Origins and Purpose
The F-rating was created in 2014 by Holly Tarquini, the executive director of the Bath Film Festival in the United Kingdom. Its primary purpose is to serve as a clear and simple classification to champion women in the film industry and combat the persistent gender imbalance both on-screen and behind the camera. By applying the rating, cinemas, festivals, and streaming services can empower audiences to more easily discover, choose, and support films that reflect female perspectives and talent. It functions not as a measure of quality, but as a descriptive label highlighting female contributions, shifting the conversation from a problem-focused critique to a solution-oriented celebration of existing work.
F-rating: The Criteria
A film earns an F-rating if it meets at least one of three specific criteria:
- It is directed by a woman.
- It is written by a woman.
- It features significant women on screen in their own right.
The third criterion is intentionally subjective but is generally interpreted to mean female characters who are not simply secondary to male protagonists—they have their own agency, motivations, and are central to the narrative. A film that meets all three criteria is awarded a Triple F-rating, signifying a work that is holistically driven by female talent from conception to on-screen portrayal.
Adoption and Impact
Since its inception, the F-rating has gained considerable traction beyond its origins at the Bath Film Festival. Over 100 cinemas and film festivals in the UK have adopted the rating system to help curate their programming. Its most significant milestone was its adoption by IMDb in 2017, which added the ‘F-rated’ keyword to its database, allowing millions of users worldwide to search for and identify qualifying films. This move dramatically increased the rating’s visibility and influence.
The impact has been multifaceted. It provides valuable data for industry analysis, quantifies the presence of women in key creative roles, and serves as a marketing tool for distributors. However, it is not without its critics. Some argue that it risks ‘ghettoizing’ films by women, suggesting they need a special label. Others point out that the criteria do not inherently guarantee a feminist perspective or a well-crafted film. Proponents, however, maintain that its visibility is a crucial tool for advocacy and that by making female-driven films easier to find, it helps build an audience and demonstrates a commercial demand for their stories, ultimately encouraging more equitable production practices.
Comparison to Other Tests
The F-rating is often discussed alongside other media-analysis frameworks like the Bechdel Test, but their goals are distinct. The Bechdel Test analyzes on-screen narrative content by asking if a work features at least two women who talk to each other about something other than a man. It is a simple pass/fail metric for a single scene and speaks to the depth of female presence within the story.
The F-rating, by contrast, is primarily focused on the authorship and production of the film (writer, director) as well as on-screen significance. A film can easily pass one test and fail the other. For instance, a male-directed and male-written action film might pass the Bechdel Test with a brief conversation between two female side characters, while a female-directed character study focused on a single man would fail it but still earn an F-rating. Together, they offer complementary lenses for analyzing gender representation in cinema.