#1 of 5 1996 · Drama, Comedy
$97.5M worldwide · 65% of the chart's total
One Fine Day (1996) is the highest-grossing drama movie released in week 51 of 1996 (Dec 15–21), with $97.5M worldwide, ahead of In Love and War (1996) at $25.4M and Ghosts of Mississippi (1996) at $13.3M. 5 drama films released that week report a worldwide gross, $149.2M in all, 58% of it from the US & Canada. That is down 46% on Week 50, 1996, whose releases took $278.5M. By language, English leads with $149M across 4 drama releases.
#1 of 5 1996 · Drama, Comedy
$97.5M worldwide · 65% of the chart's total
One Fine Day (1996) leads with $97.5M, 65% of the total. The top 5 together took $149.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 51 of 1996 (Dec 15–21).
Dec 20, 1996 US and Canada: $46.2M Rest of the world: $51.4M Worldwide: $97.5M
Dec 18, 1996 US and Canada: $14.5M Rest of the world: $10.9M Worldwide: $25.4M
Dec 20, 1996 US and Canada: $13.3M Rest of the world: Worldwide: $13.3M
Dec 18, 1996 US and Canada: $12.8M Rest of the world: Worldwide: $12.8M
Dec 18, 1996 US and Canada: $181.9K Rest of the world: Worldwide: $181.9K Of the top 5, Ghosts of Mississippi (1996) earned the biggest share at home (100% in the US & Canada), while One Fine Day (1996) made 53% of its gross abroad. Across all 5 films, $86.9M (58%) came from the US & Canada.
Week 51 releases took $149.2M. The biggest of these 9 weeks is week 52 (Dec 22–28) with $286.1M, led by Evita (1996).
Of these 10 years, Week 51, 1993 earned the most: $519.5M from 4 films, led by Schindler's List (1993). Week 51, 1996 took $149.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 51, 1987 Dec 13–19 6 films | 6 | $194.6M | – | Moonstruck (1987) $80.6M |
| Week 51, 1988 Dec 11–17 3 films · +100% | 3 | $389.5M | +100% | Rain Man (1988) $354.8M |
| Week 51, 1989 Dec 17–23 3 films · −38% | 3 | $241.4M | −38% | Born on the Fourth of July (1989) $161M |
| Week 51, 1990 Dec 16–22 4 films · −60% | 4 | $95.7M | −60% | Awakenings (1990) $52.1M |
| Week 51, 1991 Dec 15–21 3 films · +168% | 3 | $256.2M | +168% | JFK (1991) $205.4M |
| Week 51, 1992 Dec 13–19 5 films · −68% | 5 | $81.8M | −68% | Leap of Faith (1992) $23.4M |
| Week 51, 1993 Dec 12–18 4 films · +535% | 4 | $519.5M | +535% | Schindler's List (1993) $322.2M |
| Week 51, 1994 Dec 11–17 3 films · −98% | 3 | $10.9M | −98% | Immortal Beloved (1994) $9.9M |
| Week 51, 1995 Dec 17–23 3 films · +796% | 3 | $97.2M | +796% | Waiting to Exhale (1995) $81.5M |
| Week 51, 1996 Dec 15–21 5 films · +53% | 5 | $149.2M | +53% | One Fine Day (1996) $97.5M |
47 weeks of 1996 with reported grosses; the biggest is week 25 (Jun 16–22) with $582.2M, led by The Hunchback of Notre Dame (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
One Fine Day (1996) leads with $97.5M worldwide, $46.2M of it in the US & Canada. Next come In Love and War (1996) at $25.4M and Ghosts of Mississippi (1996) at $13.3M.
5 drama films released in week 51 of 1996 (Dec 15–21) report a worldwide gross, $149.2M in all, or $29.8M per film on average. Week 50, 1996 releases took $278.5M.
None. The biggest, One Fine Day (1996), earned $97.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 51 of 1996 (Dec 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.