#1 of 4 2019 · Biography, Drama
$1.1M worldwide · 41% of the chart's total
Stockholm (2019) is the highest-grossing history movie released in week 15 of 2019 (Apr 7–13), with $1.1M worldwide, ahead of The Composer (2019) at $649.7K and Wild Nights with Emily (2019) at $524K. 4 history films released that week report a worldwide gross, $2.8M in all, 30% of it from the US & Canada. That is down 78% on Week 14, 2019, whose releases took $12.5M.
#1 of 4 2019 · Biography, Drama
$1.1M worldwide · 41% of the chart's total
Stockholm (2019) leads with $1.1M, 41% of the total. The top 4 together took $2.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2019 (Apr 7–13).
Apr 12, 2019 US and Canada: $302.1K Rest of the world: $837.4K Worldwide: $1.1M
Apr 13, 2019 US and Canada: – Rest of the world: – Worldwide: $649.7K
Apr 12, 2019 US and Canada: $519.5K Rest of the world: $4.5K Worldwide: $524K
Apr 10, 2019 US and Canada: $7.5K Rest of the world: $442.3K Worldwide: $449.8K Of the top 4, Wild Nights with Emily (2019) earned the biggest share at home (99% in the US & Canada), while Resistance (2019) made 98% of its gross abroad. Across all 4 films, $829K (30%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 15 releases took $2.8M. The biggest of these 9 weeks is week 12 (Mar 17–23) with $44.1M, led by Kesari (2019).
Of these 10 years, Week 15, 2017 earned the most: $24.1M from 5 films, led by The Lost City of Z (2017). Week 15, 2019 took $2.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 2010 Apr 4–10 No films | 0 | – | – | – |
| Week 15, 2011 Apr 3–9 No films | 0 | – | – | – |
| Week 15, 2012 Apr 8–14 No films | 0 | – | – | – |
| Week 15, 2013 Apr 7–13 2 films | 2 | $832.1K | – | Into the White (2013) $712.2K |
| Week 15, 2014 Apr 6–12 1 film · −99% | 1 | $6.8K | −99% | No God, No Master (2014) $6.8K |
| Week 15, 2015 Apr 5–11 1 film · +52575% | 1 | $3.6M | +52575% | King Naresuan Part: 6 (2015) $3.6M |
| Week 15, 2016 Apr 3–9 No films | 0 | – | – | – |
| Week 15, 2017 Apr 9–15 5 films | 5 | $24.1M | – | The Lost City of Z (2017) $19.3M |
| Week 15, 2018 Apr 8–14 3 films · −79% | 3 | $5M | −79% | Sgt. Stubby: An American Hero (2018) $4.9M |
| Week 15, 2019 Apr 7–13 4 films · −45% | 4 | $2.8M | −45% | Stockholm (2019) $1.1M |
45 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $608.5M, led by My People, My Country (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Stockholm (2019) leads with $1.1M worldwide, $302.1K of it in the US & Canada. Next come The Composer (2019) at $649.7K and Wild Nights with Emily (2019) at $524K.
4 history films released in week 15 of 2019 (Apr 7–13) report a worldwide gross, $2.8M in all, or $690.7K per film on average. Week 14, 2019 releases took $12.5M.
None. The biggest, Stockholm (2019), earned $1.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2019 (Apr 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.