#1 of 8 2008 · Comedy
$49.9M worldwide · 50% of the chart's total
Drillbit Taylor (2008) is the highest-grossing comedy movie released in week 12 of 2008 (Mar 16–22), with $49.9M worldwide, ahead of Meet the Browns (2008) at $42M and Questa notte è ancora nostra (2008) at $5.2M. 8 comedy films released that week report a worldwide gross, $99.2M in all, 76% of it from the US & Canada. By language, English leads with $93.9M across 5 comedy releases.
#1 of 8 2008 · Comedy
$49.9M worldwide · 50% of the chart's total
Drillbit Taylor (2008) leads with $49.9M, 50% of the total. The top 5 together took $99M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2008 (Mar 16–22).
Mar 21, 2008 US and Canada: $32.9M Rest of the world: $17.1M Worldwide: $49.9M
Mar 21, 2008 US and Canada: $42M Rest of the world: Worldwide: $42M
Mar 19, 2008 US and Canada: – Rest of the world: – Worldwide: $5.2M
Mar 21, 2008 US and Canada: – Rest of the world: – Worldwide: $1.4M
Mar 21, 2008 US and Canada: $443.6K Rest of the world: Worldwide: $443.6K
Mar 21, 2008 US and Canada: $115.9K Rest of the world: Worldwide: $115.9K
Mar 21, 2008 US and Canada: – Rest of the world: – Worldwide: $47.2K
Mar 19, 2008 US and Canada: – Rest of the world: – Worldwide: $14.8K Of the top 8, Meet the Browns (2008) earned the biggest share at home (100% in the US & Canada), while Drillbit Taylor (2008) made 34% of its gross abroad. Across all 8 films, $75.4M (76%) came from the US & Canada. 4 films of the top 8 report no US & Canada figure.
Week 12 releases took $99.2M. The biggest of these 9 weeks is week 11 (Mar 9–15) with $300.7M, led by Horton Hears a Who! (2008).
Of these 10 years, Week 12, 2008 earned the most: $99.2M from 8 films, led by Drillbit Taylor (2008).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1999 Mar 14–20 2 films | 2 | $96M | – | Forces of Nature (1999) $93.9M |
| Week 12, 2000 Mar 12–18 1 film · −100% | 1 | $13.7K | −100% | Soft Fruit (2000) $13.7K |
| Week 12, 2001 Mar 18–24 4 films · +717908% | 4 | $98M | +717908% | Heartbreakers (2001) $57.8M |
| Week 12, 2002 Mar 17–23 6 films · −73% | 6 | $26.5M | −73% | Sorority Boys (2002) $12.5M |
| Week 12, 2003 Mar 16–22 6 films · +117% | 6 | $57.4M | +117% | Chouchou (2003) $22.3M |
| Week 12, 2004 Mar 14–20 4 films · −74% | 4 | $14.8M | −74% | Bon voyage (2004) $9.3M |
| Week 12, 2005 Mar 13–19 6 films · +240% | 6 | $50.4M | +240% | Ice Princess (2005) $27.6M |
| Week 12, 2006 Mar 19–25 7 films · −56% | 7 | $22.4M | −56% | Larry the Cable Guy: Health Inspector (2006) $15.7M |
| Week 12, 2007 Mar 18–24 9 films · +23% | 9 | $27.5M | +23% | Namastey London (2007) $15.3M |
| Week 12, 2008 Mar 16–22 8 films · +260% | 8 | $99.2M | +260% | Drillbit Taylor (2008) $49.9M |
English-language comedy films took $93.9M across 5 films, 95% of the total, ahead of Italian-language comedy films ($5.2M) and Tamil-language comedy films ($47.2K).
52 weeks of 2008 with reported grosses; the biggest is week 23 (Jun 1–7) with $879.7M, led by Kung Fu Panda (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Drillbit Taylor (2008) leads with $49.9M worldwide, $32.9M of it in the US & Canada. Next come Meet the Browns (2008) at $42M and Questa notte è ancora nostra (2008) at $5.2M.
8 comedy films released in week 12 of 2008 (Mar 16–22) report a worldwide gross, $99.2M in all, or $12.4M per film on average.
None. The biggest, Drillbit Taylor (2008), earned $49.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2008 (Mar 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.