#1 of 7 1992 · Comedy, Drama
$90.8M worldwide · 44% of the chart's total
White Men Can’t Jump (1992) is the highest-grossing comedy movie released in March 1992, with $90.8M worldwide, ahead of My Cousin Vinny (1992) at $64.1M and The Cutting Edge (1992) at $25.1M. 7 comedy films released in March 1992 report a worldwide gross, $205.8M in all, 88% of it from the US & Canada. That is down 24% on February 1992, whose releases took $271M. By language, English leads with $197.2M across 6 comedy releases.
#1 of 7 1992 · Comedy, Drama
$90.8M worldwide · 44% of the chart's total
White Men Can’t Jump (1992) leads with $90.8M, 44% of the total. The top 5 together took $203.4M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 1992.
Mar 27, 1992 US and Canada: $76.3M Rest of the world: $14.5M Worldwide: $90.8M
Mar 13, 1992 US and Canada: $52.9M Rest of the world: $11.2M Worldwide: $64.1M
Mar 27, 1992 US and Canada: $25.1M Rest of the world: Worldwide: $25.1M
Mar 27, 1992 US and Canada: $14.8M Rest of the world: Worldwide: $14.8M
Mar 6, 1992 US and Canada: $8.7M Rest of the world: Worldwide: $8.7M
Mar 20, 1992 US and Canada: $2.3M Rest of the world: Worldwide: $2.3M
Mar 27, 1992 US and Canada: $147.7K Rest of the world: Worldwide: $147.7K Of the top 7, The Cutting Edge (1992) earned the biggest share at home (100% in the US & Canada), while My Cousin Vinny (1992) made 17% of its gross abroad. Across all 7 films, $180.2M (88%) came from the US & Canada.
Films released in week 13 (Mar 22–28) took $130.8M, led by White Men Can’t Jump (1992). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 1990 earned the most: $761.9M from 10 films, led by Pretty Woman (1990). March 1992 took $205.8M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 1983 5 films | 5 | $64.9M | – | Spring Break (1983) $24.1M |
| March 1984 10 films · +332% | 10 | $280M | +332% | Romancing the Stone (1984) $86.6M |
| March 1985 7 films · −48% | 7 | $144.9M | −48% | Police Academy 2: Their First Assignment (1985) $55.6M |
| March 1986 8 films · +6% | 8 | $153.4M | +6% | The Money Pit (1986) $55M |
| March 1987 7 films · −20% | 7 | $123.2M | −20% | Blind Date (1987) $39.3M |
| March 1988 11 films · +78% | 11 | $219.6M | +78% | Beetlejuice (1988) $74.9M |
| March 1989 13 films · −44% | 13 | $122.2M | −44% | Fletch Lives (1989) $39.5M |
| March 1990 10 films · +524% | 10 | $761.9M | +524% | Pretty Woman (1990) $463.4M |
| March 1991 8 films · −79% | 8 | $163.7M | −79% | Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) $78.7M |
| March 1992 7 films · +26% | 7 | $205.8M | +26% | White Men Can’t Jump (1992) $90.8M |
The months of 1992 with their totals: July leads with $531.9M, led by Death Becomes Her (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
White Men Can’t Jump (1992) leads with $90.8M worldwide, $76.3M of it in the US & Canada. Next come My Cousin Vinny (1992) at $64.1M and The Cutting Edge (1992) at $25.1M.
7 comedy films released in March 1992 report a worldwide gross, $205.8M in all, or $29.4M per film on average. February 1992 releases took $271M.
None. The biggest, White Men Can’t Jump (1992), earned $90.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 1992. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.