#1 of 8 2024 · Music, Documentary
$336.3K worldwide · 80% of the chart's total
blur: To the End (2024) is the highest-grossing documentary movie released in week 24 of 2024 (Jun 9–15), with $336.3K worldwide, ahead of The Last Island (2024) at $39.8K and Desire: The Carl Craig Story (2024) at $16.1K. 8 documentary films released that week report a worldwide gross, $420.4K in all. By language, English leads with $367.8K across 5 documentary releases.
#1 of 8 2024 · Music, Documentary
$336.3K worldwide · 80% of the chart's total
blur: To the End (2024) leads with $336.3K, 80% of the total. The top 5 together took $412.6K, 98% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2024 (Jun 9–15).
Jun 15, 2024 US and Canada: – Rest of the world: – Worldwide: $336.3K
Jun 15, 2024 US and Canada: – Rest of the world: – Worldwide: $39.8K
Jun 12, 2024 US and Canada: – Rest of the world: – Worldwide: $16.1K
Jun 14, 2024 US and Canada: – Rest of the world: – Worldwide: $12.7K
Jun 13, 2024 US and Canada: – Rest of the world: – Worldwide: $7.7K
Jun 14, 2024 US and Canada: – Rest of the world: – Worldwide: $5.7K
Jun 14, 2024 US and Canada: – Rest of the world: – Worldwide: $1.9K
Jun 10, 2024 US and Canada: – Rest of the world: – Worldwide: $255 Week 24 releases took $420.4K. The biggest of these 9 weeks is week 23 (Jun 2–8) with $12.9M, led by How to Rob a Bank (2024).
Of these 10 years, Week 24, 2018 earned the most: $39.3M from 5 films, led by Believer (2018). Week 24, 2024 took $420.4K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2015 Jun 7–13 3 films | 3 | $1.6M | – | The Wolfpack (2015) $1.4M |
| Week 24, 2016 Jun 5–11 5 films · +250% | 5 | $5.5M | +250% | 'Til Madness Do Us Part (2016) $3.6M |
| Week 24, 2017 Jun 11–17 5 films · −3% | 5 | $5.3M | −3% | Return to the Wolves (2017) $4.9M |
| Week 24, 2018 Jun 10–16 5 films · +638% | 5 | $39.3M | +638% | Believer (2018) $39M |
| Week 24, 2019 Jun 9–15 4 films · −98% | 4 | $807K | −98% | Capital in the Twenty-First Century (2019) $439.6K |
| Week 24, 2020 Jun 7–13 4 films · +73% | 4 | $1.4M | +73% | Born in Evin (2020) $713.6K |
| Week 24, 2021 Jun 6–12 4 films · −99% | 4 | $19.5K | −99% | The Story of Looking (2021) $10.4K |
| Week 24, 2022 Jun 5–11 4 films · +1079% | 4 | $229.7K | +1079% | The Lost Weekend: A Love Story (2022) $102.5K |
| Week 24, 2023 Jun 11–17 4 films · +149% | 4 | $572.4K | +149% | The Last Breath of Sam Yan (2023) $564.9K |
| Week 24, 2024 Jun 9–15 8 films · −27% | 8 | $420.4K | −27% | blur: To the End (2024) $336.3K |
English-language documentary films took $367.8K across 5 films, 87% of the total, ahead of Italian-language documentary films ($39.8K) and Russian-language documentary films ($12.7K).
50 weeks of 2024 with reported grosses; the biggest is week 33 (Aug 11–17) with $28.4M, led by In the Rearview (2024).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
blur: To the End (2024) leads with $336.3K worldwide. Next come The Last Island (2024) at $39.8K and Desire: The Carl Craig Story (2024) at $16.1K.
8 documentary films released in week 24 of 2024 (Jun 9–15) report a worldwide gross, $420.4K in all, or $52.6K per film on average.
None. The biggest, blur: To the End (2024), earned $336.3K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2024 (Jun 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.