#1 of 3 #1 horror movie of Week 41, 2012
2012 · Mystery, Thriller
$82.5M worldwide · 99% of the chart's total
$48.1M US & Canada · 58% $34.4M elsewhere · 42%
Horror box office · Week 41 · Oct 7–13, 2012
Horror Box Office, Week 41 of 2012: Horror Releases of Oct 7–13
Sinister (2012) is the highest-grossing horror movie released in week 41 of 2012 (Oct 7–13), with $82.5M worldwide, ahead of No Tell Motel (2012) at $466.5K and Bhoot Returns (2012) at $16.5K. 3 horror films released that week report a worldwide gross, $83M in all, 58% of it from the US & Canada.
- week 41 releases with a gross
- 3
- combined worldwide
- $83M
- Sinister (2012), the #1
- $82.5M
- earned in the US & Canada
- 58%
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 41 of 2012?
Sinister (2012) leads with $82.5M, 99% of the total. The top 3 together took $83M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 41 of 2012, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2012 (Oct 7–13).
- 1 Oct 12, 2012 US and Canada: $48.1M Rest of the world: $34.4M Worldwide: $82.5M
- 2 Oct 9, 2012 US and Canada: – Rest of the world: – Worldwide: $466.5K
- 3 Oct 11, 2012 US and Canada: – Rest of the world: – Worldwide: $16.5K
Weeks around it
How Does Week 41 Compare With the Weeks Around It?
Week 41 releases took $83M. The biggest of these 9 weeks is week 37 (Sep 9–15) with $240.2M, led by Resident Evil: Retribution (2012).
- Week 35 Wk 35 Aug 26–Sep 1 The Possession (2012) $92.9M The Possession (2012)
- Week 36 Wk 36 Sep 2–8 Bait (2012) $64.2M Bait (2012)
- Week 37 Wk 37 Sep 9–15 Resident Evil: Retribution (2012) $240.2M Resident Evil: Retribution (2012)
- Week 38 Wk 38 Sep 16–22 House at the End of the Street (2012) $44.4M House at the End of the Street (2012)
- Week 39 Wk 39 Sep 23–29 The Barrens (2012) $181.9K The Barrens (2012)
- Week 40 Wk 40 Sep 30–Oct 6 Frankenweenie (2012) $87.6M Frankenweenie (2012)
- Week 41 Wk 41 Oct 7–13 Sinister (2012) $83M Sinister (2012)
- Week 42 Wk 42 Oct 14–20 Paranormal Activity 4 (2012) $144.8M Paranormal Activity 4 (2012)
- Week 43 Wk 43 Oct 21–27 Silent Hill: Revelation 3D (2012) $65.2M Silent Hill: Revelation 3D (2012)
Earlier years
How Does Week 41 of 2012 Compare With Earlier Years?
Of these 10 years, Week 41, 2012 earned the most: $83M from 3 films, led by Sinister (2012).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2003 Oct 5–11 1 film | 1 | $13.8M | – | House of the Dead (2003) $13.8M |
| Week 41, 2004 Oct 3–9 4 films · −34% | 4 | $9.1M | −34% | Devilman (2004) $4.1M |
| Week 41, 2005 Oct 2–8 2 films · −100% | 2 | $25.7K | −100% | Loft (2005) $23.7K |
| Week 41, 2006 Oct 8–14 3 films · +290853% | 3 | $74.7M | +290853% | The Grudge 2 (2006) $70.7M |
| Week 41, 2007 Oct 7–13 2 films · −74% | 2 | $19.1M | −74% | Bhool Bhulaiyaa (2007) $19.1M |
| Week 41, 2008 Oct 5–11 2 films · −81% | 2 | $3.7M | −81% | Cold Prey II (2008) $3.5M |
| Week 41, 2009 Oct 4–10 2 films · −68% | 2 | $1.2M | −68% | Dark Country (2009) $1.1M |
| Week 41, 2010 Oct 3–9 5 films · +2089% | 5 | $26.1M | +2089% | My Soul to Take (2010) $21.5M |
| Week 41, 2011 Oct 2–8 2 films · −99% | 2 | $313.2K | −99% | The Human Centipede II (Full Sequence) (2011) $170.3K |
| Week 41, 2012 Oct 7–13 3 films · +26401% | 3 | $83M | +26401% | Sinister (2012) $82.5M |
Archive
Horror Box Office in 2012, Week by Week
41 weeks of 2012 with reported grosses; the biggest is week 23 (Jun 3–9) with $431.8M, led by Prometheus (2012).
- Week 1 $101.9M
- Week 2 No grosses
- Week 3 $160.1M
- Week 4 No grosses
- Week 5 $258.5M
- Week 6 $208.1M
- Week 7 $311.2K
- Week 8 No grosses
- Week 9 $180.1K
- Week 10 $17M
- Week 11 $1.2M
- Week 12 No grosses
- Week 13 $5.5M
- Week 14 $921.8K
- Week 15 $70M
- Week 16 $413K
- Week 17 $11.6K
- Week 18 $249.3K
- Week 19 $266.8M
- Week 20 $1.3M
- Week 21 $38.4M
- Week 22 $13.2M
- Week 23 $431.8M
- Week 24 No grosses
- Week 25 $116.5M
- Week 26 No grosses
- Week 27 $5.7M
- Week 28 $39.5M
- Week 29 No grosses
- Week 30 $5.3M
- Week 31 $2.5M
- Week 32 $727.7K
- Week 33 $116.3M
- Week 34 $11.5M
- Week 35 $92.9M
- Week 36 $64.2M
- Week 37 $240.2M
- Week 38 $44.4M
- Week 39 $181.9K
- Week 40 $87.6M
- Week 41 $83M
- Week 42 $144.8M
- Week 43 $65.2M
- Week 44 $1.8M
- Week 45 $26.7M
- Week 46 No grosses
- Week 47 No grosses
- Week 48 $10.8M
- Week 49 No grosses
- Week 50 No grosses
- Week 51 $651.9K
- Week 52 $6.2M
- Week 53 No grosses
FAQ
Horror Box Office Week 41 of 2012: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 41 of 2012 (Oct 7–13)?
Sinister (2012) leads with $82.5M worldwide, $48.1M of it in the US & Canada. Next come No Tell Motel (2012) at $466.5K and Bhoot Returns (2012) at $16.5K.
How much did horror movies released in week 41 of 2012 (Oct 7–13) earn?
3 horror films released in week 41 of 2012 (Oct 7–13) report a worldwide gross, $83M in all, or $27.7M per film on average.
How many horror movies released in week 41 of 2012 (Oct 7–13) made $1 billion?
None. The biggest, Sinister (2012), earned $82.5M.
How is the week 41, 2012 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2012 (Oct 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 41, 2012 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.