#1 of 5 2006 · Adventure, Comedy
$8.2M worldwide · 70% of the chart's total
Hoot (2006) is the highest-grossing comedy movie released in week 18 of 2006 (Apr 30–May 6), with $8.2M worldwide, ahead of Art School Confidential (2006) at $3.3M and Relative Strangers (2006) at $155.3K. 5 comedy films released that week report a worldwide gross, $11.7M in all, 98% of it from the US & Canada. That is down 91% on Week 17, 2006, whose releases took $135.8M. By language, English leads with $11.7M across 4 comedy releases.
#1 of 5 2006 · Adventure, Comedy
$8.2M worldwide · 70% of the chart's total
Hoot (2006) leads with $8.2M, 70% of the total. The top 5 together took $11.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2006 (Apr 30–May 6).
May 5, 2006 US and Canada: $8.1M Rest of the world: $107.4K Worldwide: $8.2M
May 5, 2006 US and Canada: $3.3M Rest of the world: $9.5K Worldwide: $3.3M
May 1, 2006 US and Canada: – Rest of the world: – Worldwide: $155.3K
May 5, 2006 US and Canada: $13.3K Rest of the world: Worldwide: $13.3K
May 5, 2006 US and Canada: $2.2K Rest of the world: Worldwide: $2.2K Of the top 5, One Last Thing... (2006) earned the biggest share at home (100% in the US & Canada), while Hoot (2006) made 1% of its gross abroad. Across all 5 films, $11.4M (98%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 18 releases took $11.7M. The biggest of these 9 weeks is week 13 (Mar 26–Apr 1) with $715.4M, led by Ice Age: The Meltdown (2006).
Of these 10 years, Week 18, 2004 earned the most: $305.3M from 9 films, led by Mean Girls (2004). Week 18, 2006 took $11.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1997 Apr 27–May 3 4 films | 4 | $69.4M | – | Austin Powers: International Man of Mystery (1997) $67.7M |
| Week 18, 1998 Apr 26–May 2 4 films · −96% | 4 | $3M | −96% | Goodbye Lover (1998) $1.9M |
| Week 18, 1999 Apr 25–May 1 1 film · +39% | 1 | $4.2M | +39% | Idle Hands (1999) $4.2M |
| Week 18, 2000 Apr 23–29 6 films · +2505% | 6 | $108.2M | +2505% | The Flintstones in Viva Rock Vegas (2000) $59.5M |
| Week 18, 2001 Apr 29–May 5 No films | 0 | – | – | – |
| Week 18, 2002 Apr 28–May 4 4 films | 4 | $18.5M | – | Hollywood Ending (2002) $14.6M |
| Week 18, 2003 Apr 27–May 3 2 films · +200% | 2 | $55.6M | +200% | The Lizzie McGuire Movie (2003) $55.5M |
| Week 18, 2004 Apr 25–May 1 9 films · +449% | 9 | $305.3M | +449% | Mean Girls (2004) $130.2M |
| Week 18, 2005 Apr 24–30 4 films · −61% | 4 | $119.7M | −61% | The Hitchhiker's Guide to the Galaxy (2005) $104.5M |
| Week 18, 2006 Apr 30–May 6 5 films · −90% | 5 | $11.7M | −90% | Hoot (2006) $8.2M |
52 weeks of 2006 with reported grosses; the biggest is week 13 (Mar 26–Apr 1) with $715.4M, led by Ice Age: The Meltdown (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Hoot (2006) leads with $8.2M worldwide, $8.1M of it in the US & Canada. Next come Art School Confidential (2006) at $3.3M and Relative Strangers (2006) at $155.3K.
5 comedy films released in week 18 of 2006 (Apr 30–May 6) report a worldwide gross, $11.7M in all, or $2.3M per film on average. Week 17, 2006 releases took $135.8M.
None. The biggest, Hoot (2006), earned $8.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2006 (Apr 30–May 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.