Directed by

Дмитрий Сорокин
Made by

Mosfilm
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Read the complete plot summary and ending explained for The Flight (1971). From turning points to emotional moments, uncover what really happened and why it matters.
In November 1920, as the Russian Civil War winds down in the south, the Red Army pushes into Crimea, triggering a wide-spread panic among those who thrived before the 1917 Revolution. This upheaval sweeps away members of the former elite, forcing them to abandon their homeland in a desperate exodus. Across this chaotic backdrop, the fates of several intertwined lives unfold: Serafima Korzukhina, Ludmila Savelyeva, the wife of a once-powerful trade minister; General Charnota, Mikhail Ulyanov, a White Army commander who clings to his dwindling authority; his companion Lyuska, Tatyana Tkach; the thoughtful Golubkov, Aleksey Batalov; and the troubled General Khludov, Vladislav Dvorzhetsky, who is haunted by visions of the men he ordered executed. Nearby is Korzukhin, Evgeniy Evstigneev, the private-lecturer turned husband whose fate will become crucial to Serafima’s future, and the shadow of the deserter-turned-ghostly memory, Krapilin, the soldier whose presence lingers in Khludov’s conscience; the moment is rendered with the presence of Nikolai Olyalin as the man who once played Krapilin.
The group narrowly escapes to Constantinople by train and ship, only to discover exile brings poverty and a sharp drop from their former social standing. In the unfamiliar streets of the Balkan capital, General Charnota’s pride buckles under hardship, while Ludmila Savelyeva as Serafima faces an unbearable choice to survive, a choice that tests loyalty and love.
To secure Serafima’s future, Golubkov and Charnota embark on a perilous journey to Paris to find Korzukhin, who still holds the means to salvage her life. The encounter is tense: Korzukhin refuses help, and in a bold turn, Charnota challenges him to a card game, emerging with a substantial win. With Lyuska’s help, who has become entangled with Korzukhin, Golubkov and Charnota escape Paris with the winnings, leaving behind a city of echoes and unresolved loyalties.
Back in Constantinople, Golubkov and Serafima decide to attempt a return to Soviet Russia, driven by a longing for belonging and redemption that outstrips the dangers they face on the road home. For the White generals, exile is their only option, a fate they brace for with a mix of stoic resignation and stubborn humor. Charnota, ever the gambler, resurrects a nomad’s persona—calling himself the “Flying Dutchman” or “Ahasuerus”—a self-image that fuses defiance with a doomed wanderer’s fate. Khludov, meanwhile, sinks deeper into guilt and memories from the war, his sense of reality fraying as the years unfold.
The film closes on a dreamlike note, where Golubkov and Serafima ride through a snowbound Russian forest, a symbolic return toward a homeland that remains just beyond reach, shimmering with memory, longing, and the fragile possibility of salvation.
Follow the complete movie timeline of The Flight (1971) with every major event in chronological order. Great for understanding complex plots and story progression.
Red Army advances into Crimea and exile begins
In November 1920, the Red Army pushes into Crimea, triggering panic among the former elite. The collapse of their privileged world forces many to flee or hide, sparking a large exodus from Russia. The story follows a group of characters whose futures hang in the balance as the chaos unfolds.
Escape to Constantinople begins
The group—Serafima Korzukhina, General Charnota, Lyuska, Golubkov, and General Khludov—begins their escape to Constantinople, traveling by train and ship. They leave behind the world they knew and confront the dangers of exile. This journey marks the first step in a precarious new life abroad.
Exile life in Constantinople: poverty and loss of status
In Constantinople, exile brings poverty and hardship as they fall from their former social standing. The veterans and officials must scramble for survival in a foreign city. The sense of security and control they once had seems distant and unattainable.
Khludov haunted by memories and visions
General Khludov becomes increasingly erratic, tormented by visions of the men he ordered executed. The ghostly presence of his past actions haunts his every step in exile. His grip on reality weakens as the war's trauma refuses to fade.
Serafima faces survival choices in exile
Serafima confronts an unbearable choice as survival pressures mount, with prostitution looming as a grim option in Constantinople. Her plight underscores the moral costs of exile for those who once thrived under privilege. The emotional toll drives the other characters to seek drastic solutions.
Golubkov and Charnota travel to Paris to find Korzukhin
To save Serafima, Golubkov and Charnota embark on a desperate journey to Paris to locate Serafima’s estranged husband, Korzukhin, hoping he can provide funds for her future. They confront danger and uncertainty as they cross borders in search of a lifeline. The mission marks a shift from survival to pursuit of financial rescue.
Korzukhin refuses to help; card game challenge begins
In Paris, Korzukhin coldly denies Serafima any financial support. Charnota responds with a bold challenge to a card game, risking a confrontation that could change their fate. The high-stakes gamble reveals their stubborn desperation.
Charnota wins the money and they escape Paris
Charnota defeats Korzukhin in the card game, winning a significant sum. With Lyuska's help, who is now involved with Korzukhin, Golubkov and Charnota escape Paris with the prize. They secure the means to begin anew outside Russia.
Return to Constantinople and decision to go back to Soviet Russia
Back in Constantinople, Golubkov and Serafima decide to return to Soviet Russia, drawn by a longing for belonging and a chance at redemption. They acknowledge the risks but choose to pursue a homeland that still calls to them. Their bond deepens as they prepare to face whatever awaits them.
White generals' exile and Charnota's new wanderer persona
The White generals remain in exile, unable to return home and face possible execution. Charnota resumes gambling and adopts the wanderer persona, calling himself the 'Flying Dutchman' or 'Ahasuerus' as a defiant, tragic identity. The prospect of a permanent exile defines his stubborn endurance.
Khludov's guilt deepens; visions persist
Khludov is consumed by guilt from his wartime past, and his memories of orders haunt him more intensely. The dreamlike visions continue to punctuate his days, eroding any sense of stability. His psyche frays under the weight of the choices he made.
Dream-like ending: Golubkov and Serafima in a snowy forest
The film culminates in a dream-like scene where Golubkov and Serafima ride through a snowy Russian forest. The sequence blurs memory and longing, emphasizing a yearning for homeland and belonging that remains unresolved. It leaves their fate and the homeland's promise open to interpretation.
Explore all characters from The Flight (1971). Get detailed profiles with their roles, arcs, and key relationships explained.
Serafima Korzukhina — Ludmila Savelyeva
Wife of a former trade minister who endures hardship in exile. She embodies resilience and moral complexity, navigating poverty while seeking survival for herself and her circle. Her vulnerability intersects with love as she becomes entangled with Golubkov and faces precarious choices to survive.
General Charnota — Mikhail Ulyanov
A White Army officer who has lost most of his status and pride. He endures exile with a stubborn dignity, clinging to a sense of honor while adapting to a changed world. His gambling and wit reveal a tragic defiance in the face of defeat.
Lyuska Korsakova — Tatyana Tkach
Charnota's partner, who becomes entangled with Korzukhin and aids the group’s schemes. She navigates complicated loyalties and a fragile social ascent in exile.
Golubkov — Aleksey Batalov
A thoughtful intellectual and former associate of the vanished elite. He partners with Charnota to secure Serafima’s future, driven by a blend of practicality and compassion. His choices reveal a desire for stability and dignity amid chaos.
Paromon Ilyich Korzukhhin — Evgeniy Evstigneev
Serafima’s estranged husband, a man of means who remains emotionally distant. He embodies the social calculus of exile, resisting support and exposing the fragility of relationships under pressure.
Khludov — Vladislav Dvorzhetsky
A traumatized White General who clings to sanity while being haunted by the memory of his executions. His inner turmoil and paranoia symbolize the moral toll of the war.
Krapilin — Nikolai Olyalin
A soldier-guard whose presence appears as a haunting memory for Khludov, representing the war's lingering reach into the present.
Learn where and when The Flight (1971) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
November 1920
The narrative unfolds in the late stages of the Russian Civil War. As the Red Army advances into Crimea, a sweeping exodus of the ex-elite follows, framing their diaspora across European cities. Constantinople and Paris become temporary worlds of poverty and survival. The story culminates with a longing to return to Soviet Russia, despite the dangers that await there.
Location
Crimea, Constantinople, Paris
The Flight traces movement across key locales shaped by upheaval. It begins with the Red Army pressing into Crimea, forcing a retreat of former elites. The fugitives flee by train to Constantinople, then voyage on to Paris, experiencing precarious exile and a sharp drop in social status. Their return to a homeland they idealize becomes a central, elusive ambition.
Discover the main themes in The Flight (1971). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🪖
War and Exile
The film centers on a society uprooted by the Civil War’s closing chapters. Former elites are stripped of power and forced to flee across borders, living on the margins of foreign cities. Survival and memory collide as characters navigate loss, displacement, and the cost of escape.
🕯️
Memory and Guilt
Haunted by the war’s violence, Khludov carries the specter of his orders and the people he executed. The narrative uses dreams and memories to probe how past crimes shape present choices and fracture a sense of self.
🧭
Displacement and Class
Exile erodes the comforts of former status, pushing aristocrats and intellectuals into poverty in foreign cities. The story explores how social change redefines identity, loyalty, and dignity when wealth and influence become unreliable currencies.
🏠
Home and Return
Golubkov and Serafima cling to the idea of returning home to a Russia that promises belonging and redemption. Their journey back to Soviet soil captures the tension between longing and danger, revealing how the idea of home can outshine the harsh realities of exile.

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Discover the spoiler-free summary of The Flight (1971). Get a concise overview without any spoilers.
In the waning days of the Russian Civil War, an eclectic crowd of former aristocrats, military officers, intellectuals and ordinary citizens are thrust into a frantic exodus. The old world collapses behind them as they board trains and ships bound for the bustling ports of Constantinople, a city that offers only the stark contrast of poverty and anonymity to those who once commanded empires. The film moves through this turbulent landscape with a tone that balances melancholy and sly humor, painting exile as both a tragedy of loss and a stage for absurd survival.
At the heart of the story are Serafima Korzukhina, the dignified wife of a vanished minister, whose quiet strength is tested by the disorienting march of history; General Charnota, a proud White‑army commander clinging to the remnants of his authority while confronting the humiliation of defeat; Lyuska, his loyal companion whose presence adds a touch of levity to the grim march; Golubkov, a reflective thinker who searches for a thread of meaning amid chaos; and General Khludov, a haunted figure tormented by the ghosts of his past deeds. Their intersecting paths are further complicated by Korzukhin, a former lecturer turned reluctant benefactor, whose decisions ripple through the group’s fragile bonds. Together they embody a spectrum of responses to displacement—resilience, resignation, restless humor, and the quiet yearning for a place that no longer exists.
The journey from Crimea to Istanbul and beyond is rendered with an unsentimental, bittersweet lens that invites the audience to contemplate the price of survival and the possibility of redemption. The film’s visual palette shifts from the snow‑covered forests of the Russian homeland to the sun‑baked streets of the Balkans, underscoring a world in flux where every character must decide whether to cling to the past, reinvent themselves in exile, or risk the unknown return to a fractured motherland.
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