Directed by

Petersen Vargas
Made by

Daluyong Studios
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Read the complete plot summary and ending explained for Some Nights I Feel Like Walking (2024). From turning points to emotional moments, uncover what really happened and why it matters.
Miguelito, Bayani, Rush, and Uno are a group of friends in Metro Manila who work as street hustlers and masseurs to survive. They search for clients and pickpocket to pay rent. Miguelito splits from the group to entertain a client, while the rest enter an erotic cinema.
Uno meets with a client who performs a three-way with a hustler who ran away from home named Zion. After the act, Bayani robs Zion in the bathroom, but Uno intervenes. Uno and Zion go to a mall to get bandages for Zion. While in the mall, Uno receives a distress call from Miguelito, and they rush out to find him. Zion finds him dying in a parking lot, who wishes to be returned to his hometown. Zion and Uno could not bring Miguelito to the hospital as Uno believes that he was drugged by his client.
Alongside Zion, Uno meets up with his friends and informs them of Miguelito’s death and his dying wish. They agree to bring him to his hometown, although Bayani aggressively expresses his distrust of Zion. They take a taxicab and stop at a hotel to clean Miguelito’s body and store it in a bag. Uno reflects with Zion on what could be his final resting place be, his want to stop sex work, and the fact that he does not own his body as a hustler, and narrates to Zion in the shower room a memory of his first interaction with Bayani
They board a bus at midnight for a rural town named Painawa. They are stopped for carrying an oversized bag, but they are allowed to get in after Zion mentions that he is the son of a military general. After they arrive at Painawa, Rush, Bay, and Uno leave Zion in the bus for the town plaza. Zion eventually finds Uno in a grass field. Uno admits that he left the group to search for Zion and expresses his love for him, and they make out. They find themselves lost in the field and walk into a drag bar; they are generously provided a ride to the plaza, where a festival is happening.
Uno and Zion meet Rush and Bayani waiting by a town chapel. They find out that the house address they plan to visit is vacant, and the only relative of Miguelito is his brother, who is now a pastor. They find Miguelito’s brother and tell him of Miguelito’s death, hoping that he will provide Miguelito with a funeral. However, Miguelito’s brother forsakes and rejects him as he left for Manila, according to Miguelito’s brother, to live a sinful life. The group becomes infuriated, and Bayani and Zion beat Miguelito’s brother. They escape and find themselves in the festival venue, where a fireplace is situated for festival offerings. As the group realizes that Miguelito’s body has nowhere else to go, they reluctantly bring the bag with Miguelito’s body into the fire.

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Discover the spoiler-free summary of Some Nights I Feel Like Walking (2024). Get a concise overview without any spoilers.
In the bustling streets of Metro Manila, a world of neon signs and cramped alleys hides a network of people who survive by slipping through the cracks of the city’s glittering façade. Into this gritty tapestry arrives Miguelito, a teenager raised in comfort who impulsively runs away from the trappings of his affluent upbringing. Drawn by curiosity and a yearning for something real, he finds himself thrust among a close‑knit crew of street hustlers, each carrying their own blend of ambition, humor, and unspoken pain.
The core of the group revolves around Bayani, a charismatic figure whose quick wit masks deeper scars; Rush, whose restless energy keeps the rag‑tag family moving forward; and Uno, the pragmatic planner who holds the others together with a mix of street‑smarts and quiet compassion. Their circle widens when they cross paths with Zion, a newcomer whose mysterious past adds another layer of tension and possibility. Together, they navigate the chaotic rhythm of the city—night markets, cramped cabs, and the ever‑present hum of traffic—while forging a fragile camaraderie that feels both precarious and essential.
When a sudden, heartfelt request from a lost friend surfaces, the eclectic group sets out on an unexpected road trip across the island’s countryside. The journey becomes a moving backdrop for an unspoken test of loyalty, where the teenager’s polished perspective collides with the raw authenticity of his companions’ lives. As they travel toward a destination that promises closure, the film balances moments of tender vulnerability with the electric pulse of urban life, inviting viewers to contemplate the limits of friendship, the weight of promises, and the strange beauty that can arise when two worlds finally intersect.
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