A City of Sadness 1989
Made by
ERA International
A City of Sadness Plot Summary
Read the complete plot summary and ending explained for A City of Sadness (1989). From turning points to emotional moments, uncover what really happened and why it matters.
From 1945 to 1949, in a coastal town near Taipei, Taiwan, the Lin family endures a turbulent era that follows the end of fifty years of Japanese colonial rule and precedes the establishment of a Kuomintang government-in-exile in Taiwan after the mainland falls under Communist control. The film opens on August 15, 1945, when Emperor Hirohito’s voice proclaims Japan’s unconditional surrender, and the people celebrate a sense of regained sovereignty. A flood of newcomers from the mainland—Kuomintang troops, gangsters, and left-leaning thinkers—arrives, reshaping the town’s social fabric and igniting new tensions beneath a fragile peace.
The eldest son, Wen Leung [Jack Kao], runs a bar called “Little Shanghai” and stands as the family’s pillar in a changing world. He shoulders the responsibility of guiding his siblings through a landscape scarred by war and occupation. The second son, a military doctor, had served during the war but vanished in the Philippines, a mystery that casts a shadow over the family. The youngest, Wen-ching [Tony Leung], is a photographer with leftist leanings who, despite a childhood accident that left him deaf, remains deeply engaged with the era’s political currents and his close friends Hiroe and Hiromi, whose shared ideals pull him toward larger causes.
The third son, Lin Wen-liang, once worked as an interpreter in Shanghai for the Japanese, a past that haunts him after Japan’s defeat when he is arrested by the Kuomintang on treason charges. His release from hospitalization—he had been kept under care as his mental state fluctuates—does not restore his quiet life. Instead, he slips into illegal schemes: stealing Japanese currency and collaborating with a smuggling operation run by Shanghainese associates. Wen Leung learns of these acts and tries to rein him in, but the tangled web of loyalties and revenge entangles the family in a dangerous struggle. The Shanghainese mob responds to Wen-liang’s actions with brutal expediency, arranging for his imprisonment on false charges of collaboration with the Japanese, and Wen-liang is subjected to torture that leaves lasting brain damage.
Amid these scalding tensions, the country’s political storm grows louder. The February 28 Incident of 1947 erupts, and thousands of Taiwanese civilians are massacred by Kuomintang troops. News travels by radio as Chen Yi, then chief administrator of Taiwan, declares martial law to quell dissent. The neighborhood clinic becomes a lifeline for the wounded, while Wen-ching faces his own brushes with danger: he is arrested at one point but eventually released. Hiroe flees to the mountains to join leftist guerrillas, and Wen-ching—though tempted by the idea of joining—ends up marrying Hiromi after Hiroe persuades him to return home and build a life with her.
Tragedy intensifies when Wen Leung’s gamble at a casino ends in a fatal confrontation with a Shanghainese mob member, who shoots him, leaving the family to mourn at his funeral. In the wake of this loss, Wen-ching and Hiromi marry, and Hiromi eventually bears a child. The couple continues to support Hiroe’s resistance network, but the guerrilla forces are ultimately defeated and executed. They manage to relay the grim news to Wen-ching and urge him to escape, yet Hiromi later reveals that they had nowhere to go. With the crackdown tightening, Wen-ching is arrested by the Kuomintang, leaving Hiromi and their child to face an uncertain future in a landscape torn by political upheaval and personal loss.
The film traces a poignant arc of family loyalty, sacrifice, and survival as the Lin family navigates love, betrayal, and the pull of political conviction against a backdrop of national upheaval. It grounds intimate human moments—bar challenges, personal sacrifice, quiet resilience—in the broader tides of history, offering a nuanced portrait of a community grappling with identity, memory, and the cost of standing by one another in a time of upheaval.
Wen Leung [Jack Kao], Wen-ching [Tony Leung], Mr. Wu, and Wu’s Mother appear as the central threads woven through this story of a family in a moment of national crisis. The narrative remains grounded in the emotional textures of its characters—their hopes, losses, and the quiet rhythms of life—while never losing sight of the historical forces that push them toward choices that shape the decades to come.
A City of Sadness Timeline
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End of WWII and Taiwan’s tentative joy
The film opens with Emperor Hirohito's surrender on August 15, 1945, as his voice crackles from radios across Taiwan. In the coastal town near Taipei, people celebrate the end of fifty years of Japanese rule and the arrival of a new wave of mainland migrants, including KMT troops, gangsters, and idealists. The Lin family stands at the heart of these changes as they await births and adapt to the unsettled new normal.
Lin Wen-hsiung runs Little Shanghai and awaits his child
Lin Wen-hsiung, patriarch of the Lin family, runs a bar called Little Shanghai and remains the central figure in the household. The family eagerly anticipates the birth of his youngest child while the town buzzes with postwar energy and tension. His bar serves as a social hub that mirrors the era’s shifts and loyalties.
The second son’s wartime disappearance in the Philippines
The second son served as a military doctor but disappeared in the Philippines during the war, leaving the family with unresolved fears and a sense of loss. This wartime backdrop casts a long shadow over the postwar period as veterans, refugees, and shifting loyalties reshape Taiwan’s streets. The absence of news gnaws at the family’s sense of security.
Wen-ching, the deaf photographer with leftist leanings
The youngest son Wen-ching is a photographer with leftist leanings and a childhood accident left him deaf. He remains close to Hiroe and Hiroe's sister Hiromi, navigating a town in turmoil. His disability heightens his empathy and makes him particularly attuned to the era’s social divides.
Wen-liang’s Japanese past and Kuomintang arrest
Lin Wen-liang had been recruited by the Japanese to Shanghai as an interpreter. After the defeat, he is arrested by the Kuomintang on charges of treason, triggering mental distress and a long hospital stay. His imprisonment underscores the precarious fate of people with controversial pasts in the postwar climate.
Wen-hsiung intervenes and Wen-liang’s imprisonment
When Wen-hsiung learns of his brother’s illegal activities, he tries to intervene to prevent further trouble. The Shanghainese mob retaliates by arranging Wen-liang’s imprisonment on false charges of collaboration with the Japanese. In prison, he is tortured and sustains brain damage, deepening the family’s wounds.
February 28 Incident and martial law
The February 28 Incident of 1947 erupts, with thousands of Taiwanese people massacred by Kuomintang troops. The Lin family follows radio broadcasts, including Chen Yi’s declaration of martial law to crush dissent. The atmosphere of fear reshapes daily life and future choices.
Wounded flood into clinic; Wen-ching arrested then released
After the massacre, the wounded pour into the neighborhood clinic for treatment. Wen-ching is arrested at one point during the crackdown but is eventually released, reflecting the precarious and sometimes arbitrary nature of postwar justice. The episode shows ordinary lives caught in political violence.
Hiroe seeks guerrillas in the mountains
Hiroe heads for the mountains to join leftist guerrillas, embracing the resistance against the authorities. Wen-ching wrestles with whether to join the struggle or protect his new family. The rugged terrain and clandestine meetings highlight the era’s dangerous politics.
Wen-ching chooses marriage over joining the guerrillas
Wen-ching expresses his desire to join Hiroe’s guerrilla band, but Hiroe persuades him to return home and marry Hiromi, who loves him. The decision marks a personal retreat from armed struggle in favor of family duty. The couple’s union becomes a fragile beacon amid ongoing turmoil.
Wen-hsiung’s death in a casino confrontation
In a gambling confrontation with the Shanghainese mob, Lin Wen-hsiung is shot and killed. The sudden death deepens the family’s grief and foreshadows more losses to come. The funeral deepens the sense that violence touches every generation.
Wen-ching and Hiromi marry; a child is born
After Wen-hsiung’s funeral, Wen-ching and Hiromi marry at home, and Hiromi soon bears a child. Their union embodies resilience amid political chaos and provides a fragile beacon of hope for the next generation. The new family stands together against uncertain times.
Guerrilla resistance is defeated; survivors urged to escape
Hiroe’s guerrilla group is defeated and many members are executed, with survivors forced to abandon their posts. They inform Wen-ching of the fate and urge him to escape, illustrating the brutal crackdown on dissent. The episode underscores the era’s overwhelming suppression of opposition.
Wen-ching arrested again as crackdown tightens
Following the guerrillas’ defeat, Wen-ching is arrested by the Kuomintang for his involvement with them, leaving Hiromi and their child at home. The arrest marks the closing note of the era of open resistance as authoritarian rule tightens its grip on daily life. The home becomes the last refuge for the family.
A City of Sadness Characters
Explore all characters from A City of Sadness (1989). Get detailed profiles with their roles, arcs, and key relationships explained.
Wen Leung
Eldest Lin son who runs the bar Little Shanghai; a pragmatic, protective figure whose gambling-induced risks reflect a stubborn attempt to keep the family afloat. He embodies a sense of responsibility that is tested by the town's simmering violence. He is ultimately killed in a casino fight with a Shanghainese mob.
Wen-Ching
Fourth son, a photographer with leftist leanings; deaf from a childhood accident, close to Hiroe and Hiromi. He experiences political pressures, dreams of resistance, and marries Hiromi amid the era's upheavals; later his fate is tied to the crackdown on dissent.
Wen-Liang
The third son who, after working as an interpreter for the Japanese in Shanghai, returns home and becomes involved in illegal activities and smuggling with Shanghainese associates; he is arrested on charges of treason, tortured, and left mentally scarred.
Hiroe
A friend and ally of Wen-Ching who heads to the mountains to join leftist guerillas; embodies commitment to resistance even as personal costs mount.
Hiromi
Loves Wen-Ching; after Hiroe urges his return, she marries him and later bears a child, sharing in the couple's attempt to find stability amid conflict and dispersion.
Mr. Wu
A member of the Wu family visible in the neighborhood; his presence reflects the broader social webs and pressures outside the Lin household as the town undergoes political reordering.
Mei Wu's Mother (Mei Fang)
Wu's mother, representing elder generations who bear witness to the social changes and who provide a bridge to tradition amid upheaval.
Meidai
A character in the Wu circle whose presence adds to the neighborhood's social fabric; participates in daily life as the town unfolds under postwar pressures.
Shizuko Ogawa
A neighborhood figure tied to the broader cast, reflecting cross-cultural ties and the era's international dimensions.
Jin Quan
A supporting character who interacts with the Lin family and neighborhood dynamics during the postwar turmoil.
Reporter He
Journalistic presence that captures the events around martial law and mass violence; a symbol of the external gaze on Taiwan's turmoil.
Wu Kuan Rong
A Wu family member who appears in scenes illustrating neighborhood life during the turbulence; associated with Hinome in the cast list.
A City of Sadness Settings
Learn where and when A City of Sadness (1989) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1945-1949
The action spans the late 1940s, beginning with Japan's surrender on August 15, 1945, and continuing through the turbulent years leading up to the end of the civil strife in 1949. Taiwan shifts from a colonial relationship with Japan to a fragile, martial-law era under the Kuomintang. The February 28 Incident of 1947 marks a brutal turning point, as mass arrests and executions reshape daily life and family futures.
Location
coastal town near Taipei, Taiwan
Set in a seaside town near Taipei, the story unfolds in the immediate aftermath of Japan's surrender. The locale is tight-knit, with the Lin family's bar, Little Shanghai, serving as a hub for locals and migrants arriving after 1945. The place reflects a society in flux, where ordinary life collides with political upheaval and violence.
A City of Sadness Themes
Discover the main themes in A City of Sadness (1989). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Family ties
The Lin family's bonds sustain members through betrayal, tragedy, and political peril. Generational expectations clash with the harsh realities of postwar life as the brothers navigate loyalty to kin and to changing political currents. The home becomes a microcosm of a society fractured by occupation, repression, and resistance.
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Power and oppression
The film depicts how authority figures—Japanese, then Kuomintang—use coercion, accusation, and force to control people. Arrests, torture, and mass violence intrude into everyday life, dragging ordinary citizens into political conflict. Individuals are forced to choose sides, often at grave personal cost.
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Resistance and memory
Leftist guerillas, dissidents, and their supporters resist occupying and opposing powers, even as the state cracks down. The characters' memories of war and betrayal shape trust, love, and future decisions. The narrative suggests memory can empower but also haunt generations, influencing identity long after the battles end.
A City of Sadness Spoiler-Free Summary
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In the years following the end of Japanese rule, a coastal town near Taipei becomes a quiet stage for a nation in transition. The island is reshaped by an influx of new authorities and ideologies, and an anti‑communist campaign casts a long, watchful shadow over everyday life. The film captures this tense atmosphere with a measured, almost reverent visual style—soft, lingering shots of narrow alleys, bustling markets, and dimly lit interiors that convey both the lingering hopes of a newly liberated people and the oppressive weight of a government determined to control thought and speech.
At the heart of the story is Wen Leung, the eldest son who runs a modest bar called “Little Shanghai.” His establishment is more than a place to drink; it is a gathering point where the neighborhood’s varied voices mingle, and where he subtly holds his family together amid the uncertainty of the era. His steady presence and quiet determination provide a grounding force, suggesting that even in turbulent times, ordinary people can carve out pockets of stability and connection.
The family’s younger members each embody different facets of the period’s restless energy. The second son, a former military doctor, carries the lingering trauma of war while searching for his place in a society that has dramatically shifted. Wen‑ching, the youngest, is a deaf photographer whose keen eye captures the world’s contradictions, and whose friendships hint at a lingering idealism that refuses to be silenced. Wen‑liang, once an interpreter for the Japanese, bears the weight of a past that now sits uneasily under the new regime’s scrutiny. Their intersecting desires, loyalties, and doubts create a delicate tapestry of personal ambition and collective pressure.
Through intimate moments—shared meals, hushed conversations, and the simple rhythms of daily chores—the film weaves a portrait of resilience. The tone remains introspective, balancing melancholy with fleeting flashes of warmth, inviting viewers to feel the quiet tension that pervades a community striving to retain its humanity while navigating an era marked by fear, surveillance, and the relentless push of history.
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