#1 of 4 Something to Stand for with Mike Rowe (2024)
2024 · Documentary
$1.4M worldwide · 78% of the chart's total
Something to Stand for with Mike Rowe (2024) is the highest-grossing documentary movie released in week 26 of 2024 (Jun 23–29), with $1.4M worldwide, ahead of I Am: Celine Dion (2024) at $293K and How to Come Alive With Norman Mailer (2024) at $67K. 4 documentary films released that week report a worldwide gross, $1.7M in all, 99% of it from the US & Canada.
#1 of 4 Something to Stand for with Mike Rowe (2024)
2024 · Documentary
$1.4M worldwide · 78% of the chart's total
Something to Stand for with Mike Rowe (2024) leads with $1.4M, 78% of the total. The top 4 together took $1.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2024 (Jun 23–29).
Jun 27, 2024 US and Canada: $1.4M Rest of the world: Worldwide: $1.4M
Jun 25, 2024 US and Canada: $283.4K Rest of the world: $9.6K Worldwide: $293K
Jun 28, 2024 US and Canada: $67K Rest of the world: Worldwide: $67K
Jun 28, 2024 US and Canada: $29.6K Rest of the world: Worldwide: $29.6K Of the top 4, Something to Stand for with Mike Rowe (2024) earned the biggest share at home (100% in the US & Canada), while I Am: Celine Dion (2024) made 3% of its gross abroad. Across all 4 films, $1.7M (99%) came from the US & Canada.
Week 26 releases took $1.7M. The biggest of these 9 weeks is week 23 (Jun 2–8) with $12.9M, led by How to Rob a Bank (2024).
Of these 10 years, Week 26, 2018 earned the most: $14.2M from 8 films, led by Three Identical Strangers (2018). Week 26, 2024 took $1.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2015 Jun 21–27 2 films | 2 | $86.8K | – | Batkid Begins (2015) $74.7K |
| Week 26, 2016 Jun 19–25 2 films · −44% | 2 | $48.4K | −44% | Nuts! (2016) $44.2K |
| Week 26, 2017 Jun 25–Jul 1 4 films · +291% | 4 | $189.3K | +291% | The B-Side: Elsa Dorfman's Portrait Photography (2017) $125.2K |
| Week 26, 2018 Jun 24–30 8 films · +7428% | 8 | $14.2M | +7428% | Three Identical Strangers (2018) $13.4M |
| Week 26, 2019 Jun 23–29 1 film · −75% | 1 | $3.5M | −75% | Maiden (2019) $3.5M |
| Week 26, 2020 Jun 21–27 2 films · −99% | 2 | $51K | −99% | Ella Fitzgerald: Just One of Those Things (2020) $47.1K |
| Week 26, 2021 Jun 20–26 1 film · +16745% | 1 | $8.6M | +16745% | Fathom (2021) $8.6M |
| Week 26, 2022 Jun 19–25 4 films · −98% | 4 | $195.7K | −98% | Vedette (2022) $175.2K |
| Week 26, 2023 Jun 25–Jul 1 2 films · +55% | 2 | $302.7K | +55% | Every Body (2023) $276.9K |
| Week 26, 2024 Jun 23–29 4 films · +478% | 4 | $1.7M | +478% | Something to Stand for with Mike Rowe (2024) $1.4M |
50 weeks of 2024 with reported grosses; the biggest is week 33 (Aug 11–17) with $28.4M, led by In the Rearview (2024).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Something to Stand for with Mike Rowe (2024) leads with $1.4M worldwide, $1.4M of it in the US & Canada. Next come I Am: Celine Dion (2024) at $293K and How to Come Alive With Norman Mailer (2024) at $67K.
4 documentary films released in week 26 of 2024 (Jun 23–29) report a worldwide gross, $1.7M in all, or $437.1K per film on average.
None. The biggest, Something to Stand for with Mike Rowe (2024), earned $1.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2024 (Jun 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.