#1 of 6 2004 · Action, Adventure
$292.5M worldwide · 71% of the chart's total
The Bourne Supremacy (2004) is the highest-grossing action movie released in week 30 of 2004 (Jul 18–24), with $292.5M worldwide, ahead of Catwoman (2004) at $82.4M and The Blind Swordsman: Zatoichi (2004) at $34.2M. 6 action films released that week report a worldwide gross, $411.4M in all, 53% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $375M across 3 action releases.
#1 of 6 2004 · Action, Adventure
$292.5M worldwide · 71% of the chart's total
The Bourne Supremacy (2004) leads with $292.5M, 71% of the total. The top 5 together took $411.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2004 (Jul 18–24).
Jul 23, 2004 US and Canada: $176.2M Rest of the world: $116.3M Worldwide: $292.5M
Jul 23, 2004 US and Canada: $40.2M Rest of the world: $42.2M Worldwide: $82.4M
Jul 21, 2004 US and Canada: – Rest of the world: – Worldwide: $2.1M
Jul 20, 2004 US and Canada: – Rest of the world: – Worldwide: $104.5K
Jul 22, 2004 US and Canada: $19.5K Rest of the world: $31.1K Worldwide: $50.6K Of the top 6, The Bourne Supremacy (2004) earned the biggest share at home (60% in the US & Canada), while The Blind Swordsman: Zatoichi (2004) made 97% of its gross abroad. Across all 6 films, $217.6M (53%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 30 releases took $411.4M. The biggest of these 9 weeks is week 27 (Jun 27–Jul 3) with $834.9M, led by Spider-Man 2 (2004).
Of these 10 years, Week 30, 1998 earned the most: $492M from 2 films, led by Saving Private Ryan (1998). Week 30, 2004 took $411.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 1995 Jul 23–29 3 films | 3 | $399.5M | – | Waterworld (1995) $264.2M |
| Week 30, 1996 Jul 21–27 No films | 0 | – | – | – |
| Week 30, 1997 Jul 20–26 1 film | 1 | $315.2M | – | Air Force One (1997) $315.2M |
| Week 30, 1998 Jul 19–25 2 films · +56% | 2 | $492M | +56% | Saving Private Ryan (1998) $482.4M |
| Week 30, 1999 Jul 18–24 2 films · −73% | 2 | $134.7M | −73% | Inspector Gadget (1999) $134.4M |
| Week 30, 2000 Jul 16–22 1 film · −1% | 1 | $133.9M | −1% | Pokémon: The Movie 2000 (2000) $133.9M |
| Week 30, 2001 Jul 22–28 1 film · +170% | 1 | $362.2M | +170% | Planet of the Apes (2001) $362.2M |
| Week 30, 2002 Jul 21–27 7 films · −15% | 7 | $306.7M | −15% | Austin Powers in Goldmember (2002) $296.9M |
| Week 30, 2003 Jul 20–26 2 films · +16% | 2 | $357.2M | +16% | Spy Kids 3-D: Game Over (2003) $197.1M |
| Week 30, 2004 Jul 18–24 6 films · +15% | 6 | $411.4M | +15% | The Bourne Supremacy (2004) $292.5M |
50 weeks of 2004 with reported grosses; the biggest is week 27 (Jun 27–Jul 3) with $834.9M, led by Spider-Man 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Bourne Supremacy (2004) leads with $292.5M worldwide, $176.2M of it in the US & Canada. Next come Catwoman (2004) at $82.4M and The Blind Swordsman: Zatoichi (2004) at $34.2M.
6 action films released in week 30 of 2004 (Jul 18–24) report a worldwide gross, $411.4M in all, or $68.6M per film on average.
None. 1 film crossed $100 million, led by The Bourne Supremacy (2004) with $292.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2004 (Jul 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.