Directed by

David Palmer
Made by

Hammer Film Productions
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Read the complete plot summary and ending explained for The Damned (1962). From turning points to emotional moments, uncover what really happened and why it matters.
On a quiet boating holiday along the south coast of England, Simon Wells, a middle-aged American who has recently separated from his career as an insurance executive, meets Joan in Weymouth. She lures him into a brutal mugging led by her brother, King, and his motorcycle gang. Though the assault ends with no lasting physical harm, it sets off a tense undercurrent between the two travelers and the people who surround them.
The following day, Joan joins him on his boat and defies her overprotective brother, who tries to keep her from leaving. Simon is willing to forgive and move on, while Joan explains the abuse she suffers whenever men show interest in her. The fragile balance between desire, danger, and coercion pushes them toward an awkward alliance as they drift along the coast.
Meanwhile, a far more unsettling reality unfolds in the caves along the nearby shore. There, nine children, all aged eleven, live with skin that feels cold to the touch. They are healthy, well-dressed, and clearly intelligent, yet they know little about the outside world. Their home is under continuous video surveillance, and Bernard — played by Alexander Knox — directs their education through a closed-circuit system, deflecting questions about their isolation with promises that they will learn the answers someday. The children are regularly visited by men in radiation protection suits, a reminder that something dangerous lurks just beneath the surface of their existence.
That night, Joan and Simon share a kiss and then return to a cliff-top house where their tryst continues, even as King’s gang encircles the property. They escape and reach the relative safety of a nearby military base. From there, they descend a cliff to a secluded beach and discover a network of caves that lead to an underground bunker attached to the base, where the children live.
Inside the caves, Bernard is forced to keep the children under constant watch, yet he allows them one chamber free of cameras. The children themselves are largely unaware that their secret hideout is known to their captors. They cherish mementos of people they believe are their parents and welcome Joan, Simon, and even King into their space, secretly smuggling food to them. The trio realizes the risks but feels a moral pull to rescue the children, even as they begin to feel unwell.
Bernard pressures the children to surrender their new friends and reveals his knowledge of the hidden place. The children refuse and destroy the surveillance cameras. Bernard then sends men in radiation suits to reclaim the intruders, but King and Simon overpower them. Using a Geiger counter, Simon discovers that the children are radioactive, a consequence of a nuclear accident that has altered their biology.
The escape becomes a chase through the caves and beyond. The intruders lead the children out, but more men in radiation suits close in, and most of the children are dragged back to the bunker. King seizes one of the boys and escapes in a stolen car, only to succumb to radiation sickness; the boy is recaptured. A helicopter pursues them as the vehicle careens, and King is killed in the ensuing crash.
Joan and Simon manage a perilous escape by boat, but both fall ill from the radiation. A helicopter hovers overhead, prepared to destroy the survivors if they die and fail to surface. The men in charge want the story to end with the couple dead, but the beachgoers below remain oblivious to the desperate drama unfolding behind them.
In a final twist, Bernard confides in his mistress Freya that he regrets the moment the children learned they are prisoners. The children were born radioactive as a result of a nuclear accident, granting them resistance to fallout and, in Bernard’s view, a purpose to endure a future war he believes is inevitable. When Freya rejects his plan, he kills her. The closing shot returns to the holiday beach, where life goes on for those carefree visitors, completely unaware of the hidden, radioactive children nearby and their quiet, desperate pleas.
Follow the complete movie timeline of The Damned (1962) with every major event in chronological order. Great for understanding complex plots and story progression.
Mugging on the Weymouth coast
While on a boating holiday off the south coast of England, Simon Wells, recently divorced, meets Joan in Weymouth. She lures him into a brutal mugging carried out by her brother, King, and his motorbike gang. The assault marks the first step into a dangerous entanglement that drives the rest of the story.
Joan joins Simon on his boat
The next day Joan climbs aboard Simon's boat and defies her overprotective brother. Their uneasy alliance grows as they evade the risks of King’s gang while out at sea. The moment also reveals a complicated dynamic rooted in manipulation and desire.
Onboard talk of running away
On the water, Simon is ready to forgive and forget, while Joan hints at the abuse she suffers from King. Simon urges her to run away with him, but she insists on returning to shore. Their time afloat is watched by a member of King’s gang, foreshadowing the danger to come.
Discovery of the cave-dwelling children
Near the coast, nine children aged 11 live in a network of caves, their skin cold to the touch yet outwardly healthy and intelligent. Bernard oversees their education via closed-circuit TV and evades questions about their isolation. They are regularly visited by men in radiation protection suits, hinting at a deeper purpose.
Cliff-top encounter and escape to a base
That night, Joan and Simon meet at a cliff-top house and have sex. The house is surrounded by King’s gang, forcing them to flee toward safety. They escape and reach the relative safety of a nearby military base.
Climb down to caves; underground bunker
The couple descends the cliff to the beach and is pursued by King. They find a network of caves leading to an underground bunker attached to the military base, where they finally meet the children.
Bernard tightens control; secret chamber
Bernard is forced to keep the children under watch, but he allows one chamber without cameras. The children remain unaware that their secret hideout is known to their captors, and they keep mementos of people they think are their parents. This dynamic sets up the fragile sanctuary the visitors stumble into.
The children host the visitors
The children host the trio in the unmonitored chamber and quietly smuggle them food. The atmosphere blends innocence with danger as the visitors realize the children are aware of more than they can tell. The group begins to understand the hidden power the children hold.
Rescue plan forms; illness begins
Joan and Simon pressure King to help rescue the children, but the plan is interrupted as all three begin to feel unwell. The sudden sickness hints at a looming hazard tied to the children and the environment. The group presses on despite the growing uncertainty.
Bernard confronts the children; cameras destroyed
Bernard urges the children to abandon their new friends and reveals he knows the exact location of their hideout. The children refuse and destroy the surveillance cameras, signaling a break with their captors. The action escalates toward a more open confrontation.
Raid and radioactive revelation
Bernard sends men in radiation suits, but King and Simon overpower them. Using a Geiger counter, Simon discovers the children are radioactive, a startling revelation about their survival and purpose. The stakes have shifted from safety to life-threatening exposure.
Escape attempt; children recaptured
The intruders lead the children out of the caves but are ambushed by additional radiation-suited men. Most of the children are recaptured and taken back to the bunker, deepening the children's captivity. The escape attempt ends with a grim sense of what lies ahead.
King’s flight and death
King grabs a boy and flees in a stolen car, but radiation sickness overtakes him and he abandons the boy before the pursuers close in. A helicopter closes in and King loses control, dying in the pursuit. The escape narrative foreshadows the doomed fates of the other characters.
Joan and Simon fall ill; pursuit continues
Joan and Simon manage to escape by boat but are soon overcome by sickness. A pursuing helicopter hovers overhead with orders to destroy the occupants once dead, underscoring the hopelessness of their situation. The couple's fate hangs in the balance as their boat drifts.
Bernard's confession; Freya's murder; final beach scene
Bernard reveals that the children were born radioactive as a consequence of a nuclear accident and that they have survived by design. He confesses to Freya his belief that the children must endure a coming nuclear war. Freya rejects him and he kills her, and the film ends with holidaymakers on the beach, oblivious to the desperate cries of the imprisoned children nearby.
Explore all characters from The Damned (1962). Get detailed profiles with their roles, arcs, and key relationships explained.
Simon Wells (Macdonald Carey)
A recently divorced, middle-aged American on a boating holiday who has left his insurance career. He shows a moral center, practical courage, and a willingness to risk himself for others as he bonds with Joan and the children. His illness from radiation at the end crystallizes the film’s moral stakes.
Joan (Shirley-Anne Field)
A 20-year-old woman who lures Simon into a mugging and becomes his ally. She is guarded and defiant, resisting her brother King’s control while revealing the plight of the children. Her decision to join Simon reveals a quiet determination to seek freedom, even when it endangers her.
King (Oliver Reed)
Joan’s brother and leader of a motorbike gang; violent, possessive, and quick to threaten outsiders. He pursues Simon, Joan, and the others, serving as the film’s immediate danger. His eventual downfall comes through the consequences of radiation and pursuit.
Bernard (Alexander Knox)
A scientist who oversees the children's isolation and education through surveillance. He manipulates questions about their origin and believes in a future in which they survive nuclear war. His arrogance and control are exposed as his plan unravels and he murders his mistress Freya.
Freya Neilson (Viveca Lindfors)
Bernard’s mistress who challenges his plan and rejects his authority. She acts as a voice of moral hesitation and ultimately pays with her life. Her resistance underscores the peril of the project and the cost of power.
Major Holland (Walter Gotell)
A military base officer who represents official authority during the events. He is an observer and enforcer, embodying the state’s attempt to control the situation from above. His role underscores the film’s tension between individual action and institutional power.
Learn where and when The Damned (1962) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Weymouth, Dorset, England
The story unfolds on the south coast of England, centered around Weymouth. The seaside town provides a bright, tourist-friendly backdrop that contrasts the dark secret beneath—coastal caves used as a hideout for the children. The action shifts between the beach, the cliffs, and a nearby military base, highlighting the region's rugged coastline.
Discover the main themes in The Damned (1962). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Nuclear Anxiety
The film anchors its mood in fears of the nuclear age. The children are born radioactive after a nuclear accident, making them immune to fallout but marking them as a secret that authorities want to control. The plot uses the threat of future nuclear war to justify confinement and surveillance. Through the children's resilience, the film explores what survival means in a world shaped by radiation.
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Surveillance & Control
The children's lives are lived under constant surveillance via closed-circuit cameras and guards in radiation suits. Bernard uses observation as a tool of power, keeping them isolated and ignorant about their purpose. The system of monitoring imposes limits on freedom and frames every interaction as potential risk. The destruction of cameras by the children marks a rebellion against this control.
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Escape & Rescue
Joan and Simon attempt to flee with the children, aiming for safety beyond the coast and bunker. Their plan evolves into a fragile alliance, as they risk sickness and pursuit in a bid to save the youngsters. The sea, cliffs, and hidden caves provide a constant, tense backdrop to their efforts. The ending underscores the cost of escape in a world already in decay.

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Discover the spoiler-free summary of The Damned (1962). Get a concise overview without any spoilers.
In the windswept cliffs of England’s south coast, an uneasy summer holiday becomes a portal to something far darker. Simon Wells, an American who has stepped away from a steady insurance career, drifts aboard his modest boat, seeking quiet after a recent separation. His chance encounter with Joan, a restless young woman haunted by a fraught family life, quickly pulls them into a world where desire and danger are tangled together. Hovering on the edge of their fragile connection is King, Joan’s brother, who commands a tight‑knit motorcycle gang and exerts a controlling grip on his sister’s choices.
The trio’s uneasy alliance is set against a backdrop of stark, coastal isolation that feels both picturesque and oppressive. As they navigate the rhythm of the tide and the unspoken tensions between them, an undercurrent of mistrust and yearning drives every interaction. Their differing backgrounds—Simon’s weary pragmatism, Joan’s fierce yearning for freedom, and King’s restless authority—create a volatile mix that hints at deeper revelations just beyond reach.
Beneath the cliffs lies a clandestine government complex, a labyrinth of cold stone and silent corridors where a hidden community of children resides. These youths, known only as the “Children of Ice and Darkness,” are kept under constant surveillance by a figure named Bernard, who directs their lives through a maze of closed‑circuit monitoring. The children’s existence is carefully curated, their world sealed off from the outside, their very skin exuding an unsettling chill that underscores the eerie atmosphere of the underground.
As the strangers draw nearer to the secret enclave, the air thickens with the promise of hidden truths and an unseen menace that seems to watch from the shadows. The juxtaposition of sun‑blasted beaches above and the sterile, ominous bunker below sets a tone of relentless curiosity and foreboding. Each character feels the pull of a moral dilemma, sensing that the answers they seek may uncover a chilling purpose behind the children’s captivity and the inscrutable forces that guard it.
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