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Filmmaking Terms Starting With S

The filmmaking terms that begin with S, in alphabetical order.

121–146 of 146 entries

Definitions of Filmmaking Terms Starting With S

Open any entry for the full definition, where the term comes from and the films that show it best.

  • Stills Photography

    The professional capture of high-quality images during film production for marketing and archival use.

  • Sting

    A brief, punctuating musical cue used to accentuate dramatic moments or transitions.

  • Stinger Scene

    A brief scene inserted after the main narrative or credits to surprise or tease the audience.

  • Stop Motion

    An animation technique that physically manipulates objects frame by frame.

  • Story Map

    A story map is a visual method of outlining a narrative that charts key plot points, character arcs, and thematic connections using diagrams, charts, or index cards.

  • Story Notes

    Creative guidance focusing on narrative development and emotional resonance in a script.

  • Storyboard

    A sequence of illustrations that previsualizes the film’s shots and camera movements.

  • Storyboard Artist

    An artist who visualizes a script by sketching sequential panels to plan cinematic storytelling.

  • Storyboard Panel

    A storyboard panel is a single illustration within a larger storyboard that represents one specific camera shot and includes key production notes.

  • Storyboarding

    Storyboarding is the pre-production process of creating a sequence of drawings, similar to a comic strip, to visualize the shots and action of a film before shooting begins.

  • Strike

    In filmmaking, to strike something means to remove it from the set or to disassemble the entire set after filming is complete.

  • Stripboard

    Colour-coded scene strips arranged on a board provide a tactile way to plan and revise the shooting order.

  • Structural film

    Structural film is an experimental film movement where the film's shape and formal structure are the primary content, often de-emphasizing narrative and representation.

  • Studio Logo

    A studio logo is the animated emblem of a film production or distribution company that appears at the beginning of a motion picture.

  • Studio Notes

    Executive directives from a studio outlining required changes for alignment with corporate strategy.

  • Studio Shoot

    A controlled filming environment within purpose-built soundstages or studios.

  • Stunt

    A dangerous physical performance executed in place of the principal actor.

  • Subjective Camera

    A filming technique that adopts the viewpoint of a character to convey personal perspective

  • Subsurface Scattering

    Subsurface Scattering (SSS) is a computer graphics technique that simulates light penetrating the surface of a translucent object and scattering internally.

  • Subtitles

    On-screen text conveys dialogue, lyrics, and metadata to bridge language and accessibility gaps.

  • Superimposition

    Layering multiple images within the same frame crafts dream states, ghostly presences, or expositional montages.

  • Surrealist film

    A surrealist film is a cinematic movement that rejects conventional narrative logic in favor of bizarre, dreamlike imagery and psychological exploration drawn from the subconscious.

  • Swing Day

    A swing day is a transitional day in a production schedule that shifts the workweek, often by providing a single day off between two workweeks.

  • Swivel Chair Shot

    Low-tech circular or pivoting move achieved by rotating the operator or subject on a chair to create parallax and energy.

  • Synthetic Crowd

    A synthetic crowd is a large group of computer-generated characters, often driven by artificial intelligence, used in films to simulate the epic scale of battles, stadiums, and cities.

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