The Miracle 1959

Teresa is a thoughtful and spirited postulant at the convent of Miraflores in Salamanca, Spain. Orphaned and taken in by the sisters, she thrives on the rhythm of convent life, even as she proves to be somewhat of a handful for her superiors. She fills her days with song and stories, belting out worldly love songs for her fellow postulants and sneaking in secular tales, including readings of Romeo and Juliet. Yet beneath this playful exterior, Teresa carries a deep, lively devotion to Christ and to His Blessed Mother, and she guards a special reverence for a statue of the Virgin Mary she encounters as she goes about her duties.

Michael Stuart enters her world when the British troops march through the town on their way to confront Napoleon’s French forces. Teresa is drawn to a striking captain she glimpses as he waters his horse, and the two quickly find themselves enchanted by one another. After the British victory at Salamanca, the regiment returns to the convent, which the Mother Superior offers up as a makeshift hospital for the wounded. Here, Teresa learns more about the young captain and begins to fall for him. Michael finds her fascination mirroring his own, and soon their affections deepen into love.

When the soldiers march on to be billeted in Miraflores, seventeen-year-old Teresa is consumed by desire for [Michael Stuart], and she starts to question the boundaries of her calling. He asks her to marry him, and though she hesitates, she chases after him, and they share a kiss. He proposes that they meet at the town’s inn if she wishes to leave the religious life and marry him. In the chapel, she pleads for guidance, but no sign comes. Desperate, she abandons her postulant’s habit, wraps a cloak about herself, and races into the night to meet Michael. Then a miracle unfolds: the cherished statue of the Virgin Mary comes to life, dons the discarded habit, and secretly takes Teresa’s place at the convent.

A thunderstorm roars as the Holy Mother steps off her pedestal, and a drought grips the valley, lasting for years. The townspeople believe the Virgin’s intercession is responsible for the drought ending when the statue vanishes from the chapel’s pedestal. The French return to ravage the region, and Teresa is nearly raped by a French sergeant, only to be saved by a band of gypsies. Among them is the handsome leader Guido. He possesses Michael’s watch, which he gives to Teresa after she reacts to the familiar tune when the case is opened. Guido’s brother, Carlitos, had claimed he took it from a dead Englishman, and Teresa’s horror at that truth drives a wedge between her and faith. A Gypsy named Flaco ominously hints that he once saw the girl at the convent. As the gypsies laugh at her display of anger toward faith, Teresa denounces Christianity, ripping a crucifix from her neck and casting it to the ground, proclaiming that she is no longer a Christian.

What Teresa does not know is that Michael has been captured and later escapes from a prison camp to return to the convent and take Teresa with him to England to marry. He arrives to find that Teresa has already moved on in her life and that the Mother Superior reveals she has taken final vows. Michael pushes past her only to discover that “Teresa” in full habit—the Virgin Mary in disguise—leads a procession singing > Ave Regina Coelarum. Disheartened, he leaves to resume his duties.

Meanwhile, Teresa, believing Michael to be dead, falls for Guido. Envy gnaws at Carlitos, who betrays the Gypsy camp to the French in the run-up to a fateful wedding night. A detachment of soldiers sweeps through the camp, and many Gypsies are shot, including Guido. After a bag of gold is tossed to Carlitos by a French captain, he is slain by La Roca, the brothers’ mother, for betraying his kin. Grief-stricken, La Roca turns on Teresa, banishing her from the camp. Flaco becomes Teresa’s protector as they wander through Spain together.

Teresa and Flaco travel to Madrid, where she flirts with Córdoba, a bullfighter who pursues her while a wealthy nobleman, Casimir, funds her rising singing career. The bullfighter is gored in the ring, yet he dies smiling at her, fueling Teresa’s belief that her presence brings misfortune to those who show her kindness. She even abandons the portrait Casimir commissioned from “my friend, Goya,” much to his despair when he discovers her sudden departure.

Four years pass as Teresa travels across the Continent, building a reputation as a celebrated singer. In Belgium, during a ball prepared for British officers before a new Napoleonic onslaught, she unexpectedly spots Michael among the crowd. They share a tense reunion on the terrace as he asks why, after escaping, he did not come back for her. He insists that he did come back, though she insists he may have imagined it while ill in captivity. The ball continues as Wellington’s orders rally the officers, and Michael asks Teresa to pray for him.

Teresa now faces a painful choice. She seeks guidance in prayer, returns to a church, and resolves to return to her true vocation. She leaves a note with the parish priest and departs with Flaco, hoping to find peace in service rather than romance. Back on the battlefield, Michael leads a cavalry charge that breaks Napoleon’s lines. A cannonball wounds him, but he survives, and a recovered helmet reveals a narrow escape believed to be touched by the divine.

When Michael finally returns to Teresa’s flat, he respects her decision to return to a life of service, and he concedes that he must honor her vow. He leaves, and Teresa, now certain she must fulfill her calling, returns to Salamanca. There, the drought-sodden land has endured four years of hardship since the statue disappeared. A woman’s words confirm the drought’s persistence, and Teresa returns to the convent chapel in tears, praying for guidance. The Blessed Virgin enters, blesses her, and returns to her pedestal. A thunderstorm erupts again, the drought ends, and the people rejoice as the statue is restored to its place. The congregation cheers, and the nuns gather to pray, while the community—led by Flaco—recognizes the miraculous reappearance. The scene closes with the townspeople singing Mozart’s Ave verum corpus, a haunting reminder of faith, fate, and the power of devotion.