Directed by

Edward Yang
Made by

Evergreen Film Company
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Read the complete plot summary and ending explained for Taipei Story (1985). From turning points to emotional moments, uncover what really happened and why it matters.
Ah-chen works as a senior assistant for a construction company that is about to be acquired and merged. When her boss, Mrs. Mei Grace Chen Shu-Fang, leaves the company, Ah-chen is faced with a future that could reduce her to a mere secretary, prompting her to quit in protest. She pities her mother, who lives as a concubine to her unreliable chauvinist father, and she makes a clear choice to escape the suffocating family situation. To distance herself, she rents an apartment away from home and hands a spare set of keys to Ah-lung, her childhood sweetheart. Ah-lung runs a cloth shop on Dihua Street and is a former Little League national team player, carrying with him memories of past glory.
While Ah-chen plans to immigrate to the United States with Ah-lung to join his brother-in-law’s import business, he is not eager to leave. Upon returning from a US visit, Ah-lung’s hesitation and passivity about their immigration plans push Ah-chen toward rising frustration.
Ah-lung is a conservative yet generous man who clings to the nostalgia of his former triumphs. He goes out of his way to help others: he pays back his father-in-law’s debts, aids a severely gambling-impacted teammate in bringing his wife back home, and supports his former lover Ah-gwan Su-Yun Ko as she fights her divorce. The two appear to be living in two different worlds—her modern, Western-influenced life versus his local, traditional milieu.
As Ah-lung wanders through the city in indecision, Ah-chen sends money to her sister for an abortion and helps her mother pay down some of her father’s debts. She also engages in an ambiguous relationship with a married architect from her former company who claimed he would divorce. Soon, Ah-chen discovers that Ah-lung had traveled to Tokyo to meet Ah-gwan on his way back from the US, and she slaps him when he returns to her apartment, prompting a breakup.
Ah-lung sinks into gambling and drinking. He visits a friend whose gambling wife killed herself and mocks him for crying, deepening the sense of disconnection between them. Meanwhile, Ah-chen finds solace in her younger sister’s gang of delinquent youths, enjoying the freedom of partying and bike riding, yet still crying when she contemplates her life.
One of the young men in the sister’s gang develops a crush on Ah-chen and begins waiting outside her apartment. One night, Ah-chen spots him and calls Ah-lung for help. He escorts her home and she asks him to marry her, but Ah-lung declines, saying that neither marriage nor immigration offers a real solution to their problems.
As he leaves, the young man confronts him outside, and Ah-lung warns him to back off. He hops into a taxi and heads back to his place on Yangming Mountain. The pursuer follows on a motorbike, and a confrontation erupts on the mountain road. The young man stabs Ah-lung and rides away. Ah-lung staggers along the desolate road, finds an old TV set in a trash pile that replays footage of his Little League days, lights a cigarette, and dies. His body is discovered the next morning.
Unaware of Ah-lung’s death, Ah-chen accompanies Mrs. Mei to inspect a new office space for a local branch of a US electronics company she plans to establish. In stark contrast to Mrs. Mei’s excitement about the prospects, Ah-chen stares out the window, unsure what the future holds.
Follow the complete movie timeline of Taipei Story (1985) with every major event in chronological order. Great for understanding complex plots and story progression.
Construction company turmoil and Ah-chen quitting
The construction company Ah-chen works for is about to be acquired and merged, creating job insecurity. When her boss Mrs. Mei leaves and no new position is offered, Ah-chen chooses to quit rather than become a secretary. This marks the first major shift in her professional life.
Family confinement and escape plan
Ah-chen sympathizes with her mother who lives as a concubine to her irresponsible father. She resolves to break free from the confining family life and rents an apartment away from the house. Before leaving, she passes a spare key to Ah-lung, signaling a new degree of independence and a future with him.
Ah-lung's background and ties to the city
Ah-lung runs a cloth shop on Dihua Street and is a former Little League World Series player, a detail that keeps him nostalgic for past glory. His local roots contrast with Ah-chen's modern ambitions. This setup highlights the cultural divide between them.
Immigration plan forms
Ah-chen and Ah-lung plan to immigrate to the United States together, aiming to join his brother-in-law's import business. Ah-lung is not eager to move, creating early tension about their shared dream. Their plan anchors the couple's hopes for a new life abroad.
Ah-lung's return and friction about immigration
When Ah-lung returns from a visit to the US, Ah-chen grows frustrated by his passivity regarding their immigration plans. She wants decisive action, while he remains hesitant. The strain foreshadows the couple's growing distance.
Ah-lung's generosity and the two worlds
Ah-lung is portrayed as conservative yet generous, going out of his way to help others. He assists Ah-chen's father by paying debts, helps a baseball teammate's gambling wife return home, and aids his former lover Ah-gwan with her divorce. His actions reflect loyalty but also a stubborn adherence to traditional values.
Cultural clash and daily life
The film contrasts the modern, Western-leaning life of Ah-chen with the local, traditional world Ah-lung inhabits. This divide underpins their misaligned aspirations and decisions. Their divergent worlds become a recurring obstacle to their relationship.
Financial help to family and ambiguous romance
While Ah-lung debates the trip, Ah-chen helps her sister by funding an abortion and gives money to her mother to help pay her father's debts. She also keeps an ambiguous relationship with a married architect who claimed he would divorce. These choices deepen the emotional conflict and show Ah-chen navigating complex loyalties.
Discovery of Tokyo visit and breakup
Ah-chen learns that Ah-lung visited Tokyo to meet Ah-gwan on his way back from the US, prompting her to slap him. The confrontation leads to Ah-lung breaking up with her, signaling the end of their romantic partnership.
Ah-lung's downward spiral
Following the breakup, Ah-lung succumbs to gambling and drinking. He mocks a friend whose gambling wife killed herself, revealing a brittle, hardened distress behind his public stoicism.
Ah-chen finds solace with her sister's gang
Ah-chen finds some relief by spending time with her younger sister's delinquent gang, enjoying parties and bike rides. She also learns that the architect never left his wife, intensifying her sense of disillusionment. The group culture provides a counterpoint to her failing romance.
Crush, stalking, and attempted reconciliation
A young man from the sister's gang develops a crush on Ah-chen and starts waiting outside her apartment. When she asks Ah-lung for help at a karaoke bar, he accompanies her home and she begs him to marry her. Ah-lung declines, arguing that neither marriage nor immigration solves their problems.
Stalking confrontation and fatal ending
As Ah-lung leaves the apartment, the young man follows on a motorbike and later, on a road near Yangming Mountain, Ah-lung fights him. The assailant stabs Ah-lung, who staggers away and dies on the roadside. The killer escapes, and a trash pile with an old TV plays a news reel of Ah-lung's past glory.
Ah-chen's uncertain future
Unaware of Ah-lung's death, Ah-chen accompanies Mrs. Mei to inspect a new office space for a US electronics branch. While Mrs. Mei is excited about prospects, Ah-chen remains introspective, staring out the window and contemplating her bleak future.
Explore all characters from Taipei Story (1985). Get detailed profiles with their roles, arcs, and key relationships explained.
Ah-chen
A career-oriented woman who seeks independence from her family and pursues immigration to the United States with Ah-lung. She navigates a modern, Western-influenced life while facing familial debts and emotional betrayals. Her moments of doubt and tears reveal the fragility of her plans and the pull of competing loyalties.
Ah-lung (Lung)
A conservative, generous cloth shop owner and former Little League star who is nostalgic about past glory. He struggles with decision paralysis about immigration and is drawn into family debts, gambling, and failed relationships. His tension between nostalgia and responsibility drives the emotional arc of the couple's story.
Mrs. Mei
Ah-chen's former boss, a strong businesswoman planning expansion into the US electronic market. Her departure from the company and the loss of stable work push Ah-chen toward new economic pathways. She embodies the modern professional sphere within Taipei.
Chen
Ah-chen's father figure in the domestic sphere; a chauvinist who creates debt and instability at home. His flawed behavior and the family’s struggles illuminate the societal pressures and gender norms shaping the characters.
Gwan
A younger woman connected to Ah-chen's sister's circle; her presence hints at delinquency, rebellion, and the appeal of a wilder social scene for Ah-chen's sister. Her character contributes to the film's exploration of youth culture and danger.
A-Ling
Ah-chen's sister and a friend to the street youth; she represents a more carefree, restless side of Taipei's youth and provides contrast to Ah-chen's plans. Her involvement with the sister's gang signals a rebellious social network.
Qin
A figure connected to Ah-chen's life; her presence underscores social networks, love triangles, and the competing loyalties within a close-knit circle in Taipei's urban life.
Chin
A family link in the cast; their domestic world intersects with the central couple's story through debt, family obligations, and the tensions of love and money.
Chin's Father
A patriarch figure whose debts and expectations press on the family dynamics, illustrating the burden of tradition on individual dreams.
Chin's Mother
A matriarch whose presence in the home reflects the impact of economic pressures on women and the family structure in Taipei.
Bartender
An uncredited minor role that hints at the social environment of late-night Taipei and the lived-in city life surrounding Ah-chen's world.
Coach
A former Little League coach or figure tied to Ah-lung's past glory; his interactions reflect the lingering influence of past athletic success on present life.
Learn where and when Taipei Story (1985) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1980s
The story unfolds in Taipei during the 1980s, a period of rapid urban change and Western influence in Taiwan. Characters juggle personal ambitions with family duties against a backdrop of economic growth and evolving social norms. Immigration plans to the United States reflect both opportunity and uncertainty of the era.
Location
Taipei, Dihua Street, Yangming Mountain
Taipei provides the backdrop for the film, mixing bustling markets with intimate domestic spaces. Dihua Street anchors Ah-chen's world as a hub for work and social life, while Yangming Mountain frames the climactic pursuit and the sense of isolation within the city. The setting highlights the clash between traditional local life and rapid modernization.
Discover the main themes in Taipei Story (1985). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Love
Ah-chen and Ah-lung's relationship anchors much of the film's emotional core. Their differing worldviews—modern aspirations versus traditional ties—create tension and disappointment. The couple's failed immigration plan reveals how love alone cannot resolve socio-economic and personal constraints.
🌆
Urban Life
The city is more than backdrop; it shapes choices and class dynamics. The fast-changing urban environment pressures characters to adapt, revealing loneliness amid crowds and the fragility of relationships in a modern metropolis.
🧭
Independence
Ah-chen's attempt to assert autonomy—career, apartment, and financial independence—collides with family obligations and traditional expectations. The pursuit of self-determination is gradual and often compromised by practical realities.

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Discover the spoiler-free summary of Taipei Story (1985). Get a concise overview without any spoilers.
In the restless pulse of modern Taipei, a young woman teeters between ambition and desperation. Ah-chen works as a senior assistant for a construction firm on the brink of a takeover, watching the corporate machinery threaten to reduce her role to something far less meaningful. At home, a strained family environment—her mother living as a concubine to an unreliable father—pushes her toward a decisive break from the past, prompting her to rent a modest apartment far from the familiar streets that have long defined her life.
Across the bustling lanes of Dihua Street, a former Little League champion runs a humble cloth shop, embodying a different kind of dedication. Ah-lung carries the weight of past glories and an old‑fashioned sense of loyalty, often finding himself drawn into the quiet struggles of those around him. He offers steady, if sometimes hesitant, support to his childhood sweetheart while grappling with his own reluctance to abandon the city he knows, even as plans for a new life abroad linger in the air.
The film paints a vivid portrait of a city caught between rapid modernization and lingering tradition, using the intertwined lives of Ah-chen and Ah-lung to explore the tension between personal aspiration and communal responsibility. Their relationship becomes a conduit for the broader questions that hover over Taipei’s neon‑lit alleys—whether love, duty, or the promise of a fresh start can truly untangle the knots that bind them. With a tone that oscillates between kinetic urgency and reflective melancholy, the story invites viewers to wonder what futures can be forged when the streets themselves seem to race ahead.
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