Directed by

Israel Horovitz
Made by

Metro-Goldwyn-Mayer
See current US streaming, rental, and purchase options for The Strawberry Statement (1970) via JustWatch.
Read the complete plot summary and ending explained for The Strawberry Statement (1970). From turning points to emotional moments, uncover what really happened and why it matters.
Simon, Bruce Davison is a student at a fictional San Francisco university who begins as a bystander to the rising campus protests. He learns of plans to occupy a university building in response to a gym’s construction, a move framed as standing up for the local minority community. His curiosity pulls him toward the demonstrations, and on the way he notices Linda, Kim Darby, falling for her at first sight. He follows her into the protest, and together they throw themselves into the action. When the strikers grow hungry, the couple even participate in a local grocer raid, a small act of audacious rebellion amid the chaos of the moment.
As their romance evolves, Simon admits a lingering detachment about lifelong commitment, explaining the hard work it took to gain his place in college. Linda counters that she cannot date someone who isn’t equally devoted to the movement, and the two part ways for now. The situation tightens when a right-wing athlete named George, Murray MacLeod, assaults Simon; the altercation becomes a pretext to claim police brutality and earns Simon a place in the campus spotlight. He is then unexpectedly drawn into a moment of vulnerability when a younger protester seduces him, revealing how personal and political lines blur within the movement.
Linda eventually returns and commits to staying with Simon. They spend an afternoon in the park, where a group of African American protesters confronts them, and one member destroys Simon’s camera, sparking a deeper crisis of trust and purpose. The tension comes to a head as Simon challenges the protesters, arguing that those they seek to help can appear no different from the violent cops they oppose. Yet his perspective begins to shift after a hospital visit to George; witnessing the consequences of political violence firsthand forces him to reconsider his stance.
Leaving the hospital, Simon presses the dean’s office to halt the gym project or risk further violence, a moment that foreshadows the eruption to come. The campus erupts as city police and the National Guard, armed with bayoneted rifles, move in to crush the takeover. Demonstrators are dragged out, struck with batons, and overwhelmed by tear gas. Linda is carried away, resisting, while Simon makes a bold, solitary charge against a line of officers. In the film’s closing images, fleeting memories of Simon’s happier college days flash before the viewer, underscoring the journey from passive observer to a man transformed by protest, discipline, and disillusion.
Follow the complete movie timeline of The Strawberry Statement (1970) with every major event in chronological order. Great for understanding complex plots and story progression.
Simon's initial indifference to campus protests
Simon is a student at a fictional San Francisco university who treats the surrounding protests with detachment. He goes about his studies while the campus debates gym construction and minority community concerns. This early indifference sets the stage for his later radical shift.
Plans to occupy a campus building
News spreads of a planned occupation of a university building to oppose the gym’s construction. Simon’s curiosity is piqued, and he makes his way to the protest to see what is happening. The planning and anticipation pull him into the action.
Simon meets Linda and joins the protest
On his way to the protest, Simon spots Linda and falls in love at first sight. He follows her into the demonstration and soon joins in with the crowd. Their shared involvement marks the beginning of a deeper, more personal commitment to the cause.
The strikers commit a theft to feed the movement
As the strike continues and supplies run short, Simon and Linda participate in robbing a local grocer to feed the hungry protesters. The act underscores the friction between idealism and desperation within the movement. The incident foreshadows the moral compromises that follow.
Romantic strain and breakup
As their relationship deepens, Simon confesses a lack of commitment to the cause, revealing he joined for personal reasons rather than a shared devotion. Linda insists that true devotion to the movement is essential, and they decide to part ways for now. The rift forces Simon to confront his own beliefs.
Assault by George and the police-brutality angle
Simon is assaulted by a right-wing athlete named George. He uses the attack to claim police brutality, gaining attention among fellow students. The incident marks Simon’s rising profile within the protest movement and fuels his willingness to rub elbows with the edges of violence.
A personal entanglement with a protester
A young woman protester seduces Simon, complicating his view of the movement and revealing his susceptibility to personal desires amid political turmoil. The moment adds emotional tension to his radical journey. The relationship blur between romance and activism becomes a recurring theme.
Linda returns and park encounter
Linda returns and decides to stay with Simon, but they are accosted by a group of African Americans in a park. One member destroys Simon's camera, symbolizing the vulnerability of their personal lives amid collective conflict. The incident intensifies Simon’s sense of being pursued by violence.
Disillusionment and the hospital visit
Simon voices disillusionment with the protesters, arguing that those they aim to help seem no different from violent cops. His perspective shifts after visiting George in the hospital, where he learns the consequences of the clashes and sees the injured jock’s condition. The contrast between idealism and brutality pushes him toward a more complex view of the movement.
Warning the dean: halt the gym or risk violence
Leaving the hospital, Simon goes to the dean’s office and warns the administrative assistant to halt construction of the gym or risk violence. His stance becomes more aggressive, signaling a willingness to push the movement toward intimidation and confrontation. The administration becomes a target of his coercive rhetoric.
Police and National Guard suppress the takeover
City police and the National Guard, armed with bayoneted rifles, arrive to crush the campus takeover. Tear gas chokes the protesters as officers drag them from the building and beat them. The crackdown reveals the blunt brutality of state power and the collapse of the demonstration.
Linda is carried away; Simon takes a stand against the officers
Linda is forcibly carried away as chaos erupts around the building. In the confusion, Simon launches a solo attack on a group of officers, signaling his irreversible turn toward direct confrontation. The scene marks his final turn toward violence.
Final montage of happier college days
In the film’s final moments, flashes of Simon’s happier college days appear, offering a bittersweet look at what might have been. The montage underscores the cost of his transformation and the loss of his earlier, more hopeful self. The ending leaves questions about identity, loyalty, and what counts as progress.
Explore all characters from The Strawberry Statement (1970). Get detailed profiles with their roles, arcs, and key relationships explained.
Simon (Bruce Davison)
A curious student who slowly becomes swept up in the movement, his trajectory moves from tentative participation to radical action and questioning of tactics. He endures violence, forms a volatile romance, and ultimately confronts the costs of his commitment as the campus crackdown unfolds.
Linda (Kim Darby)
A passionate activist who tests Simon's loyalty and demands unwavering commitment to the cause. She returns after a separation seeking shared purpose, but their bond is tested by clashes, violence, and ideological divides on campus.
Dean's Secretary (Eddra Gale)
An administrative observer within the university, representing the establishment facing student pressure. The secretary witnesses warnings, the looming threat of construction, and the institutional response to the campus crisis.
George
A right-wing athlete who assaults Simon, embodying the violent counterforce that the protesters confront. His actions and the consequences of the ensuing clash illustrate the escalation of campus conflict.
Learn where and when The Strawberry Statement (1970) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1960s
The action unfolds during the late 1960s campus protest movement. Antiwar sentiment, student organizing, and confrontations with police and authorities provide the backdrop. The period is marked by media attention and a rising sense of radicalism within campuses.
Location
San Francisco, fictional university campus
The action unfolds on a fictional university campus in San Francisco during a wave of student protests. The campus becomes a focal point for organizing, debate, and clashes with authorities. The surrounding city contributes a tense, countercultural mood characteristic of the era.
Discover the main themes in The Strawberry Statement (1970). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
✊
Activism
The film charts Simon's growing radicalization and how personal relationships bend under political pressure. It explores how activism can become a central identity, shaping choices and loyalties. The narrative shows idealism colliding with harsh realities of power and violence.
💥
Violence
Clashes with right-wing elements, police brutality, and the National Guard presence underscore the film's critique of state force and mob violence. The story juxtaposes protests with violent retribution and the consequences for participants. It questions whether ends justify means when harm is inflicted on those they claim to defend.
💔
Romance vs. Ideology
Simon and Linda's relationship is tested by divergent commitments to the movement. The romance becomes a lens on how political passion can both polarize and bind people. The film uses their dynamic to explore loyalty, disillusionment, and the costs of conviction.

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In a restless early‑1970s campus where youthful idealism crackles against institutional complacency, the university pulse is driven by heated debates, impassioned rallies, and the ever‑present hum of political posters fluttering in the wind. The atmosphere feels both electric and precarious, as students balance late‑night study sessions with late‑night protests, and every hallway seems to echo with the promise—and the peril—of radical change.
Simon arrives on this stage as a bright but detached sophomore, more accustomed to lecture halls than protest lines. Drawn initially by the allure of meeting new people, especially Linda, he sees the burgeoning activist movement as a convenient backdrop for social adventure. The prospect of joining a revolutionary group promises both excitement and a chance to step beyond the safety of his academic routine, setting the tone for an inner tug‑of‑war between curiosity, personal ambition, and the seductive magnetism of collective action.
As the campus conversation sharpens around a controversial development, Simon finds himself pulled deeper into the cause, his relationships with peers and lovers testing his values. The chemistry with Linda evolves from flirtation to something more earnest, while encounters with figures like George hint at the broader ideological clashes simmering beneath the surface. In this crucible of protest, the film captures the intoxicating blend of romance, rebellion, and self‑discovery, leaving the audience to wonder how far a young man will go when the line between personal desire and political conviction begins to blur.
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