#1 of 3 #1 horror movie of Week 30, 2022
2022 · Sci-Fi, Mystery
$171.2M worldwide · 100% of the chart's total
$123.3M US & Canada · 72% $48M elsewhere · 28%
Horror box office · Week 30 · Jul 17–23, 2022
Horror Box Office, Week 30 of 2022: Horror Releases of Jul 17–23
Nope (2022) is the highest-grossing horror movie released in week 30 of 2022 (Jul 17–23), with $171.2M worldwide, ahead of Moloch (2022) at $558.9K and Megalomaniac (2022) at $7K. 3 horror films released that week report a worldwide gross, $171.8M in all, 72% of it from the US & Canada. One film crossed $100 million; none reached $1 billion.
- week 30 releases with a gross
- 3
- combined worldwide
- $171.8M
- film crossed $100M
- 1
- earned in the US & Canada
- 72%
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 30 of 2022?
Nope (2022) leads with $171.2M, 100% of the total. The top 3 together took $171.8M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 30 of 2022, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2022 (Jul 17–23).
- 1 Jul 22, 2022 US and Canada: $123.3M Rest of the world: $48M Worldwide: $171.2M
- 2 Jul 21, 2022 US and Canada: – Rest of the world: – Worldwide: $558.9K
- 3 Jul 22, 2022 US and Canada: – Rest of the world: – Worldwide: $7K
Weeks around it
How Does Week 30 Compare With the Weeks Around It?
Week 30 releases took $171.8M. The biggest of these 9 weeks is week 30 (Jul 17–23) with $171.8M, led by Nope (2022).
- Week 24 Wk 24 Jun 5–11 Family Dinner (2022) $352.8K Family Dinner (2022)
- Week 25 Wk 25 Jun 12–18 Mad God (2022) $421.8K Mad God (2022)
- Week 26 Wk 26 Jun 19–25 The Black Phone (2022) $162.1M The Black Phone (2022)
- Week 27 Wk 27 Jun 26–Jul 2 Arthur: Malediction (2022) $1.9M Arthur: Malediction (2022)
- Week 28 Wk 28 Jul 3–9 Mount Chiak (2022) $153.6K Mount Chiak (2022)
- Week 29 Wk 29 Jul 10–16 Fearless Love (2022) $173.3K Fearless Love (2022)
- Week 30 Wk 30 Jul 17–23 Nope (2022) $171.8M Nope (2022)
- Week 31 Wk 31 Jul 24–30 Vengeance (2022) $9.4M Vengeance (2022)
- Week 32 Wk 32 Jul 31–Aug 6 Prey (2022) $58.8M Prey (2022)
Earlier years
How Does Week 30 of 2022 Compare With Earlier Years?
Of these 10 years, Week 30, 2016 earned the most: $242.5M from 5 films, led by Lights Out (2016). Week 30, 2022 took $171.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 2013 Jul 21–27 1 film | 1 | $3.4M | – | Apartment 1303 3D (2013) $3.4M |
| Week 30, 2014 Jul 20–26 2 films · −99% | 2 | $42.5K | −99% | Beneath (2014) $34.8K |
| Week 30, 2015 Jul 19–25 5 films · +30707% | 5 | $13.1M | +30707% | The Vatican Tapes (2015) $13M |
| Week 30, 2016 Jul 17–23 5 films · +1752% | 5 | $242.5M | +1752% | Lights Out (2016) $149.4M |
| Week 30, 2017 Jul 23–29 3 films · −100% | 3 | $33.6K | −100% | Mon Mon Mon Monsters (2017) $19.2K |
| Week 30, 2018 Jul 22–28 8 films · +1364% | 8 | $492.3K | +1364% | Kabir Azabı (2018) $218.2K |
| Week 30, 2019 Jul 21–27 2 films · −14% | 2 | $424.4K | −14% | La Llorona (2019) $294.4K |
| Week 30, 2020 Jul 19–25 3 films · +939% | 3 | $4.4M | +939% | The Rental (2020) $4.3M |
| Week 30, 2021 Jul 18–24 3 films · −74% | 3 | $1.1M | −74% | Kandisha (2021) $472.1K |
| Week 30, 2022 Jul 17–23 3 films · +14873% | 3 | $171.8M | +14873% | Nope (2022) $171.2M |
Archive
Horror Box Office in 2022, Week by Week
48 weeks of 2022 with reported grosses; the biggest is week 19 (May 1–7) with $957.8M, led by Doctor Strange in the Multiverse of Madness (2022).
- Week 1 No grosses
- Week 2 $1.5M
- Week 3 $166.7M
- Week 4 $116.5K
- Week 5 No grosses
- Week 6 $177.8K
- Week 7 $3.4M
- Week 8 $8.2M
- Week 9 $4M
- Week 10 $207.5K
- Week 11 $6.4M
- Week 12 $17M
- Week 13 $351.7K
- Week 14 $169.5M
- Week 15 $23.7K
- Week 16 $2.4M
- Week 17 $280.6K
- Week 18 $2.1M
- Week 19 $957.8M
- Week 20 $16.3M
- Week 21 $29.5M
- Week 22 No grosses
- Week 23 $4.9M
- Week 24 $352.8K
- Week 25 $421.8K
- Week 26 $162.1M
- Week 27 $1.9M
- Week 28 $153.6K
- Week 29 $173.3K
- Week 30 $171.8M
- Week 31 $9.4M
- Week 32 $58.8M
- Week 33 No grosses
- Week 34 $37.4M
- Week 35 $38.5M
- Week 36 $535.2K
- Week 37 $46.6M
- Week 38 $11.9M
- Week 39 $94.3M
- Week 40 $223.7M
- Week 41 $22.4M
- Week 42 $110.6M
- Week 43 $362.5K
- Week 44 $1.6M
- Week 45 $4.4M
- Week 46 $94.7K
- Week 47 $95.2M
- Week 48 $734.6K
- Week 49 $76.8M
- Week 50 $3.3M
- Week 51 No grosses
- Week 52 $512.7K
- Week 53 $12.4K
FAQ
Horror Box Office Week 30 of 2022: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 30 of 2022 (Jul 17–23)?
Nope (2022) leads with $171.2M worldwide, $123.3M of it in the US & Canada. Next come Moloch (2022) at $558.9K and Megalomaniac (2022) at $7K.
How much did horror movies released in week 30 of 2022 (Jul 17–23) earn?
3 horror films released in week 30 of 2022 (Jul 17–23) report a worldwide gross, $171.8M in all, or $57.3M per film on average.
How many horror movies released in week 30 of 2022 (Jul 17–23) made $1 billion?
None. 1 film crossed $100 million, led by Nope (2022) with $171.2M.
How is the week 30, 2022 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2022 (Jul 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 30, 2022 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.