#1 of 3 2024 · Documentary
$814.9K worldwide · 91% of the chart's total
On the Adamant (2024) is the highest-grossing documentary movie released in week 13 of 2024 (Mar 24–30), with $814.9K worldwide, ahead of Madu (2024) at $49.8K and Hate to Love: Nickelback (2024) at $34.4K. 3 documentary films released that week report a worldwide gross, $899.1K in all, 2% of it from the US & Canada.
#1 of 3 2024 · Documentary
$814.9K worldwide · 91% of the chart's total
On the Adamant (2024) leads with $814.9K, 91% of the total. The top 3 together took $899.1K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2024 (Mar 24–30).
Mar 29, 2024 US and Canada: $18.3K Rest of the world: $796.5K Worldwide: $814.9K
Mar 29, 2024 US and Canada: – Rest of the world: – Worldwide: $49.8K
Mar 27, 2024 US and Canada: – Rest of the world: – Worldwide: $34.4K Week 13 releases took $899.1K. The biggest of these 9 weeks is week 11 (Mar 10–16) with $4.5M, led by The Tuba Thieves (2024).
Of these 10 years, Week 13, 2015 earned the most: $6M from 3 films, led by The Salt of the Earth (2015). Week 13, 2024 took $899.1K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2015 Mar 22–28 3 films | 3 | $6M | – | The Salt of the Earth (2015) $6M |
| Week 13, 2016 Mar 20–26 2 films · −99% | 2 | $63.2K | −99% | Mapplethorpe: Look at the Pictures (2016) $62.6K |
| Week 13, 2017 Mar 26–Apr 1 5 films · +1632% | 5 | $1.1M | +1632% | Cantábrico (2017) $724.3K |
| Week 13, 2018 Mar 25–31 3 films · −94% | 3 | $69.2K | −94% | The China Hustle (2018) $48.7K |
| Week 13, 2019 Mar 24–30 5 films · +5186% | 5 | $3.7M | +5186% | Faustina: Love and Mercy (2019) $3.5M |
| Week 13, 2020 Mar 22–28 1 film · −100% | 1 | $7.9K | −100% | Steelers: The World’s First Gay Rugby Club (2020) $7.9K |
| Week 13, 2021 Mar 21–27 2 films · +43042% | 2 | $3.4M | +43042% | Tina (2021) $2.6M |
| Week 13, 2022 Mar 20–26 2 films · −89% | 2 | $369.8K | −89% | Bisping: The Michael Bisping Story (2022) $359.4K |
| Week 13, 2023 Mar 26–Apr 1 3 films · −92% | 3 | $29.2K | −92% | In Viaggio: The Travels of Pope Francis (2023) $25.4K |
| Week 13, 2024 Mar 24–30 3 films · +2982% | 3 | $899.1K | +2982% | On the Adamant (2024) $814.9K |
50 weeks of 2024 with reported grosses; the biggest is week 33 (Aug 11–17) with $28.4M, led by In the Rearview (2024).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
On the Adamant (2024) leads with $814.9K worldwide, $18.3K of it in the US & Canada. Next come Madu (2024) at $49.8K and Hate to Love: Nickelback (2024) at $34.4K.
3 documentary films released in week 13 of 2024 (Mar 24–30) report a worldwide gross, $899.1K in all, or $299.7K per film on average.
None. The biggest, On the Adamant (2024), earned $814.9K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2024 (Mar 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.