#1 of 6 2012 · Drama, Thriller
$129M worldwide · 50% of the chart's total
The Woman in Black (2012) is the highest-grossing horror movie released in week 5 of 2012 (Jan 29–Feb 4), with $129M worldwide, ahead of Chronicle (2012) at $126.6M and When the Lights Went Out (2012) at $1.2M. 6 horror films released that week report a worldwide gross, $258.5M in all, 46% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. By language, English leads with $258.4M across 5 horror releases.
#1 of 6 2012 · Drama, Thriller
$129M worldwide · 50% of the chart's total
The Woman in Black (2012) leads with $129M, 50% of the total. The top 5 together took $258.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2012 (Jan 29–Feb 4).
Feb 3, 2012 US and Canada: $54.3M Rest of the world: $74.6M Worldwide: $129M
Feb 3, 2012 US and Canada: $64.6M Rest of the world: $62.1M Worldwide: $126.6M
Jan 31, 2012 US and Canada: – Rest of the world: – Worldwide: $1.2M
Feb 3, 2012 US and Canada: $78.4K Rest of the world: $1.1M Worldwide: $1.2M
Feb 3, 2012 US and Canada: $29.1K Rest of the world: $423.1K Worldwide: $452.2K
Feb 2, 2012 US and Canada: – Rest of the world: – Worldwide: $47.4K Of the top 6, Chronicle (2012) earned the biggest share at home (51% in the US & Canada), while Kill List (2012) made 94% of its gross abroad. Across all 6 films, $119M (46%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 5 releases took $258.5M. The biggest of these 9 weeks is week 5 (Jan 29–Feb 4) with $258.5M, led by The Woman in Black (2012).
Of these 10 years, Week 5, 2012 earned the most: $258.5M from 6 films, led by The Woman in Black (2012).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 2003 Jan 26–Feb 1 1 film | 1 | $90.9M | – | Final Destination 2 (2003) $90.9M |
| Week 5, 2004 Jan 25–31 1 film · −99% | 1 | $943.6K | −99% | Ginger Snaps 2: Unleashed (2004) $943.6K |
| Week 5, 2005 Jan 23–29 2 films · +14743% | 2 | $140.1M | +14743% | Hide and Seek (2005) $127.4M |
| Week 5, 2006 Jan 29–Feb 4 4 films · −52% | 4 | $67.4M | −52% | When a Stranger Calls (2006) $67.1M |
| Week 5, 2007 Jan 28–Feb 3 3 films · −11% | 3 | $60.3M | −11% | The Messengers (2007) $55.1M |
| Week 5, 2008 Jan 27–Feb 2 2 films · +5% | 2 | $63M | +5% | The Eye (2008) $58M |
| Week 5, 2009 Jan 25–31 3 films · −34% | 3 | $41.7M | −34% | The Uninvited (2009) $41.6M |
| Week 5, 2010 Jan 24–30 1 film · −100% | 1 | $28.5K | −100% | The Final (2010) $28.5K |
| Week 5, 2011 Jan 23–29 2 films · +338820% | 2 | $96.6M | +338820% | The Rite (2011) $96.6M |
| Week 5, 2012 Jan 29–Feb 4 6 films · +168% | 6 | $258.5M | +168% | The Woman in Black (2012) $129M |
41 weeks of 2012 with reported grosses; the biggest is week 23 (Jun 3–9) with $431.8M, led by Prometheus (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Woman in Black (2012) leads with $129M worldwide, $54.3M of it in the US & Canada. Next come Chronicle (2012) at $126.6M and When the Lights Went Out (2012) at $1.2M.
6 horror films released in week 5 of 2012 (Jan 29–Feb 4) report a worldwide gross, $258.5M in all, or $43.1M per film on average.
None. 2 films crossed $100 million, led by The Woman in Black (2012) with $129M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2012 (Jan 29–Feb 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.