#1 of 7 2014 · Adventure, Comedy
$80.4M worldwide · 53% of the chart's total
Muppets Most Wanted (2014) is the highest-grossing comedy movie released in week 12 of 2014 (Mar 16–22), with $80.4M worldwide, ahead of God's Not Dead (2014) at $64.7M and The French Minister (2014) at $5.6M. 7 comedy films released that week report a worldwide gross, $151.3M in all, 74% of it from the US & Canada. That is up 7% on Week 11, 2014, whose releases took $141.7M. By language, English leads with $145.2M across 4 comedy releases.
#1 of 7 2014 · Adventure, Comedy
$80.4M worldwide · 53% of the chart's total
Muppets Most Wanted (2014) leads with $80.4M, 53% of the total. The top 5 together took $151.3M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2014 (Mar 16–22).
Mar 21, 2014 US and Canada: $51.2M Rest of the world: $29.2M Worldwide: $80.4M
Mar 21, 2014 US and Canada: $60.8M Rest of the world: $3.9M Worldwide: $64.7M
Mar 21, 2014 US and Canada: $12K Rest of the world: $5.6M Worldwide: $5.6M
Mar 21, 2014 US and Canada: – Rest of the world: – Worldwide: $565.9K
Mar 21, 2014 US and Canada: $59.4K Rest of the world: Worldwide: $59.4K
Mar 21, 2014 US and Canada: $48.7K Rest of the world: Worldwide: $48.7K
Mar 21, 2014 US and Canada: $5.9K Rest of the world: Worldwide: $5.9K Of the top 7, Cheap Thrills (2014) earned the biggest share at home (100% in the US & Canada), while The French Minister (2014) made 100% of its gross abroad. Across all 7 films, $112.1M (74%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 12 releases took $151.3M. The biggest of these 9 weeks is week 10 (Mar 2–8) with $683.7M, led by Mr. Peabody & Sherman (2014).
Of these 10 years, Week 12, 2013 earned the most: $685.6M from 15 films, led by The Croods (2013). Week 12, 2014 took $151.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2005 Mar 13–19 6 films | 6 | $50.4M | – | Ice Princess (2005) $27.6M |
| Week 12, 2006 Mar 19–25 7 films · −56% | 7 | $22.4M | −56% | Larry the Cable Guy: Health Inspector (2006) $15.7M |
| Week 12, 2007 Mar 18–24 9 films · +23% | 9 | $27.5M | +23% | Namastey London (2007) $15.3M |
| Week 12, 2008 Mar 16–22 8 films · +260% | 8 | $99.2M | +260% | Drillbit Taylor (2008) $49.9M |
| Week 12, 2009 Mar 15–21 12 films · +47% | 12 | $146.2M | +47% | I Love You, Man (2009) $92M |
| Week 12, 2010 Mar 14–20 11 films · +69% | 11 | $247.2M | +69% | The Bounty Hunter (2010) $136.3M |
| Week 12, 2011 Mar 13–19 10 films · −45% | 10 | $135.8M | −45% | Paul (2011) $98M |
| Week 12, 2012 Mar 18–24 7 films · −76% | 7 | $32.6M | −76% | Architecture 101 (2012) $26.6M |
| Week 12, 2013 Mar 17–23 15 films · +2000% | 15 | $685.6M | +2000% | The Croods (2013) $587.3M |
| Week 12, 2014 Mar 16–22 7 films · −78% | 7 | $151.3M | −78% | Muppets Most Wanted (2014) $80.4M |
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $697.5M, led by Night at the Museum: Secret of the Tomb (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Muppets Most Wanted (2014) leads with $80.4M worldwide, $51.2M of it in the US & Canada. Next come God's Not Dead (2014) at $64.7M and The French Minister (2014) at $5.6M.
7 comedy films released in week 12 of 2014 (Mar 16–22) report a worldwide gross, $151.3M in all, or $21.6M per film on average. Week 11, 2014 releases took $141.7M.
None. The biggest, Muppets Most Wanted (2014), earned $80.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2014 (Mar 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.