Wounded Game Plot Summary
Read the complete plot summary and ending explained for Wounded Game (1977). From turning points to emotional moments, uncover what really happened and why it matters.
Children and war—there is no more horrifying convergence of opposites in the world.
Aleksey Bartenev [Juozas Budraitis] returns to the city where he spent his childhood, a writer who grew up in an orphanage after losing his parents in the war—his father perished on the front, and his mother took her own life when he was an infant. He sets out on a quiet, stubborn search to reconnect with a past that memory itself seems to have erased. His goal is simple in scope but devastating in implication: to find his two brothers, whom he barely remembers, and to piece together a family that the war scattered to the edges of history.
Through dusty archival records and fragile testimonies, the truth begins to surface in fragments. The path leads him to Grigoriy Albertovich Krivoruchko [Nikolai Gubenko], a name that carries the weight of a life spent apart from the rest of the family. The trail then winds toward the fate of the siblings’ sister, Natasha, who died in 1947, a loss that still casts a shadow over the surviving memories. And it points toward the two elder brothers, each living in starkly different circumstances: Sergey Pogartsev [Georgi Burkov] has become a habitual criminal, his life shadowed by repeated prison terms; Denis Kuskov [Aleksandr Kalyagin], the middle brother, was adopted by a high-ranking Party official and raised far from the hardships that scarred the others.
As Alexey digests these connections, a painful truth about Denis emerges. Natasha had once visited Denis, though she kept the details to herself, and Denis himself initially pretends not to know their shared kinship. Later, with time having worn away the layers of denial, Denis confesses that he remembered everything and expresses a quiet regret for how he treated his sibling bond.
The film moves in tender, painful memory—a mosaic of a harsh post-war Odessa seen through the eyes of a child who is now an adult. One sequence recalls a desperate bargain among street kids: a boy who pretends to be mute, joining Natasha and others to swap a stolen gramophone for a piece of bread. In another moment, the children attempt to steal food from an apartment by distracting a woman with a chicken. Natasha provides the distraction while Alexey slips in via the balcony, only to be caught by a neighbor who happens to be a policeman, who hands him over to a state shelter for orphans. The tension between survival and loyalty threads through every recollection, highlighting how the search for family becomes a reckoning with the lasting wounds of war.
Throughout, the film leans on memory as its own kind of witness. The narrative voice returns again and again to the notion that what remains after the war is not just lost lives but a web of unspoken stories that continue to shape the living. The closing cadence arrives with a voiceover reading excerpts from Gennady Shpalikov’s poem By Misfortune or by Happiness, anchoring Aleksey’s journey in a somber meditation on fate, memory, and the enduring ache of those left behind. It is a quiet, yet piercing reminder that the past does not end where memory fades; it lingers, insisting on being acknowledged, reinterpreted, and finally found in the hearts of those who dare to search.
Wounded Game Timeline
Follow the complete movie timeline of Wounded Game (1977) with every major event in chronological order. Great for understanding complex plots and story progression.
Opening epigraph
The film opens with an epigraph quoting Alexander Tvardovsky: 'Children and war—there is no more horrifying convergence of opposites in the world.' This line frames the narrative and signals that the story will probe the lasting wounds of war on young lives. It sets a somber, reflective tone that carries through Alexey's memories.
Alexey returns to his childhood city
Writer Alexey Bartenev travels back to the city where he spent his early years, hoping to piece together his fractured past. He revisits old streets, archives, and memories that feel unfamiliar yet intimate. The journey marks a shift from present concerns into a pilgrimage through memory.
War’s toll on his family
The backstory reveals Alexey’s origins: his father died on the front, and his mother took her own life when he was an infant. These losses left him as an orphan and shaped his wary, guarded outlook. The scene anchors the narrative in the traumas that define his quest.
Archival clues about his siblings
Alexey uses archival records to uncover what happened to his two brothers and sister. Natasha died in 1947, Sergey Pogartsev became a habitual criminal, and Denis Kuskov was adopted by a high‑ranking Party official and raised in relative comfort. The discoveries begin to map a family divided by war and circumstance.
Denis’s life under a party official
Denis Kuskov grows up under the care of a high‑ranking Party official and experiences a comparatively privileged childhood. His path contrasts sharply with that of his siblings and underscores how postwar systems could shelter some while neglecting others. The revelation adds moral ambiguity to the family history.
Natasha’s visit to Denis
Natasha had once visited Denis, but he greeted her with cold reserve and offered no warmth or details. The moment hints at unspoken tensions within the family tied to loyalty, fear, and the scars of the war era. It remains a fragment of memory that will later surface in Alexey’s quest.
Denis’s later confession
Years later, as an adult, Denis admits that he remembered everything and regrets his earlier behavior toward Natasha. The acknowledgment adds nuance to the siblings’ estrangement and suggests remorse that could alter Alexey’s understanding of his past. The confession occurs long after the events Natasha witnessed.
Childhood survival on the streets
The film recalls Alexey’s rough childhood on the Odessa streets, where he pretends to be mute and teams up with Natasha and other street children. They barter a stolen gramophone for a piece of bread, showing how hunger can push children into acts of survival. The sequence paints a vivid portrait of postwar deprivation.
The chicken distraction and the capture
In another desperate plan, the children try to steal food from an apartment by distracting a woman with a chicken. Natasha acts as the distraction while Alexey slips in via the balcony. A neighbor policeman catches him and turns him over to a state shelter for orphans.
Natasha joins the orphanage to stay together
Determined to stay together, Natasha volunteers to join her brother in the orphanage. Her decision underscores their bond and the lengths they go to survive together. The gesture seals their shared fate within the harsh postwar system.
Fragmented memories of a harsh childhood
The film intermittently drifts through Alexey’s shattered memories of a difficult postwar childhood. These recollections illuminate the emotional scars left by scarcity, fear, and parental loss. They also reveal how memory can be a fragile guide to truth.
Discovering the siblings’ divergent lives
As the archival search progresses, Alexey learns Sergey Pogartsev’s continued criminal life and Denis Kuskov’s more comfortable upbringing. The revelations close the loop on the family’s fates and contrast two paths carved by circumstance. The truth seems to multiply the complexity of loyalty and belonging.
Closing voiceover with a poem
The film concludes with a voiceover reading excerpts from Gennady Shpalikov’s poem By Misfortune or by Happiness. The lines carry the weight of memory and the lasting scars of war. The poem frames Alexey’s story as a meditation on loss, resilience, and the costs of survival.
Wounded Game Characters
Explore all characters from Wounded Game (1977). Get detailed profiles with their roles, arcs, and key relationships explained.
Aleksey Bartenev
A writer who returns to his wartime hometown to piece together his past and locate his two brothers. He carries trauma from losing his parents and growing up in an orphanage, driving a relentless search for memory and family. His journey frames the film as a meditation on history, guilt, and reconciliation.
Sergey Pogartsev
The older brother adopted by a high-ranking party official, who becomes a habitual criminal. His life reflects the moral ambiguities of postwar society and the burdens of advantage and displacement. In the end, he expresses regret for his past actions when Alexey finally finds him.
Denis Kuskov
The middle brother raised in relative comfort by a powerful official, who initially feigns ignorance of his family ties. Years later he admits he remembered everything and wrestles with guilt for how he treated his siblings, highlighting the era's moral ambiguity.
Tasya
The sister who died in 1947, whose memories and actions haunt the search for the family. She had once visited Denis and chose to join her brother in the orphanage, demonstrating loyalty and sacrifice amid hardship.
Kolya
The youngest brother referenced in the family history; his exact fate is not detailed in the film, serving as a symbol of unresolved threads from the wartime split.
Wounded Game Settings
Learn where and when Wounded Game (1977) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1940s
The story is set in the immediate postwar years when shortages and reconstruction shape daily life. Children grow up amid shelters, poverty, and shifting social norms. The narrative uses specific moments—like trading a gramophone for bread—to anchor the era in memory.
Location
Odessa
Odessa serves as the backdrop for Alexey's harsh postwar childhood. The city is depicted through crowded streets, an orphanage, and street-life survival. Its atmosphere mirrors the trauma and resilience of a society rebuilding after the war.
Wounded Game Themes
Discover the main themes in Wounded Game (1977). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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War and Loss
The film centers on how war shatters families and leaves lasting scars on children. Alexey grows up without parents, in an orphanage and on the streets, carrying losses that never fully heal. The search for siblings becomes a way to confront trauma and seek closure.
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Memory and Identity
Memory is treated as a puzzle built from fragments: archival records, whispered hints, and childhood recollections. Alexey uses these pieces to reconstruct who he is and where he comes from. The film questions how much of a life is defined by what we remember versus what is forgotten.
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Survival and Resilience
Survival in postwar Odessa drives the characters to improvise, whether swapping a stolen gramophone for bread or sharing scarce resources. The siblings' bond persists despite deception and fear, illustrating resilience in the face of deprivation. The story emphasizes endurance as a central response to collective trauma.
Wounded Game Spoiler-Free Summary
Discover the spoiler-free summary of Wounded Game (1977). Get a concise overview without any spoilers.
In the ruins of post‑war Odessa, the city’s cracked façades and lingering greyness echo a generation that grew up without fathers. The film paints this landscape with a quiet, almost lyrical austerity, letting the cold wind off the Black Sea and the muted chatter of market stalls become a backdrop for a story about memory and loss. The cinematography moves like a slow‑motion recollection, inviting the audience to feel the weight of history that still presses on the streets and the people who wander them.
Aleksey Bartenev, now a writer, returns to the place of his childhood orphanage, driven by a stubborn compulsion to stitch together fragments of a family erased by war. His personal archives and the faded whispers of old neighbors become his map, and his investigation is less a detective story than a meditation on how the past survives in the lining of everyday life. As he navigates dusty records and hesitant testimonies, the audience senses his yearning to fill the silent spaces left by parents who never returned.
Along his path he encounters Grigoriy Albertovich Krivoruchko, a figure whose own isolation hints at the broader scattering of kin, and learns of his siblings: Sergey Pogartsev, whose life has taken a hard‑bought turn; Denis Kuskov, raised far from the hardships of the city; and Natasha, a sister whose memory still haunts the family’s narrative. Their divergent existences suggest the many ways war reshapes destiny, without revealing the specifics of each journey.
The tone remains tender yet unflinching, balancing melancholy with the resilience of those who cling to the idea of belonging. A voiceover drawn from Gennady Shpalikov’s poetry underscores the film’s reverence for forgotten stories, turning Aleksey’s personal quest into a universal contemplation of how the echoes of conflict linger long after the gunfire has ceased.
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