#1 of 6 2008 · Action, Adventure
$230.7M worldwide · 77% of the chart's total
Get Smart (2008) is the highest-grossing comedy movie released in week 25 of 2008 (Jun 15–21), with $230.7M worldwide, ahead of The Love Guru (2008) at $40.9M and Public Enemy Returns (2008) at $27.2M. 6 comedy films released that week report a worldwide gross, $299.1M in all, 54% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $271.6M across 4 comedy releases.
#1 of 6 2008 · Action, Adventure
$230.7M worldwide · 77% of the chart's total
Get Smart (2008) leads with $230.7M, 77% of the total. The top 5 together took $299.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2008 (Jun 15–21).
Jun 20, 2008 US and Canada: $130.3M Rest of the world: $100.4M Worldwide: $230.7M
Jun 20, 2008 US and Canada: $32.2M Rest of the world: $8.6M Worldwide: $40.9M
Jun 19, 2008 US and Canada: – Rest of the world: – Worldwide: $27.2M
Jun 18, 2008 US and Canada: – Rest of the world: – Worldwide: $253.1K
Jun 20, 2008 US and Canada: $29.8K Rest of the world: $35.2K Worldwide: $65K
Jun 20, 2008 US and Canada: $12.8K Rest of the world: Worldwide: $12.8K Of the top 6, The Art of Being Straight (2008) earned the biggest share at home (100% in the US & Canada), while Expired (2008) made 54% of its gross abroad. Across all 6 films, $162.6M (54%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 25 releases took $299.1M. The biggest of these 9 weeks is week 23 (Jun 1–7) with $879.7M, led by Kung Fu Panda (2008).
Of these 10 years, Week 25, 2004 earned the most: $505.6M from 10 films, led by The Terminal (2004). Week 25, 2008 took $299.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 1999 Jun 13–19 1 film | 1 | $18.5M | – | An Ideal Husband (1999) $18.5M |
| Week 25, 2000 Jun 11–17 1 film · +39% | 1 | $25.9M | +39% | Boys and Girls (2000) $25.9M |
| Week 25, 2001 Jun 17–23 3 films · +582% | 3 | $176.3M | +582% | Dr. Dolittle 2 (2001) $176.1M |
| Week 25, 2002 Jun 16–22 4 films · −73% | 4 | $47.6M | −73% | The Spanish Apartment (2002) $33.3M |
| Week 25, 2003 Jun 15–21 5 films · −49% | 5 | $24.4M | −49% | Alex & Emma (2003) $15.4M |
| Week 25, 2004 Jun 13–19 10 films · +1971% | 10 | $505.6M | +1971% | The Terminal (2004) $219.1M |
| Week 25, 2005 Jun 12–18 5 films · −93% | 5 | $34.5M | −93% | The Perfect Man (2005) $19.8M |
| Week 25, 2006 Jun 18–24 8 films · +605% | 8 | $243.2M | +605% | Click (2006) $240.7M |
| Week 25, 2007 Jun 17–23 10 films · −21% | 10 | $192M | −21% | Evan Almighty (2007) $174.4M |
| Week 25, 2008 Jun 15–21 6 films · +56% | 6 | $299.1M | +56% | Get Smart (2008) $230.7M |
52 weeks of 2008 with reported grosses; the biggest is week 23 (Jun 1–7) with $879.7M, led by Kung Fu Panda (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Get Smart (2008) leads with $230.7M worldwide, $130.3M of it in the US & Canada. Next come The Love Guru (2008) at $40.9M and Public Enemy Returns (2008) at $27.2M.
6 comedy films released in week 25 of 2008 (Jun 15–21) report a worldwide gross, $299.1M in all, or $49.9M per film on average.
None. 1 film crossed $100 million, led by Get Smart (2008) with $230.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2008 (Jun 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.