Vietnam Colony 1992

G. Krishnamoorthy, Mohanlal, hails from a respected Tamil Brahmin family and lands a job as a construction supervisor with the Calcutta Construction Company. He is genuinely excited at the prospect, envisioning a steady, respectable role, until his new colleague, K. K. Joseph, Soubin Shahir, pulls him aside with a blunt warning: their assignment is to vacate the Vietnam Colony, a cramped settlement of day laborers, so the land can be cleared for a new construction project. Joseph adds a hard truth: the company has been trying to move the residents for years, but three criminal leaders — Paravoor Ravuthar, Irumbu John, and Kannappa Srank — have thwarted every attempt. He also taunts Krishnamoorthy’s Brahmin gentility, implying that he may be too fragile to stand up to the danger.

Despite his initial resolve to walk away, Krishnamoorthy’s situation at home tightens the noose. That evening, he tells his mother he will refuse the offer, but the weight of familial pressure and debt to relatives who lent his late father money leaves him with little choice but to accept. The choice is far from easy, and the moral stakes weigh heavily on him as he steps toward the colony.

Back at the office, Krishnamoorthy and Joseph hatch a plan to stay inside the colony by masquerading as harmless writers who want to document life there, a ruse designed to undermine the residents from within. They also arrange to stay with Pattalam Madhavi Amma, a formidable matriarch figure who keeps a close eye on the neighborhood. Pattalam Madhavi Amma, KPAC Lalitha, embodies a blend of warmth and streetwise pragmatism that makes the two men’ s mission more complicated and more human.

WhenKrishnamoorthy and Joseph arrive at the colony, they meet Unnimol, a resident who instantly takes a liking to Krishnamoorthy. Unnimol, Kanaka, is lively and perceptive, and her instinctive hospitality helps Krishnamoorthy start to see the colony as more than a pawn in a developer’s game. The community itself is wary at first, but Krishnamoorthy’s growing empathy and willingness to listen help him win their trust. He learns about Moosa Settu, the colony’s proprietor, and Moosa’s mother, Suhra Bai, a mentally ill woman who clings to the land she inherited from her father. Suhra Bai’s story reveals a harsh truth: Moosa Settu has exploited the residents, taking money and using fear to maintain control, while the colony endures monthly extortion payments demanded by a network of criminals.

As Krishnamoorthy earns confidence, he begins to upgrade the colony’s infrastructure, using his position to make small, practical improvements that raise the residents’ spirits and their sense of dignity. He also wins the sympathy and trust of the gangsters—an uneasy balance that underscores the moral gray area at the heart of his mission. The plan gains momentum when Krishnamoorthy gets approval from his bosses to offer the residents a substantial package: a large tract of land with houses where they can relocate, framed as a fair settlement terms negotiation in front of the colony to persuade them to accept. He delivers a rousing speech that emphasizes unity and collective strength, arguing that a united community can demand what it deserves.

Yet the moral center of the story shifts when tragedy strikes. Suhra Bai becomes obstinate, insisting she cannot leave the land she inherited. In a moment of rage, Ravuthar assaults her, and she dies the next day. The colony reels, and Swami—Krishnamoorthy’s adopted moniker among the locals—goes in search of Moosa Settu to perform his mother’s last rites. The twist arrives when Krishnamoorthy discovers Advocate Thomas — Krishnamoorthy’s company ally in disguise — living in Moosa Settu’s bungalow. In an even more startling reversal, the now-homeless Moosa Settu surfaces at the local madrasa, where he performs Suhra Bai’s last rites, a scene that exposes the depths of greed and complicity within the project.

The revelation hits Krishnamoorthy hard: the company is actively working to demolish the land, and his carefully constructed plan risks collapsing. The colony, sensing that Swami may be aligned with the developers, confronts him, and he is forced to confront the truth of his own complicity. Swami then confesses and commits to fighting for the colony’s justice, choosing to stand with those he had set out to betray. Unni, the daughter beloved of Madhavi Amma’s circle, grows to admire Krishnamoorthy’s bravery and gradually falls in love with him, adding a personal stakes dynamic to the political struggle.

The tension intensifies as the company’s goons, emboldened by the promise of money, align with the developers and launch a violent assault on Krishnamoorthy. The colony unites to defend their home, beating back the attackers and even subduing Advocate Thomas, whose duplicity is laid bare. In the climactic upsurge of solidarity, Krishnamoorthy earns the community’s praise for his courage and leadership. The film closes on a note of quiet triumph: Krishnamoorthy leaves the colony to return home, while Unnimol, drawn to him by love and loyalty, quietly slips away with him, signaling a hopeful, if ambiguous, future beyond the fight for the colony’s rights.

In this story of displacement, power, and moral ambiguity, the characters navigate a landscape where ambition and compassion collide. Krishnamoorthy’s journey—from a hesitant recruit to a determined advocate for the colony—offers a portrait of resilience under pressure, the costs of taking a stand, and the possibility that a single determined person can spark a broader shift toward justice, even in the face of entrenched interests.