Directed by

Max Kalmanowicz
Made by

Albright Films Inc.
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Read the complete plot summary and ending explained for The Children (1980). From turning points to emotional moments, uncover what really happened and why it matters.
Jim and Slim, two workers at a chemical plant in the New England town of Ravensback, decide to call it a day and head for the bar. A large buildup of pressure leaks from one of the pipes that starts to form a yellow toxic cloud that drifts across the ground. Meanwhile, a school bus is taking children home. After dropping one child off, five children are left on the bus.
After Gil Rogers as Sheriff Billy Hart finds the idling bus abandoned near a cemetery, he radios his deputy and dispatcher. Billy orders a roadblock at the intersection of the main highway and the lone road leading into town, recruiting a couple of armed locals, believing that the children were possibly kidnapped. The tension in the air grows as the lawmen prepare to act, driven by a mix of duty and unease about what might be really happening to the kids.
On the road, Janet Shore, Julie Carrier, stands in the middle of the road, dazed and pale, alongside others who seem equally stunned. They place her in the car to drive her home, and she appears to be only partially transformed at first. John Freemont, Martin Shakar, accompanies the sheriff, and the pair observe the disturbing change as Janet begins to lose herself to the creeping radiation-induced condition during the ride—her fingernails turning dark as the infection deepens. The car’s path becomes a tense chase as Janet lunges, and the officers manage to dodge her attack and retreat.
As the situation unfolds, Ellen Chandler, Sarah Albright, Tommy Button, Nathanael Albright, and Paul MacKenzie, Jeptha Evans, are spotted wandering together as zombie-like figures. They are eventually confronted, and the deputy on duty radios for help, only to be cut off mid-communication as he is killed. The trio of children then converges in front of the general store, where the dispatcher steps outside to greet them, only to be roasted to death in a horrifying, silent blaze that echoes over the police radio as John and Billy listen in with growing horror.
Billy fires at the zombified children, but his bullets have no effect on them. Cathy Freemont, Gale Garnett, unaware of the full extent of their condition, knocks Billy out with a glass object to prevent him from shooting the children. She then discovers Clarkie’s roasted body and calls out to John, who climbs upstairs, grieving, and lays the child to bed again. The emotional weight of the moment underscores how fragile the boundary is between ordinary life and the nightmare unfolding around them.
Paul attacks the adults, while Billy instinctively picks up a replica katana and chops off both of Paul’s hands as he howls in pain, a brutal moment that leaves the fingernails on the severed hands returning to normal. Ellen breaks through a window with one hand, only to have that hand immediately severed by Billy, signaling a grim turn toward the end for the most resilient of the undead kids. Billy and John then go outside with the sword in hand to find the remaining zombies, while Cathy watches and fears what further changes may come.
The three remaining zombies—Tommy, Janet, and Jenny Freemont—converge on the upper level of John’s barn, where the two men confront them. Despite Jenny’s pleas, the two men move decisively, dismembering and killing the trio in a brutal, premeditated defense of their home.
The next morning, Cathy yells to the still-sleeping John that “it’s time.” John rushes inside to help her deliver their third child. As the baby is born, the camera lingers on the deathly quiet from the night before, showing all five zombified children lying dead and still, with Sheriff Hart’s body among them but Clarkie’s not. After the birth, John stares in shock at his newborn, who has black fingernails while being breastfed by Cathy, a chilling subtle sign of the strange contamination that remains even in life.
Follow the complete movie timeline of The Children (1980) with every major event in chronological order. Great for understanding complex plots and story progression.
Toxic cloud signals danger
Jim and Slim leave the Ravensback chemical plant as a pipe leak releases a yellow toxic cloud that drifts toward town. The escalating leak foreshadows the chemical threat that will envelop Ravensback. This opening event establishes the peril that drives the rest of the story.
Bus carries children home
A school bus continues its route toward home, dropping off one child and leaving five onboard. The bus travels along the road toward Ravensback, carrying the danger as the town faces an unseen threat. The scene heightens tension for what the adults will confront later.
Sheriff finds abandoned bus and blocks road
Sheriff Billy Hart discovers the idling bus abandoned near a cemetery and radios his deputy. He orders a roadblock at the main highway and the lone road into town, recruiting armed locals to search for what may be kidnappers. The moment builds the sense of an emergency looming over Ravensback.
Janet Shore encountered on the road
On the road, Billy and John pick up Janet Shore, who is dazed and pale like the other zombified children. They drive her toward her home, keeping her in the car as the situation unfolds. During the ride, signs of transformation begin to appear as her fingernails darken.
Janet's transformation advances
As the ride continues, Janet becomes more like a radioactive zombie and lashes out, but Sheriff Hart dodges the attack and she flees the vicinity. The scene demonstrates the rapid, escalating threat posed by the children-turned-zombies. The car ride becomes a tense precursor to town-wide danger.
Zombified trio is spotted
Ellen, Tommy, and Paul, now zombified, converge as a small group. The deputy spots them and radios the station, but is killed soon after by the spreading threat. This moment marks the infection reaching members of the town’s response team.
Dispatcher attacked by zombies
The trio approaches the general store, where the dispatcher goes outside to greet them and is roasted to death. John and Billy hear the dispatcher’s screams on a police radio, realizing the danger has reached the town center. The calm of town life collapses in a single moment.
Billy vs the zombies; Cathy intervenes
Billy fires his pistol at the zombies, but the bullets have no effect. Cathy, unaware of the children’s condition, knocks Billy out with a glass object to stop him from shooting. She then finds Clarkie's roasted body and tells John, who runs upstairs to lay the child back to bed.
Paul loses his hands
Paul attacks the adults, and Billy instinctively grabs a replica katana to cut off both of Paul’s hands, killing him as the fingernails on his severed hands revert to normal. The brutal moment underscores how the infection manifests through violence and body horror. The scene underscores the collapse of empathy as the threat intensifies.
Ellen's window assault
Ellen breaks through a window with one hand, and Billy severs the hand, causing her apparent death. The grisly sequence emphasizes the toll the situation takes on the family—even the gentle actions of the children are deadly. The immediate threat remains focused on those still alive.
Remaining zombies head to John's barn
The remaining three zombies—Tommy, Janet, and Jenny—converge at the upper level of John's barn. John and Billy confront them and promptly dismember and kill the trio, ending the immediate danger from the children. The barn becomes a final fortress where the last threat is eliminated.
Morning birth and aftermath
The next morning, Cathy yells that it's time as John rushes to help deliver their third child. The scene pans over all of the dead bodies, including Sheriff Hart, and shows the five zombified children laid out. The newborn’s arrival adds a chilling sign that the danger may persist.
Explore all characters from The Children (1980). Get detailed profiles with their roles, arcs, and key relationships explained.
John Freemont
John Freemont is a devoted husband and father who fights to protect his wife Cathy and their unborn child as the town erupts into chaos. He grapples with fear and loss, trying to keep his family safe from the transformed children roaming the streets. His resolve drives the action, even as he faces grim, heart-wrenching choices.
Cathy Freemont
Cathy Freemont is pregnant and becomes a central figure in protecting her family. She navigates the threat with practical caution and fierce maternal instinct, pushing John to act decisively. Her courage under pressure sustains the family as danger closes in.
Sheriff Billy Hart
Billy Hart is the town sheriff who attempts to maintain order amid chaos, organizing a roadblock and confronting the transformed children. He wields a sword-like weapon in a desperate bid to stop the threat, illustrating courage in a failing system. His fate underscores the personal cost of the crisis.
Deputy Harry Timmons
Deputy Harry Timmons is called to radio for help and coordination, but he is swiftly overwhelmed by the unfolding nightmare. His brief, tense role highlights the limits of authority in a rapidly spiraling emergency. His death marks the collapse of organized resistance in the early stages.
Janet Shore
Janet Shore appears as a dazed child who is the first to reveal the transformation. She gradually becomes a zombie during the ride home, symbolizing the creeping horror of the outbreak. Her painful progression from confusion to violence sets the tone for the town’s crisis.
Paul MacKenzie
Paul MacKenzie is one of the transformed children who attacks adults. His dismemberment and the grotesque turning of his nails reflect the uncanny horror of the infection. His struggle culminates in a dramatic, painful death that underscores the severity of the outbreak.
Ellen Chandler
Ellen Chandler is another child-turned-threat who breaks through a window, ultimately losing her hand and life in the confrontation. Her arc emphasizes the irreversible physical costs of the infection and the personal losses suffered by the adults trying to protect the town.
Tommy Button
Tommy Button is part of the trio of transformed children who converge at the barn. He remains a threat until the final confrontation, illustrating the persistence and collective danger posed by the outbreak. His actions, alongside Janet and Paul, demonstrate the spread of horror through a community.
Jenny Freemont
Jenny Freemont is another transformed child who pleads with John before being hunted down. Her appearance is a stark reminder of the innocence lost to the infection and the brutal reality of the survivors’ fight for safety.
Molly
Molly is the dispatcher who momentarily externalizes the horror by hugging the zombies outside the general store. Her fatal end—roasted to death while her screams echo through the radio—embodies the unstoppable reach of the threat and the peril faced by those trying to aid others.
Learn where and when The Children (1980) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Ravensback, New England
Ravensback is a quiet New England town centered around a local chemical plant. A large leak releases a yellow toxic cloud that drifts through the area and upends daily life. The town’s streets, bar, cemetery, and general store become stages for a fast-spreading crisis as order collapses and fear takes hold.
Discover the main themes in The Children (1980). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Zombification
The story hinges on children who are transformed into zombie-like beings after exposure to the toxic cloud. Familiar faces become threats, forcing adults to confront both external danger and the collapse of trust within a family and community. The violence is presented through the disturbing loss of innocence and the instinct to survive against those once beloved.
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Toxic Cloud
A leak from a chemical plant releases a deadly cloud that travels across the town, turning people into something monstrous. The disaster exposes the fragility of infrastructure and emergency response in a small town. The tension builds as the cloud advances and attempts to isolate and contain its effects fail.
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Family
A husband and wife confront a nightmare scenario while preparing for a new child. The pregnancy raises the stakes as the family fights to protect the unborn baby from a corrupting, violent force. The climax centers on a perilous birth, highlighting resilience, fear, and the cost of survival when everything familiar is broken.

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Discover the spoiler-free summary of The Children (1980). Get a concise overview without any spoilers.
In the quiet New England town of Ravensback, a hidden catastrophe unfolds when a pressure‑rated pipe at the local chemical plant ruptures, spilling a luminous, yellow cloud across the surrounding fields. The mist carries a strange, radioactive contamination that, according to whispered rumors, can alter anything it touches. The most unsettling outcome is hinted at by the sight of schoolchildren returning home with their fingernails darkening to an unnatural black—a visual cue that something far more sinister than a simple illness has taken hold.
Jim and Slim, two weary plant workers, decide to call it a night and head for the bar, their camaraderie offering a brief respite from the plant’s looming menace. Their routine departure is underscored by an uneasy awareness that the very environment they help keep running may be the source of a growing, invisible threat. As they leave, the town’s ordinary rhythm—school buses, local shops, and the ever‑present hum of machinery—begins to feel fragile, as if a single misstep could unleash chaos.
Sheriff Billy Hart arrives on the scene, his steady presence a counterpoint to the rising dread. He is tasked with coordinating the town’s response, gathering volunteers and local law‑enforcement while confronting the unsettling possibility that something has gone terribly wrong with the children who ride the bus each afternoon. Among the youngsters, Janet Shore stands out, her pale demeanor and subtle transformation offering a human face to the inexplicable phenomenon. Meanwhile, Cathy Freemont, a resident caught in the unfolding uncertainty, watches the situation with a mixture of protectiveness and growing apprehension.
The film breathes a tense, atmospheric horror that blends the mundanity of small‑town life with the uncanny horror of an unseen contagion. Shadows lengthen over familiar streets, and the ordinary becomes a canvas for dread as the community grapples with the question of how far the contamination will spread. The mood is one of muted panic, where every whispered wind and flickering streetlight hints at a deeper, unsettling mystery waiting to be uncovered.
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