#1 of 7 1996 · Drama, Thriller
$165.6M worldwide · 53% of the chart's total
Sleepers (1996) is the highest-grossing crime movie released in October 1996, with $165.6M worldwide, ahead of The Long Kiss Goodnight (1996) at $89.5M and High School High (1996) at $21.3M. 7 crime films released in October 1996 report a worldwide gross, $309.7M in all, 44% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 162% on September 1996, whose releases took $118M. By language, English leads with $300.5M across 6 crime releases.
#1 of 7 1996 · Drama, Thriller
$165.6M worldwide · 53% of the chart's total
Sleepers (1996) leads with $165.6M, 53% of the total. The top 5 together took $305.9M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in October 1996.
Oct 18, 1996 US and Canada: $53.3M Rest of the world: $112.3M Worldwide: $165.6M
Oct 11, 1996 US and Canada: $33.4M Rest of the world: $56M Worldwide: $89.5M
Oct 25, 1996 US and Canada: $21.3M Rest of the world: Worldwide: $21.3M
Oct 4, 1996 US and Canada: $20.4M Rest of the world: Worldwide: $20.4M
Oct 4, 1996 US and Canada: $2.6M Rest of the world: $6.5M Worldwide: $9.1M
Oct 4, 1996 US and Canada: $3.8M Rest of the world: $230 Worldwide: $3.8M
Oct 4, 1996 US and Canada: $3.7K Rest of the world: Worldwide: $3.7K Of the top 7, High School High (1996) earned the biggest share at home (100% in the US & Canada), while Under the Skin (1996) made 71% of its gross abroad. Across all 7 films, $134.8M (44%) came from the US & Canada.
Films released in week 42 (Oct 13–19) took $165.6M, led by Sleepers (1996). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, October 1994 earned the most: $398.3M from 5 films, led by Pulp Fiction (1994). October 1996 took $309.7M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| October 1987 8 films | 8 | $46.9M | – | Suspect (1987) $18.8M |
| October 1988 4 films · −16% | 4 | $39.6M | −16% | Alien Nation (1988) $32.2M |
| October 1989 5 films · +8% | 5 | $42.9M | +8% | An Innocent Man (1989) $20M |
| October 1990 5 films · +57% | 5 | $67.2M | +57% | Marked for Death (1990) $58M |
| October 1991 3 films · −63% | 3 | $24.8M | −63% | Ricochet (1991) $21.8M |
| October 1992 4 films · +25% | 4 | $30.9M | +25% | Consenting Adults (1992) $21.6M |
| October 1993 6 films · +358% | 6 | $141.5M | +358% | Demolition Man (1993) $58.1M |
| October 1994 5 films · +181% | 5 | $398.3M | +181% | Pulp Fiction (1994) $213.9M |
| October 1995 7 films · −42% | 7 | $229.9M | −42% | Get Shorty (1995) $115.1M |
| October 1996 7 films · +35% | 7 | $309.7M | +35% | Sleepers (1996) $165.6M |
The months of 1996 with their totals: November leads with $511.3M, led by Ransom (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Sleepers (1996) leads with $165.6M worldwide, $53.3M of it in the US & Canada. Next come The Long Kiss Goodnight (1996) at $89.5M and High School High (1996) at $21.3M.
7 crime films released in October 1996 report a worldwide gross, $309.7M in all, or $44.2M per film on average. September 1996 releases took $118M.
None. 1 film crossed $100 million, led by Sleepers (1996) with $165.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in October 1996. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.