#1 of 7 The Long Kiss Goodnight (1996)
1996 · Action, Drama
$89.5M worldwide · 54% of the chart's total
The Long Kiss Goodnight (1996) is the highest-grossing drama movie released in week 41 of 1996 (Oct 6–12), with $89.5M worldwide, ahead of The Ghost and the Darkness (1996) at $38.6M and The Chamber (1996) at $22.5M. 7 drama films released that week report a worldwide gross, $166.7M in all, 62% of it from the US & Canada. That is up 104% on Week 40, 1996, whose releases took $81.8M. By language, English leads with $166.7M across 7 drama releases.
#1 of 7 The Long Kiss Goodnight (1996)
1996 · Action, Drama
$89.5M worldwide · 54% of the chart's total
The Long Kiss Goodnight (1996) leads with $89.5M, 54% of the total. The top 5 together took $165.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 1996 (Oct 6–12).
Oct 11, 1996 US and Canada: $33.4M Rest of the world: $56M Worldwide: $89.5M
Oct 11, 1996 US and Canada: $14.6M Rest of the world: $8M Worldwide: $22.5M
Oct 11, 1996 US and Canada: $11.1M Rest of the world: $44K Worldwide: $11.1M
Oct 10, 1996 US and Canada: $4.2M Rest of the world: Worldwide: $4.2M
Oct 11, 1996 US and Canada: $749.7K Rest of the world: Worldwide: $749.7K
Oct 11, 1996 US and Canada: $22.7K Rest of the world: Worldwide: $22.7K Of the top 7, To Gillian on Her 37th Birthday (1996) earned the biggest share at home (100% in the US & Canada), while The Long Kiss Goodnight (1996) made 63% of its gross abroad. Across all 7 films, $102.7M (62%) came from the US & Canada.
Week 41 releases took $166.7M. The biggest of these 9 weeks is week 42 (Oct 13–19) with $176.3M, led by Sleepers (1996).
Of these 10 years, Week 41, 1996 earned the most: $166.7M from 7 films, led by The Long Kiss Goodnight (1996).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 1987 Oct 4–10 4 films | 4 | $43.6M | – | Baby Boom (1987) $26.7M |
| Week 41, 1988 Oct 2–8 3 films · −31% | 3 | $30.2M | −31% | Punchline (1988) $21M |
| Week 41, 1989 Oct 8–14 5 films · +37% | 5 | $41.3M | +37% | The Fabulous Baker Boys (1989) $18.4M |
| Week 41, 1990 Oct 7–13 3 films · −21% | 3 | $32.7M | −21% | Memphis Belle (1990) $27.4M |
| Week 41, 1991 Oct 6–12 8 films · −4% | 8 | $31.3M | −4% | Frankie and Johnny (1991) $22.8M |
| Week 41, 1992 Oct 4–10 3 films · +62% | 3 | $50.8M | +62% | A River Runs Through It (1992) $43.4M |
| Week 41, 1993 Oct 3–9 4 films · −50% | 4 | $25.2M | −50% | Gettysburg (1993) $10.8M |
| Week 41, 1994 Oct 2–8 1 film · −98% | 1 | $468.9K | −98% | Maybe… Maybe Not (1994) $468.9K |
| Week 41, 1995 Oct 8–14 4 films · +5975% | 4 | $28.5M | +5975% | The Scarlet Letter (1995) $10.4M |
| Week 41, 1996 Oct 6–12 7 films · +485% | 7 | $166.7M | +485% | The Long Kiss Goodnight (1996) $89.5M |
47 weeks of 1996 with reported grosses; the biggest is week 25 (Jun 16–22) with $582.2M, led by The Hunchback of Notre Dame (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Long Kiss Goodnight (1996) leads with $89.5M worldwide, $33.4M of it in the US & Canada. Next come The Ghost and the Darkness (1996) at $38.6M and The Chamber (1996) at $22.5M.
7 drama films released in week 41 of 1996 (Oct 6–12) report a worldwide gross, $166.7M in all, or $23.8M per film on average. Week 40, 1996 releases took $81.8M.
None. The biggest, The Long Kiss Goodnight (1996), earned $89.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 1996 (Oct 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.