#1 of 7 1999 · Drama, Thriller
$101.3M worldwide · 85% of the chart's total
Fight Club (1999) is the highest-grossing crime movie released in October 1999, with $101.3M worldwide, ahead of Boys Don't Cry (1999) at $11.5M and The Limey (1999) at $3.3M. 7 crime films released in October 1999 report a worldwide gross, $118.8M in all, 46% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 60% on September 1999, whose releases took $296.1M. By language, English leads with $17.5M across 6 crime releases.
#1 of 7 1999 · Drama, Thriller
$101.3M worldwide · 85% of the chart's total
Fight Club (1999) leads with $101.3M, 85% of the total. The top 5 together took $118.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in October 1999.
Oct 15, 1999 US and Canada: $37M Rest of the world: $64.3M Worldwide: $101.3M
Oct 8, 1999 US and Canada: $11.5M Rest of the world: Worldwide: $11.5M
Oct 8, 1999 US and Canada: $3.2M Rest of the world: $121.1K Worldwide: $3.3M
Oct 1, 1999 US and Canada: $2M Rest of the world: Worldwide: $2M
Oct 1, 1999 US and Canada: $474.9K Rest of the world: Worldwide: $474.9K
Oct 8, 1999 US and Canada: $130.6K Rest of the world: Worldwide: $130.6K
Oct 15, 1999 US and Canada: $60.3K Rest of the world: Worldwide: $60.3K Of the top 7, Boys Don't Cry (1999) earned the biggest share at home (100% in the US & Canada), while Fight Club (1999) made 63% of its gross abroad. Across all 7 films, $54.4M (46%) came from the US & Canada.
Films released in week 42 (Oct 10–16) took $101.4M, led by Fight Club (1999). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, October 1994 earned the most: $398.3M from 5 films, led by Pulp Fiction (1994). October 1999 took $118.8M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| October 1990 5 films | 5 | $67.2M | – | Marked for Death (1990) $58M |
| October 1991 3 films · −63% | 3 | $24.8M | −63% | Ricochet (1991) $21.8M |
| October 1992 4 films · +25% | 4 | $30.9M | +25% | Consenting Adults (1992) $21.6M |
| October 1993 6 films · +358% | 6 | $141.5M | +358% | Demolition Man (1993) $58.1M |
| October 1994 5 films · +181% | 5 | $398.3M | +181% | Pulp Fiction (1994) $213.9M |
| October 1995 7 films · −42% | 7 | $229.9M | −42% | Get Shorty (1995) $115.1M |
| October 1996 7 films · +35% | 7 | $309.7M | +35% | Sleepers (1996) $165.6M |
| October 1997 9 films · −26% | 9 | $230M | −26% | I Know What You Did Last Summer (1997) $125.6M |
| October 1998 1 film · −90% | 1 | $23.9M | −90% | American History X (1998) $23.9M |
| October 1999 7 films · +398% | 7 | $118.8M | +398% | Fight Club (1999) $101.3M |
The months of 1999 with their totals: June leads with $471.1M, led by Austin Powers: The Spy Who Shagged Me (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Fight Club (1999) leads with $101.3M worldwide, $37M of it in the US & Canada. Next come Boys Don't Cry (1999) at $11.5M and The Limey (1999) at $3.3M.
7 crime films released in October 1999 report a worldwide gross, $118.8M in all, or $17M per film on average. September 1999 releases took $296.1M.
None. 1 film crossed $100 million, led by Fight Club (1999) with $101.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in October 1999. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.