. Week 14 Wk 14 Mar 27–Apr 2 Morbius (2022) $169.5M Morbius (2022)
  9. Week 15 Wk 15 Apr 3–9 Surrogate (2022) $23.7K Surrogate (2022)
Earlier years

How Does Week 13 of 2022 Compare With Earlier Years?

Of these 10 years, Week 13, 2013 earned the most: $20.9M from 1 film, led by Pee Mak (2013). Week 13, 2022 took $351.7K.

Week Films Worldwide Change Biggest film
Week 13, 2013 Mar 24–30 1 film 1 $20.9M – Pee Mak (2013) $20.9M
Week 13, 2014 Mar 23–29 No films 0 – – –
Week 13, 2015 Mar 22–28 1 film 1 $77.6K – Nightlight (2015) $77.6K
Week 13, 2016 Mar 20–26 1 film · +310% 1 $318.2K +310% Baskin (2016) $318.2K
Week 13, 2017 Mar 26–Apr 1 4 films · +9% 4 $347K +9% Siam Square (2017) $284.8K
Week 13, 2018 Mar 25–31 3 films · +5019% 3 $17.8M +5019% Gonjiam: Haunted Asylum (2018) $16.8M
Week 13, 2019 Mar 24–30 3 films · −99% 3 $259.6K −99% Mercy Black (2019) $203.5K
Week 13, 2020 Mar 22–28 2 films · +95% 2 $505.6K +95% Vivarium (2020) $487.6K
Week 13, 2021 Mar 21–27 2 films · +136% 2 $1.2M +136% The Seventh Day (2021) $987.2K
Week 13, 2022 Mar 20–26 3 films · −71% 3 $351.7K −71% Haunted Universities 2nd Semester (2022) $248.7K
Archive

Horror Box Office in 2022, Week by Week

48 weeks of 2022 with reported grosses; the biggest is week 19 (May 1–7) with $957.8M, led by Doctor Strange in the Multiverse of Madness (2022).

FAQ

Horror Box Office Week 13 of 2022: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.

What is the highest-grossing horror movie in week 13 of 2022 (Mar 20–26)?

Haunted Universities 2nd Semester (2022) leads with $248.7K worldwide. Next come You Are Not My Mother (2022) at $98.3K and The Rideshare Killer (2022) at $4.7K.

How much did horror movies released in week 13 of 2022 (Mar 20–26) earn?

3 horror films released in week 13 of 2022 (Mar 20–26) report a worldwide gross, $351.7K in all, or $117.2K per film on average.

How many horror movies released in week 13 of 2022 (Mar 20–26) made $1 billion?

None. The biggest, Haunted Universities 2nd Semester (2022), earned $248.7K.

How much of the Week 13, 2022 Horror box office came from the US and Canada?

$45K of the $351.7K total, or 13%, was earned in the US & Canada (the domestic market); the rest came from other countries. 2 films of the 3 report no domestic figure.

How is the week 13, 2022 horror box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2022 (Mar 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 13, 2022 horror box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.