#1 of 9 2010 · Drama, Fantasy
$48.2M worldwide · 79% of the chart's total
Charlie St. Cloud (2010) is the highest-grossing drama movie released in week 31 of 2010 (Jul 25–31), with $48.2M worldwide, ahead of Get Low (2010) at $10.5M and A Boy and His Samurai (2010) at $1.8M. 9 drama films released that week report a worldwide gross, $61M in all, 66% of it from the US & Canada. That is 6 times the total of Week 30, 2010, whose releases took $10.1M. By language, English leads with $58.7M across 3 drama releases.
#1 of 9 2010 · Drama, Fantasy
$48.2M worldwide · 79% of the chart's total
Charlie St. Cloud (2010) leads with $48.2M, 79% of the total. The top 5 together took $60.9M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2010 (Jul 25–31).
Jul 30, 2010 US and Canada: $31.2M Rest of the world: $17M Worldwide: $48.2M
Jul 30, 2010 US and Canada: $9.2M Rest of the world: $1.3M Worldwide: $10.5M
Jul 31, 2010 US and Canada: – Rest of the world: – Worldwide: $1.8M
Jul 28, 2010 US and Canada: – Rest of the world: – Worldwide: $276.6K
Jul 27, 2010 US and Canada: – Rest of the world: – Worldwide: $60.4K
Jul 25, 2010 US and Canada: – Rest of the world: – Worldwide: $36.9K
Jul 30, 2010 US and Canada: $11.8K Rest of the world: Worldwide: $11.8K
Jul 26, 2010 US and Canada: – Rest of the world: – Worldwide: $8.3K Of the top 9, The Dry Land (2010) earned the biggest share at home (100% in the US & Canada), while Charlie St. Cloud (2010) made 35% of its gross abroad. Across all 9 films, $40.4M (66%) came from the US & Canada. 6 films of the top 9 report no US & Canada figure.
Week 31 releases took $61M. The biggest of these 9 weeks is week 29 (Jul 11–17) with $843.3M, led by Inception (2010).
Of these 10 years, Week 31, 2002 earned the most: $426.5M from 3 films, led by Signs (2002). Week 31, 2010 took $61M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 2001 Jul 29–Aug 4 4 films | 4 | $35.7M | – | Original Sin (2001) $35.4M |
| Week 31, 2002 Jul 28–Aug 3 3 films · +1094% | 3 | $426.5M | +1094% | Signs (2002) $408.2M |
| Week 31, 2003 Jul 27–Aug 2 7 films · −91% | 7 | $37.3M | −91% | The Magdalene Sisters (2003) $21.1M |
| Week 31, 2004 Jul 25–31 9 films · +525% | 9 | $233.4M | +525% | The Manchurian Candidate (2004) $96.1M |
| Week 31, 2005 Jul 24–30 5 films · −90% | 5 | $24.1M | −90% | Aegis (2005) $16.9M |
| Week 31, 2006 Jul 30–Aug 5 7 films · +168% | 7 | $64.5M | +168% | The Descent (2006) $57.1M |
| Week 31, 2007 Jul 29–Aug 4 14 films · +9% | 14 | $70.4M | +9% | Becoming Jane (2007) $37.3M |
| Week 31, 2008 Jul 27–Aug 2 8 films · −56% | 8 | $31M | −56% | Swing Vote (2008) $17.6M |
| Week 31, 2009 Jul 26–Aug 1 14 films · +484% | 14 | $181.1M | +484% | Funny People (2009) $71.6M |
| Week 31, 2010 Jul 25–31 9 films · −66% | 9 | $61M | −66% | Charlie St. Cloud (2010) $48.2M |
English-language drama films took $58.7M across 3 films, 96% of the total, ahead of Japanese-language drama films ($1.8M) and German-language drama films ($276.6K).
53 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $843.3M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Charlie St. Cloud (2010) leads with $48.2M worldwide, $31.2M of it in the US & Canada. Next come Get Low (2010) at $10.5M and A Boy and His Samurai (2010) at $1.8M.
9 drama films released in week 31 of 2010 (Jul 25–31) report a worldwide gross, $61M in all, or $6.8M per film on average. Week 30, 2010 releases took $10.1M.
None. The biggest, Charlie St. Cloud (2010), earned $48.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2010 (Jul 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.