The End of the Day 1939

Monsieur St. Clair, Louis Jouvet, an aging romantic leading man, has decided to retire from the stage, but he is broke and ends up at an old-age home for elderly actors. There he meets a circle of former stars who know each other from decades of shared stages and seasons, each bearing proudly his own quirks and disappointments. Among them is Gilles Marny, Victor Francen, a melancholy soul whose fame never matched the brilliance he reserved for the boards, and Ernest Cabrissade, Michel Simon, a mischievous, free-spirited understudy who reveled in practical jokes and defied every rule the staff laid down. These men live in a world where ego, memory, and craft collide, and they lean on the charity that keeps the home standing even as it teeters on the edge of collapse.

The home’s fragile finances hover over every conversation, and the residents sense the danger that looms as the management strains to make ends meet. A seventeen-year-old barmaid, Madeleine Ozeray, wanders into their orbit and becomes enthralled by St. Clair in a way that channels the older actor’s well-worn charm and vanity. To her, he embodies the romance of the stage; to him, she is a new audience who flatters his faded stardom. Yet Marny watches with a quiet ache as his former wife’s memory casts a longer shadow, and he feels the sting of the life he never quite captured. St. Clair, for his part, uses the attention as both a lifeline and a pressure point, accepting his infatuation with the girl even as he bounces from one glamorous plan to another, including a sudden windfall that sends him racing toward Monte Carlo to burn through the money he’s just acquired.

As the retirement home descends into a slow decline, basic privileges slip away—electricity after nine, the evening wine ritual—sparking Cabrissade to spark a revolt among the residents. They demand fair treatment, but the director drops a heavier blow: the home will close, and the residents will be dispersed to other facilities. The prospect of being separated from one another, after years of shared dressing rooms and performances, terrifies a group whose lives have orbited around memory and a shared stage. In the midst of this, a long-established couple who have stood together for thirty-five years decide to marry so they can remain side by side, and the wedding becomes a quiet beacon of hope. Later, as the party swells with the news that financing may keep the home open, the decision is made to stage a final play to win the benefactors’ support.

St. Clair returns home with nothing and resumes his pursuit of the barmaid, inviting her into the theater of his past to prove his irresistible, aging charm. The plan, however, begins to fracture as Cabrissade longs to seize the lead role in the play and begs Marny for a chance. Marny, who has always carried a certain pride, scoffs at the idea, and the conflict escalates into a tense moment where Cabrissade, dressed in Marny’s costume, steps onto the stage. The moment paralyses him: the lights, the audience, the weight of the moment render him unable to utter his lines, and the production halts in a shamed silence. In the aftermath, Marny takes on the part himself, and the show somehow continues, but the dream of Cabrissade’s star turn remains unfulfilled.

Cabrissade’s realization comes in a quiet, final breath of despair: he has spent a lifetime fooling himself, and his death becomes a poignant end to a life spent chasing the impossible spark of genius. St. Clair’s arc twists toward catastrophe as he returns to the bar, attempting to coerce the barmaid into a drastic act to prove his control over others—even at his age. Yet Marny, who has watched this man’s cruelty and charm collide, rushes upstairs to prevent another tragedy. A pistol shot resounds, but no one is struck, and the shock leaves St. Clair in a frantic, unsettling performance that spirals into madness as he recites Don Juan on the spot, as if living the old tales aloud for the crowd.

When the dust settles, Marny confronts the consequences and reads a eulogy Cabrissade wrote for himself, a tribute to a life spent in devotion to the theater. He fights through the emotion and, with a wavering, raw honesty, speaks of Cabrissade’s fidelity to the stage and the quiet nobility that guided him to pursue art with an unguarded heart. The film closes on a portrait of tragedy and endurance—the theater’s music, memory, and stubborn resilience in the face of time’s inexorable march.

• The world of retired actors is rendered with a patient, compassionate gaze, where vanity and vulnerability coexist and where the desire for meaning outlives the applause.

• The characters’ bonds—rooted in shared craft, late-life ambitions, and the risk of being forgotten—create a delicate tapestry of loyalty, envy, hope, and remorse.

• The film threads humor and heartbreak, showing how the dream of performance remains a living force even as the bodies and the stages age.